The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of these new studies. The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.

The Spanish literature discussed in this volume falls into two main categories: the work of Galician novelist, short-story writer and critic, Emilia Pardo Bazan and the wider context of prose fiction and criticism during the period 1870 to 1935.

Darwinian theory - the big idea of the nineteenth century - and its impact on the writing of Benito Pérez Galdós. Despite the fact that Darwinian theory was perhaps the big idea of the nineteenth century, most critics in the past have assumed that Benito Pérez Galdós would have remained unaffected by this scientific and philosophical revolution. This work contends otherwise, charting the influence of evolutionary theories on Galdós throughout his literary career. From his adaptation of the early nineteenth-century costumbristas' depiction of social species into a more sophisticated portrayal of Madrid society to his treatment of shifting social forces at a time of major socio-economic change, Galdós's outlook is shown to be deeply enmeshed in the Darwinian debate. Attention is paid not only to the hypotheses of Darwin himself, but also for instance to Ernst Haeckel's evolutionary thought, to Herbert Spencer's social Darwinism, and to the radical histology of Santiago Ramón y Cajal. Galdós and Darwin discusses how Spain's greatest novelist since Cervantes imaginatively reworked these epoch-making theories and investigates the impact of science on culture as the Spanish nation approached the twentieth century. T. E. BELL completed his Ph.D. under the supervision of Professor Nicholas Round at Sheffield University.

This book explores how notions of deviancy and social control are dramatized in the novels of the late nineteenth-century Spanish realist author Benito Pérez Galdós. Galdós’s treatment of prostitutes, alcoholics, beggars and vagrants is studied within the context of the socio-cultural and medical debates circulating during the period. Drawing on Foucault’s very specific conceptualization of the idea of control through discourses, the book analyzes how Galdós’s novels interacted with contemporary debates on poverty and deviancy – notably, discourses on hygiene, domesticity and philanthropy. It is proposed that Galdós’s view of marginal social groups was much more open-minded, shrewd and liberal than the often inflexible pronouncements made by contemporary professional voices.

A new critical introduction to Galdos' four-part masterpiece set in Madrid in the 1870s.