Collects the manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense, Museum officials, and others). Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay, Julie Abeles, Eleanor Clemm, Jon Hendricks and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group's activities and confrontations.

From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.

An anthology of writings and projects by artists from across Europe and throughout the Americas who developed and extended the genre of institutional critique.

Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalized artists, the "dark matter" of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this "dark matter" of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.

This is the first book-length study of installation art. JulieReiss concentrates on some of the central figures in its emergence,including artists, critics, and curators.

"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."

Description: Puts New Jersey at the center of key art movements during the sixties