Inaugural issue of a new science fiction magazine with an added focus on international fiction and translation. Ranging from lyrical to humorous, from optimistic to jaded, from earthbound to interstellar, these stories offer six very different glimpses into the future. Matthew Kressel's "The History Within Us" takes place during the final stages of the heat death of the universe, where a ship filled with refugees of different species is huddled near one of the last burning stars, and that star is about to go nova. Tatiana Ivanova's satirical "Impress Me, Then We'll Talk About the Money" imagines the consequences of unscrupulous pharmacologists creating drugs that allow people to fulfill their deepest desire, which is to change. In "Earthrise," Lavie Tidhar examines what it means to be an artist in a futuristic society where humanity has colonized the solar system. In Alvaro Zinos-Amaro's "e^h" human colonists encounter a region of space in which their junk DNA mutates, revealing information encoded there by aliens. Teng Ye's "Universal Cigarettes" is a tongue-in-cheek tale of a grandiose marketing stunt with a dark twist reminiscent of Philip K. Dick's work. In the Nebula Award-nominated "Utopia, LOL?" by Jamie Wahls, a modern-day human wakes from cryogenic suspension in a utopian future overseen by a benevolent computer.

Issue 11 features stories from China, Russia, Belgium, USA, and Germany. Contents: “Knights of the Phantom Realm” by Wanxiang Fengnian (China) translated by Nathan Faries “The Jellyfish” by K.A. Teryna (Russia) translated by Alex Shvartsman “Artificial Zen at the End of the World” by Gunnar De Winter (Belgium) “Unredacted Reports from 1546” by Leah Cypess (USA) “Follow” by T. R. Siebert (Germany) Cover art by Luca Oleastri (Italy) Cover layout by Jay O’Connell (USA) Interior art by K.A. Teryna (Russia)

Future SF is a magazine focusing on international science fiction. In this issue we feature stories from the Czech Republic, Catalonia, Russia, and the United States.

Future SF is a magazine focusing on international science fiction. This issue features stories from Mexico, China, Croatia, and the United States. “The Second Celeste” by Alberto Chimal (Mexico), translated by Patrick Weill “The Two Festivals that Cannot Coexist” by Liu Cixin (China), translated by Nathan Faries “The Office Drone” by Nic Lipitz (USA)“Perfect Date” by Jelena Dunato (Croatia)| “The Final Test” by Ti Sha (China), translated by Judith Huang

Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography

Compares what writers over the centuries have written about an imaginary future with the reality revealed by time.

"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling author A NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPage In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling. Praise for The Once and Future Witches: "A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author "This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's Drum For more from Alix E. Harrow, check out The Ten Thousand Doors of January.

Transplant practices are discussed in the medical realm, in fictional texts and in popular advertisement. Yet how do these sectors intersect and influence each other? How can the accounts of surgeons invested in transplant practice be brought into conversation with fictional voices? Future T/Issues positions transplantation at the intersection of natural science and the humanities and adds to the discussion of organ transplantation by focusing on one specific aspect that is commonly overlooked: the idea of speculation. By engaging with speculative fiction in conversation with life writing, it contributes to a more thorough understanding of transplantation as a cultural practice, showcasing that transplantation is imagined as part of the future both within and beyond the literary sphere. Hereby, this book establishes the relationship between literary and medical narratives as reciprocal, in effect eroding boundaries between the life sciences and literary studies. As an interdisciplinary endeavor, this study contributes to literary studies, specifically to the fields of life writing, speculative fiction, and young adult fiction, it offers insights for the study of transplantation in the popular realm and adds to the medical humanities.

Fourth volume in Mike Ashley's acclaimed set on the history of science-fiction magazines. This volume looks at the 1980s.

From the #1 New York Times bestselling author of Anathem, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years. What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space. But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . . Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth. A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.