Includes history and culture of Japan, also shows Japan by regions with a guide to hotels, restaurants, shopping and transportation ; over 100 maps and illustrations.

A thousand years ago, most visitors to Japan would have arrived by ship at Hakata Bay, the one and only authorized gateway to Japan. Hakata was the location of the Kôrokan, an official guest-house for foreign visitors that is currently yielding its secrets to the spades of Japanese archaeologists. Nearby was Dazaifu, the imperial capital of western Japan, surrounded by mountain fortresses and defended by an army of border guards. Over the ages, Hakata was a staging ground for Japanese troops on their way to Korea and ground zero for foreign invasions of Japan. Through the port passed a rich variety of diplomats, immigrants, raiders, and traders, both Japanese and foreign. Gateway to Japan spotlights four categories of cross-cultural interaction—war, diplomacy, piracy, and trade—over a period of eight hundred years to gain insight into several larger questions about Japan and its place in the world: How and why did Hakata come to serve as the country’s "front door"? How did geography influence the development of state and society in the Japanese archipelago? Has Japan been historically open or closed to outside influence? Why are Japanese so profoundly ambivalent about other places and people? Individual chapters focus on Chinese expansionism and its consequences for Japan and East Asia as a whole; the subtle (and not-so-subtle) contradictions and obfuscations of the diplomatic process as seen in Japanese treatment of Korean envoys visiting Kyushu; random but sometimes devastating attacks on Kyushu by Korean (and sometimes Japanese) pirates; and foreign commerce in and around Hakata, which turns out to be neither fully "foreign" nor fully "commerce" in the modern sense of the word. The conclusion briefly traces the story forward into medieval and early modern times. Enriched by fascinating historical vignettes and dozens of maps and photographs, this engagingly written volume explores issues not only important for Japan’s early history but also highly pertinent to Japan’s role in the world today. Now, as in the period examined here, Japan has one principal entry point (the international airport at Narita); its relationship with the outside world (both East and West) is ambivalent; and, while sometimes astonishingly open-minded, Japanese are at other times frustratingly exclusive in their dealings with non-Japanese. Gateway to Japan will be of substantial interest to all students of Japan, East Asia, and intercultural studies.

In Imperial Gateway, Seiji Shirane explores the political, social, and economic significance of colonial Taiwan in the southern expansion of Japan's empire from 1895 to the end of World War II. Challenging understandings of empire that focus on bilateral relations between metropole and colonial periphery, Shirane uncovers a half century of dynamic relations between Japan, Taiwan, China, and Western regional powers. Japanese officials in Taiwan did not simply take orders from Tokyo; rather, they often pursued their own expansionist ambitions in South China and Southeast Asia. When outright conquest was not possible, they promoted alternative strategies, including naturalizing resident Chinese as overseas Taiwanese subjects, extending colonial police networks, and deploying tens of thousands of Taiwanese to war. The Taiwanese—merchants, gangsters, policemen, interpreters, nurses, and soldiers—seized new opportunities for socioeconomic advancement that did not always align with Japan's imperial interests. Drawing on multilingual archives in six countries, Imperial Gateway shows how Japanese officials and Taiwanese subjects transformed Taiwan into a regional gateway for expansion in an ever-shifting international order. Thanks to generous funding from the National Endowment for the Humanities Open Book Program and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

In the decades following World War II, municipal leaders and ordinary citizens embraced San Francisco’s identity as the “Gateway to the Pacific,” using it to reimagine and rebuild the city. The city became a cosmopolitan center on account of its newfound celebration of its Japanese and other Asian American residents, its economy linked with Asia, and its favorable location for transpacific partnerships. The most conspicuous testament to San Francisco’s postwar transpacific connections is the Japanese Cultural and Trade Center in the city’s redeveloped Japanese-American enclave. Focusing on the development of the Center, Meredith Oda shows how this multilayered story was embedded within a larger story of the changing institutions and ideas that were shaping the city. During these formative decades, Oda argues, San Francisco’s relations with and ideas about Japan were being forged within the intimate, local sites of civic and community life. This shift took many forms, including changes in city leadership, new municipal institutions, and especially transformations in the built environment. Newly friendly relations between Japan and the United States also meant that Japanese Americans found fresh, if highly constrained, job and community prospects just as the city’s African Americans struggled against rising barriers. San Francisco’s story is an inherently local one, but it also a broader story of a city collectively, if not cooperatively, reimagining its place in a global economy.

This book examines key themes of Kyushu’s history from earliest times – the cultural interaction with the continental mainland, settlement, location and infrastructure as well as trade and commerce – arguing that it was the principal stepping-stone in terms of Japan’s cultural, social and economic advance through history up to the present day.

Faced with western contempt and suspicion, the Meiji Government staged this exhibition to advance Japanese agendas in political, economic and educational terms. The first major study principally concerned with the Japanese side of this story.

Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.

New York Times Bestseller: A “virtually faultless” account of the last weeks of WWII in the Pacific from both Japanese and American perspectives (The New York Times Book Review). By midsummer 1945, Japan had long since lost the war in the Pacific. The people were not told the truth, and neither was the emperor. Japanese generals, admirals, and statesmen knew, but only a handful of leaders were willing to accept defeat. Most were bent on fighting the Allies until the last Japanese soldier died and the last city burned to the ground. Exhaustively researched and vividly told, The Fall of Japan masterfully chronicles the dramatic events that brought an end to the Pacific War and forced a once-mighty military nation to surrender unconditionally. From the ferocious fighting on Okinawa to the all-but-impossible mission to drop the 2nd atom bomb, and from Franklin D. Roosevelt’s White House to the Tokyo bunker where tearful Japanese leaders first told the emperor the truth, William Craig captures the pivotal events of the war with spellbinding authority. The Fall of Japan brings to life both celebrated and lesser-known historical figures, including Admiral Takijiro Onishi, the brash commander who drew up the Yamamoto plan for the attack on Pearl Harbor and inspired the death cult of kamikaze pilots., This astonishing account ranks alongside Cornelius Ryan’s The Longest Day and John Toland’s The Rising Sun as a masterpiece of World War II history.

Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century. Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto

Globalization is usually thought of as the worldwide spread of Western—particularly American—popular culture. Yet if one nation stands out in the dissemination of pop culture in East and Southeast Asia, it is Japan. Pokémon, anime, pop music, television dramas such as Tokyo Love Story and Long Vacation—the export of Japanese media and culture is big business. In Recentering Globalization, Koichi Iwabuchi explores how Japanese popular culture circulates in Asia. He situates the rise of Japan’s cultural power in light of decentering globalization processes and demonstrates how Japan’s extensive cultural interactions with the other parts of Asia complicate its sense of being "in but above" or "similar but superior to" the region. Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan. Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.