The best short stories of Satyajit Ray Best known for his immensely popular Feluda mysteries and the adventures of Professor Shonku, Satyajit Ray was also one of the most skilful short story writers of his generation. Ray’s short stories often explore the macabre and the supernatural, and are marked by the sharp characterization and trademark wit that distinguish his films. This collection brings together Ray’s best short stories—including such timeless gems as ‘Khagam’, ‘Indigo’, ‘Fritz’, ‘Bhuto’, ‘The Pterodactyl’s Egg’, ‘Big Bill’, ‘Patol Babu, Film Star’ and ‘The Hungry Septopus’—which readers of all ages will enjoy. A collection of forty-nine short stories

A haunting collection of stories from the master of suspense and intrigue, this book showcases some of Satyajit Ray’s memorable explorations into the twilight territories of the peculiar and supernatural.

Spine-tingling tales from the other side of midnight. Indigo is the mood in this new collection of stories about the supernatural, the peculiar and the inexplicable from Satyajit Ray, one of the best-loved writers of our times. There are tales here of dark horror, fantasy and adventure along with heart-warmingly funny stories about ordinary people in extraordinary situations. In 'Big Bill' Tulsi Babu picks up a newly-hatched chick from a forest and brings it home only to find it growing bigger and fiercer by the day; in 'Khagam' a man kills a sadhu's deadly pet snake and invites a curse which brings about horrifying changes in his body; and in the title story, a young executive resting in an old abandoned bungalow for a night, finds himself caught up in a chilling sequence of events which occurred more than a century ago. Also included here is 'The Magical Mystery', a brand new Feluda story discovered amongst Ray's papers after his death, and several tales featuring Uncle Tarini, the master storyteller who appears in translation for the first time. From Mr. Shasmal, who is visited one night by all the creatures he has ever killed, to Ashamanja Babu, who does not know what to do when his pet dog suddenly begins to laugh, the unforgettable characters in these stories surprise, shock and entertain us in equal measure. Indigo is a veritable treasure trove especially for those who like a taste of the unusual in a short story and an unexpected twist at the end. Translated from the Bengali by the author and Gopa Majumdar.

Twelve Timeless Stories By A Master Storyteller The Creator Of Immortal Films, Satyajit Ray Was Also A Writer Of Great Repute. In This Collection Are Some Of His Most Extraordinary And Gripping Stories That Will Take Readers To Realms Of Adventure, Fantasy And Horror. While &Lsquo;Bonku Babu&Rsquo;S Friend&Rsquo; Deals With A Mofussil Schoolteacher&Rsquo;S Encounter With A Friendly And Somewhat Awkward Alien, &Lsquo;Anath Babu&Rsquo;S Terror&Rsquo; Is The Tale Of A Ghost Hunter&Rsquo;S Foray Into A Haunted House. Meet Bipin Chowdhury, Who Seems To Be Suffering From A Most Disagreeable Bout Of Amnesia, And Read The Amazing Story Of A Carnivorous Plant With A Monstrous Appetite In &Lsquo;The Hungry Septopus&Rsquo;. This Collection Also Includes Two Stories Featuring Everyone&Rsquo;S Favourite Detective, Feluda.&Nbsp; Published Originally In Bengali As Ek Dojon Goppo, This Collection&Mdash;The First In A Series Of Short Stories Written By The Master Storyteller&Mdash;Is Funny, Sinister And Intriguing By Turns And Truly A Must-Have. &Nbsp;

Pick up an alien’s egg go crocodile hunting; run with a gang of pickpockets get lost in a magical maze. All this and more in these stories of adventure, humour and imagination.Oliver Twist leaves behind his gang of criminals for a better life an open window is just what a fertile mind needs in Saki’s ‘The Open Window’ Satyajit Ray’s Badan Babu has a brush with a Pterodactyl’s egg Rabindranath Tagore recollects boyhood days spent dreaming in an abandoned palanquin; and Sherlock Holmes sets off to solve the mystery of the engineer’s thumb. Featuring the works of such renowned authors as Charles Dickens, Louisa May Alcott, Premchand, Mark Twain and others, and a lively introduction by well-known children’s author Paro Anand, The Puffin Book of Classic Stories for Boys is a matchless collection from the masters of world literature for boys of all ages.

Satyajit Ray (1921-1991), polymath, polyglot, novelist, short-story writer, illustrator, designer, music composer, was one of the most eminent film directors of world cinema. His Pather Panchali (Song of the Little Road, 1955) established his position as a major film director, winning numerous awards. Recipient of the Lifetime Academy Award in 1992 'In recognition of his rare mastery of the art of motion pictures and for his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world', Ray took Indian cinema to a grand platform hitherto unachieved by any Indian film director. "Not to have seen the cinema of Ray means,' said Akira Kurosawa, 'existing in the world without seeing the sun or the moon.' While Ray's films are fairly well-known, his writings-fiction and non-fiction-written in Bengali and English continue to attract attention. His illustrations, design works, comic strips, science fictions, detective stories are gems of Indian literature. Ray's non-fictions are gems, which bring to lights his thoughts on film-making, film appreciation, composition of music, art, design and screenplay, among others. 'The Penguin Ray Library' is an endeavour to open a window to the master's writings to a wide spectrum of readers. From the ever-popular adventures of Ray's enduring creation, the professional sleuth Feluda to the chronicles of Professor Shonku; short stories; writings on filmmaking; and thoughts on world as well as Indian cinema, among others, this anthology, a two-volume boxset, The Best of Satyajit Ray is not only a treat for the Ray enthusiasts but also a collector's edition.

This book includes 58 selected articles that highlight the major contributions of Professor Radha Charan Gupta—a doyen of history of mathematics—written on a variety of important topics pertaining to mathematics and astronomy in India. It is divided into ten parts. Part I presents three articles offering an overview of Professor Gupta’s oeuvre. The four articles in Part II convey the importance of studies in the history of mathematics. Parts III–VII constituting 33 articles, feature a number of articles on a variety of topics, such as geometry, trigonometry, algebra, combinatorics and spherical trigonometry, which not only reveal the breadth and depth of Professor Gupta’s work, but also highlight his deep commitment to the promotion of studies in the history of mathematics. The ten articles of part VIII, present interesting bibliographical sketches of a few veteran historians of mathematics and astronomy in India. Part IX examines the dissemination of mathematical knowledge across different civilisations. The last part presents an up-to-date bibliography of Gupta’s work. It also includes a tribute to him in Sanskrit composed in eight verses.

Zero has been axial in human development, but the origin and discovery of zero has never been satisfactorily addressed by a comprehensive, systematic and above all interdisciplinary research program. In this volume, over 40 international scholars explore zero under four broad themes: history; religion, philosophy & linguistics; arts; and mathematics & the sciences. Some propose that the invention/discovery of zero may have been facilitated by the prior evolution of a sophisticated concept of Nothingness or Emptiness (as it is understood in non-European traditions); and conversely, inhibited by the absence of, or aversion to, such a concept of Nothingness in the West. But not all scholars agree. Join the debate.

Procreare iucundum, sed parturire molestum. (Gauss, sec. Eisenstein) The plan of this book was first conceived eight years ago. The manuscript developed slowly through several versions until it attained its present form in 1979. It would be inappropriate to list the names of all the friends and advisors with whom I discussed my various drafts but I should like to mention the name of Mr. Gary Cornell who, besides discussing with me numerous details of the manuscript, revised it stylistically. There is much interest among mathematicians to know more about Gauss's life, and the generous help I received has certainly more to do with this than with any individual, positive or negative, aspect of my manuscript. Any mistakes, errors of judgement, or other inadequacies are, of course, the author's responsi bility. The most incisive and, in a way, easiest decisions I had to make were those of personal taste in the choice and treatment of topics. Much had to be omitted or could only be discussed in a cursory way.