Surely no one had so little in common with Miranda Troy as did Charles Hastings, despite their mothers' maddening insistence that they should wed. Miranda adored landscape gardening on her family's quiet country estate, while the only gardening that interested Mr. Hastings was sowing wild oats!

"A charming story with an intriguing plot, an honorable hero, a determined heroine, likable secondary characters, and of course, gaming! Cara King is a talented new Regency voice."--Amanda McCabe. Original.

The Basset Table follows the fortunes of Lady Reveller, who runs a table where her friends play the card game basset, and her struggle to avoid marrying Lord Worthy. Meanwhile, Lady Reveller’s cousin, Valeria, spends her time conducting scientific experiments and dissections, but her father intends to marry her off to the bluff sea-captain Hearty. How can Lady Reveller be persuaded to forego the delights of gambling? And how can Valeria avoid an unwanted marriage? This witty play paints a seductive picture of the thrills of the Restoration gaming table and challenges contemporary stereotypes of the learned lady. Appendices to this Broadview Edition include materials on female education, gambling, and writing for the stage, as well as eighteenth- and nineteenth-century critical writing on Centlivre and The Basset Table.

The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660–1700 Managing Entertainment: 1700–1760 Entertainment in an Age of Revolutions: 1760–1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions. Taking in the spectrum of this period’s dramatic landscape—from Restoration tragedy and comedies of manners to ballad opera and gothic spectacle—The Routledge Anthology of Restoration and Eighteenth-Century Drama is an essential resource for students and teachers alike.

Combining insights from 200 eclectic objects discovered on the Thames foreshore, meticulous historical research and contextual illustrations, Mudlarkd uncovers the hidden histories of forgotten people from all over the world. Beginning in each case with a particular find, Malcolm Russell tells the stories of the people who owned, made or used such objects, revealing the habits, customs and crafts not only of those living in London but also of those passing through, from continental Europe, the Americas, Africa, Asia and Australia. In the 18th and 19th centuries London was the busiest port in the world, exchanging goods, ideas, people and power with every continent. The Thames long acted as Londons water source, shipyard, thoroughfare and rubbish dump. Its banks have been densely packed with taverns, brothels, markets and workplaces, and scavengers known as mudlarks - have scoured them since at least the 18th century. Consequently, the Thames today offers a repository of intriguing objects that evoke ways of life long forgotten. A delicate bone hair pin uncovers the story of Roman ornatrices - enslaved hairdressers. A counterfeit coin reveals the heritage of millions of Australians. Glass beads expose the brutal dynamics of the transatlantic slave trade. Clay tobacco pipes uncover the lives of Edwardian women parachutists and Victorian magicians. A scrap of Tudor cloth illuminates the stories of Dutch and French religious refugees. The book also includes a primer, giving step-by-step advice on how to mudlark on tidal rivers and how to identify commonly made finds.

This volume includes: "The Country Wife," by William Wycherley; "The Way of the World," by William Congreve; "The Beggar's Opera," by John Gay; "The Rirals," by Richard Brinsley Sheridan; plus songs, verses, prologues, and epilogues. Introduction by William Makepeace Thackery (on Restoration Comedy).