Jane Brown describes the range of influences upon gardens and their design from the heyday of Gertrude Jekyll one hundred years ago to the innovative ideas of Sir Geoffrey Jellicoe.

Drawing from the unrivaled photographic archives of Country Life, this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and continues with the Edwardian debate between formality and "wild" gardening as well as interwar grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 photographs, this is an illuminating survey of an outstanding century of British garden-making.

A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

Reveals the history and development of garden and landscape design in the 20th century by focussing on the key personalities who have shaped - and continue to form - today's taste in gardens. The 20th century was an important period when garden designers began to apply the same design principles to the smaller private garden or to public spaces as had previously been applied to country houses. From early stars such as Gertrude Jekyll, Russell Page, and Thomas Church to pivotal contemporary designers such as Jacques Wirtz, Kathryn Gustafson, Beth Chatto, and Peter Walker, this overview puts the complete spectrum of garden designers into perspective. The 56 garden and landscape designers whose work is featured in depth are organized by their prime focus - colour and decoration, plants, concept, form, structure, texture, or materials. The book is also full of anecdotes and quotes that provide a unique insight into each designer's work

This volume is an ambitious study of efforts by twentieth-century states to reshape—either through social policy or brute force—their societies and populations according to ideologies based on various theories of human perfectibility.

Innovative landscape architect Leberecht Migge espoused an idea of garden culture that reflected the progressive political currents of early twentieth-century Germany. Garden Culture of the Twentieth Century details his vision, including an emphasis on the socioeconomic benefits of urban agriculture that prefigured this now popular trend.

The natural beauty of Austin, Texas, has always been central to the city's identity. From the beginning, city leaders, residents, planners, and employers consistently imagined Austin as a natural place, highlighting the region's environmental attributes as they marketed the city and planned for its growth. Yet, as Austin modernized and attracted an educated and skilled labor force, the demand to preserve its natural spaces was used to justify economic and racial segregation. This effort to create and maintain a "city in a garden" perpetuated uneven social and economic power relationships throughout the twentieth century. In telling Austin's story, Andrew M. Busch invites readers to consider the wider implications of environmentally friendly urban development. While Austin's mainstream environmental record is impressive, its minority groups continue to live on the economic, social, and geographic margins of the city. By demonstrating how the city's midcentury modernization and progressive movement sustained racial oppression, restriction, and uneven development in the decades that followed, Busch reveals the darker ramifications of Austin's green growth.

In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.