"In addition, Cothran provides profiles of prominent gardeners, horticulturists, nurserymen, and writers who, in the decades preceding the American Civil War, were instrumental in shaping the horticultural and gardening legacy of the South."--BOOK JACKET.

From an historical perspective on landscape development in America, this well-illustrated book tells how to select the right period for your garden, identify authentic plants, research and plan its development, and maintain the restored landscape.

Slavery was at the heart of the South's agrarian economy before and during the Civil War. Agriculture provided products essential to the war effort, from dietary rations to antimalarial drugs to raw materials for military uniforms and engineering. Drawing on a range of primary sources, this history examines the botany and ethnobotany of America's defining conflict. The author describes the diverse roles of cash crops, herbal medicine, subsistence agriculture and the diet and cookery of enslaved people.

Seeking Eden promotes an awareness of, and appreciation for, Georgia’s rich garden heritage. Updated and expanded here are the stories of nearly thirty designed landscapes first identified in the early twentieth-century publication Garden History of Georgia, 1733–1933. Seeking Eden records each garden’s evolution and history as well as each garden’s current early twenty-first-century appearance, as beautifully documented in photographs. Dating from the mid-eighteenth to the early twentieth centuries, these publicly and privately owned gardens include nineteenth-century parterres, Colonial Revival gardens, Country Place–era landscapes, rock gardens, historic town squares, college campuses, and an urban conservation garden. Seeking Eden explores the significant impact of the women who envisioned and nurtured many of these special places; the role of professional designers, including J. Neel Reid, Philip Trammel Shutze, William C. Pauley, Robert B. Cridland, the Olmsted Brothers, Hubert Bond Owens, and Clermont Lee; and the influence of the garden club movement in Georgia in the early twentieth century. FEATURED GARDENS: Andrew Low House and Garden | Savannah Ashland Farm | Flintstone Barnsley Gardens | Adairsville Barrington Hall and Bulloch Hall | Roswell Battersby-Hartridge Garden | Savannah Beech Haven | Athens Berry College: Oak Hill and House o’ Dreams | Mount Berry Bradley Olmsted Garden | Columbus Cator Woolford Gardens | Atlanta Coffin-Reynolds Mansion | Sapelo Island Dunaway Gardens | Newnan vicinity Governor’s Mansion | Atlanta Hills and Dales Estate | LaGrange Lullwater Conservation Garden | Atlanta Millpond Plantation | Thomasville vicinity Oakton | Marietta Rock City Gardens | Lookout Mountain Salubrity Hall | Augusta Savannah Squares | Savannah Stephenson-Adams-Land Garden | Atlanta Swan House | Atlanta University of Georgia: North Campus, the President’s House and Garden, and the Founders Memorial Garden | Athens Valley View | Cartersville vicinity Wormsloe and Wormsloe State Historic Site | Savannah vicinity Zahner-Slick Garden | Atlanta

Collected essays by two of America's earliest environmental authors retain relevance today William Summer founded the renowned Pomaria Nursery, which thrived from the 1840s to the 1870s in central South Carolina and became the center of a bustling town that today bears its name. The nursery grew into one of the most important American nurseries of the antebellum period, offering wide varieties of fruit trees and ornamentals to gardeners throughout the South. Summer also published catalogs containing well-selected and thoroughly tested varieties of plants and assisted his brother, Adam, in publishing several agricultural journals throughout the 1850s until 1862. In Taking Root, James Everett Kibler, Jr., collects for the first time the nature writing of William and Adam Summer, two of America's earliest environmental authors. Their essays on sustainable farm practices, reforestation, local food production, soil regeneration, and respect for Mother Earth have surprising relevance today. The Summer brothers owned farms in Newberry and Lexington Counties, where they created veritable experimental stations for plants adapted to the southern climate. At its peak the nursery offered more than one thousand varieties of apples, pears, peaches, plums, figs, apricots, and grapes developed and chosen specifically for the southern climate, as well as offering an equal number of ornamentals, including four hundred varieties of repeat-blooming roses. The brothers experimented with and reported on sustainable farm practices, reforestation, land reclamation, soil regeneration, crop diversity rather than the prevalent cotton monoculture, and animal breeds accustomed to hot climates from Carolina to Central Florida. Written over a span of two decades, their essays offer an impressive environmental ethic. By 1860 Adam had concluded that a person's treatment of nature is a moral issue. Sustainability and long-term goals, rather than get-rich-quick schemes, were key to this philosophy. The brothers' keen interest in literature is evident in the quality of their writing; their essays and sketches are always readable, sometimes poetic, and occasionally humorous and satiric. A representative sampling of their more-than-six hundred articles appear in this volume.

This New York Times bestseller shares the rich history of the White House grounds, revealing how the story of the garden is also the story of America. The 18-acres surrounding the White House have been an unwitting witness to history—kings and queens have dined there, bills and treaties have been signed, and presidents have landed and retreated. Throughout it all, the grounds have remained not only beautiful, but also a powerful reflection of American trends. In All the Presidents' Gardens bestselling author Marta McDowell tells the untold history of the White House grounds with historical and contemporary photographs, vintage seeds catalogs, and rare glimpses into Presidential pastimes. History buffs will revel in the fascinating tidbits about Lincoln’s goats, Ike's putting green, Jackie's iconic roses, Amy Carter's tree house, and Trump's controversial renovations. Gardeners will enjoy the information on the plants whose favor has come and gone over the years and the gardeners who have been responsible for it all. As one head gardener put it, “What’s great about the job is that our trees, our plants, our shrubs, know nothing about politics.”

From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.

Landscape architect Lake Douglas employs written accounts, archival data, historic photographs, lithographs, maps, and city planning documents -- many of which have never been published until now -- to explore public and private outdoor spaces in New Orleans and those who shaped them. Public Spaces, Private Gardens, an informative stroll through the last two hundred years of the designed landscapes and horticultural past of New Orleans, offers a fresh look at the cultural landscape of one of America's most interesting and historic cities.

Recovered in the mid-1990s from the attic of a Turnbull family descendant, Martha Turnbull's garden diary offers the most extensive surviving first-hand account of nineteenth-century plantation life and gardening in the Deep South. Landscape architecture professor and preservationist Suzanne Turner spent fifteen years transcribing and annotating the original manuscript, making it accessible to twenty-first-century gardening enthusiasts. The resulting dialogue between Turnbull's diary entries and Turner's illuminating notes demonstrates the pivotal role that kitchen and pleasure gardens held in the lives of planter families. In addition, the diary documents the relationship between the mistress and the enslaved whose labor made her vast gardens possible. Turner's exquisite interpretation reveals not only an energetic gardener but also a well-read one, eager to experiment with the newest gardening trends. Illustrated with engravings from period books, journals, and nursery catalogs, Turner's annotations provide the reader with a deeper understanding of American horticultural history. The diary, spanning the years 1836 through 1894, reveals the portrait of a courageous and resilient woman. After the tragic loss of her two sons and husband prior to the Civil War, Martha assumed full responsibility for her family and the plantation. She endured living under siege during the war and persevered during Reconstruction by growing and selling food as a truck farmer. By working daily in her ornamental garden and faithfully maintaining her diary for nearly sixty years, she found the solace and peace to look forward to the future.

Southern Bound represents a running conversation on books, writers, and literary travel written for the Mobile Press-Register Books page from 1995 to 2011 by John S. Sledge. The collection includes more than one hundred of the best pieces culled from Sledge's total output of approximately seven hundred columns. Numerous classic authors are celebrated in these pages, including Homer, Plato, Gibbon, Melville, Proust, Conrad, Cather, and Steinbeck as well as modern writers such as Walter Edgar, Tom Franklin, and Eugene Walter. While some of the essays are relatively straightforward book reviews, others present meditative and deeply personal perspectives on the author's literary experiences such as serving on the jury in the play version To Kill a Mockingbird; spending the night alone in a Jesuit college library's venerable stacks; rambling through funky New Orleans bookshops; talking to Square Books owner Richard Howorth while overlooking the Oxford, Mississippi courthouse; rereading Treasure Island on the shores of Mobile Bay; and remembering a beloved father's favorite books. Engaging and spirited, Southern Bound represents the critical art at its most accessible and will prove entertaining fare for anyone who loves the written word.