Issue 8 of FUTURE SF is themed Medical SF and guest-edited by RM Ambrose. Table of contents: "Second Generation" by Julie Nováková (Czech Republic) "Panoptes" by Eliza Victoria (Philippines) "Keloid Dreams" by Simone Heller (Germany) "Chrysalis" by David Brin (USA) "The Post-Conscious Age" by Su Min (China) translated by Nathan Faries Non-fiction: The Other Reel review column by Paul Levinson

Future SF is a magazine focusing on international science fiction. This issue features stories from Mexico, China, Croatia, and the United States. “The Second Celeste” by Alberto Chimal (Mexico), translated by Patrick Weill “The Two Festivals that Cannot Coexist” by Liu Cixin (China), translated by Nathan Faries “The Office Drone” by Nic Lipitz (USA)“Perfect Date” by Jelena Dunato (Croatia)| “The Final Test” by Ti Sha (China), translated by Judith Huang

Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography

Science fiction magazine featuring stories from across the globe. In this issue we have original fiction and translations from China, the Ukraine, Nigeria, Italy, and the United States. Fiction contents:"The Rule of Three" by Lawrence M. Schoen, "SisiMumu" by Walter Dinjos, "The Emperor of Death" by Marina and Sergey Dyachenko, "One Bad Unit" by Steve Kopka, "The Substance of Ideas" by Clelia Farris, "In All Possible Futures" by Dantzel Cherry, "Perfection" by Mike Resnick, "Wordfall" by Liang Ling. Also included is an interview with Hollywood showrunners Javier Grillo-Marxuach and Jose Molina, an essay about the role of empire in SF storytelling, and a profile of Marina and Sergey Dyachenko by their translator and friend Julia Meitov Hersey. Includes 65,000 words of fiction and articles.

This anthology presents short stories and novellas that originally appeared in pulp magazines of the early 1950s, including "The Variable Man," "Second Variety," "Beyond the Door," "The Defenders," and more.

The twenty-eight stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including: * Cory Doctorow * Robert Charles Wilson * Michael Swanwick * Ian McDonald * Benjamin Rosenbaum * Kage Baker * Bruce McAllister * Alastair Reynolds * Jay Lake * Ruth Nestvold * Gregory Benford * Justin Stanchfield * Walter Jon Williams * Greg Van Eekhout * Robert Reed * David D. Levine * Paul J. McAuley * Mary Rosenblum * Daryl Gregory * Jack Skillingstead * Paolo Bacigalupi * Greg Egan * Elizabeth Bear * Sarah Monette * Ken MacLeod * Stephen Baxter * Carolyn Ives Gilman * John Barnes * A.M. Dellamonica Supplementing the stories are the editor's insightful summation of the year's events and a list of honorable mentions, making this book a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.

Space-opera heroines, gender-bending aliens, post-apocalyptic pregnancies, changeling children, interplanetary battles of the sexes, and much more: a groundbreaking new collection of classic American science fiction by women from the 1920s to the 1960s SF-expert Lisa Yaszek presents the biggest and best survey of the female tradition in American science fiction ever published, a thrilling collection of twenty-five classic tales. From Pulp Era pioneers to New Wave experimentalists, here are over two dozen brilliant writers ripe for discovery and rediscovery, including Leslie F. Stone, Judith Merril, Leigh Brackett, Kit Reed, Joanna Russ, James Tiptree Jr., and Ursula K. Le Guin. Imagining strange worlds and unexpected futures, looking into and beyond new technologies and scientific discoveries, in utopian fantasies and tales of cosmic horror, these women created and shaped speculative fiction as surely as their male counterparts. Their provocative, mind-blowing stories combine to form a thrilling multidimensional voyage of literary-feminist exploration and recovery. CONTENTS Introduction by LISA YASZEK CLARE WINGER HARRIS The Miracle of the Lily (1928) LESLIE F. STONE The Conquest of Gola (1931) C. L. MOORE The Black God’s Kiss (1934) LESLIE PERRI Space Episode (1941) JUDITH MERRIL That Only a Mother (1948) WILMAR H. SHIRAS In Hiding (1948) KATHERINE MACLEAN Contagion (1950) MARGARET ST. CLAIR The Inhabited Men (1951) ZENNA HENDERSON Ararat (1952) ANDREW NORTH All Cats Are Gray (1953) ALICE ELEANOR JONES Created He Them (1955) MILDRED CLINGERMAN Mr. Sakrison’s Halt (1956) LEIGH BRACKETT All the Colors of the Rainbow (1957) CAROL EMSHWILLER Pelt (1958) ROSEL GEORGE BROWN Car Pool (1959) ELISABETH MANN BORGESE For Sale, Reasonable (1959) DORIS PITKIN BUCK Birth of a Gardner (1961) ALICE GLASER The Tunnel Ahead (1961) KIT REED The New You (1962) JOHN JAY WELLS & MARION ZIMMER BRADLEY Another Rib (1963) SONYA DORMAN When I Was Miss Dow (1966) KATE WILHELM Baby, You Were Great (1967) JOANNA RUSS The Barbarian (1968) JAMES TIPTREE JR. The Last Flight of Dr. Ain (1969) URSULA K. LE GUIN Nine Lives (1969)

REMARKABLE DEBUT NOVEL FROM CRITICALLY ACCLAIMED AUTHOR MARTIN L. SHOEMAKER. Shoemaker proves why he has consitently been praised as one of the best story writers in SF today with this touching, thoughtful, action-packed debut novel, based on his award-winning short story Today I am Paul. TODAY Mildred has Alzheimer's. As memories fade, she acquires the aid of a full-time android to assist her in everyday life. Carey. Carey takes care of Mildred, but its true mission is to fill in the gaps in Mildred’s past. To bring yesterday into today by becoming a copy. But not merely a copy of a physical person. A copy from the inside out. I AM After Mildred passes, Carey must find a new purpose. For a time, that purpose is Mildred’s family. To keep them safe from harm. To be of service. There is Paul Owens, the overworked scientist and business leader. Susan Owens, the dedicated teacher. And Millie, a curious little girl who will grow up alongside her android best friend. And Carey will grow up with her. Carey cannot age. But Carey can change. CAREY Carey struggles. Carey seeks to understand life’s challenges. Carey makes its own path. Carey must learn to live. To grow. To care. To survive. To be. At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for Today I Am Carey: "Kindness, love, and compassion make Carey an empathetic character through which to view Shoemaker's complex, beautiful world."—Publishers Weekly “. . . takes readers on a journey of self-discovery, coming of age, and ultimately life itself. . . . Carey’s development as a character is fascinating. VERDICT This exploration of artificial life in the vein of Isaac Asimov’s I, Robot provides fresh insight into the human experience.”—Library Journal "Martin Shoemaker proves conclusively that while a science fiction novel must have the trappings of science fiction, it is at its strongest when it is about people, even an artificial (but emotional) person named Carey."—Mike Resnick “A dazzling ride through the near future. I enjoyed it thoroughly. I’ve never seen anything remotely like it.”—Jack McDevitt “Martin Shoemaker is a rare writer who can handle the challenges of dealing with future technology while touching the human heart. This is a must-read!"—David Farland, New York Times Best-selling Author Praise for the work of Martin L. Shoemaker: "Martin Shoemaker’s ‘Black Orbit’ is a more conventional Analog adventure, and a very good example of such . . . a really solid story." — Rich Horton, Locus Online "['Bookmark'] is an exceptional example of how to discuss deep moral and philosophical issues while maintaining a tight narrative that brings the reader along. This story will be added to the required readings for my SF classes. – Robert L Turner III, Tangent Online

The January/February 2016 issue of Uncanny Magazine. Featuring new fiction by Maria Dahvana Headley, Nghi Vo, Christopher Barzak, Brit Mandelo, and Rose Lemberg, classic fiction by Sarah Rees Brennan, essays by Chris Kluwe, Max Gladstone, Isabel Schechter, and L.M. Myles, poetry by Kayla Whaley, Leslie J. Anderson, and Bryan Thao Worra, interviews with Maria Dahvana Headley and Christopher Barzak by Deborah Stanish, a cover by Priscilla H. Kim, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

This is the first of three volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.