The 1940s marked a period of transition in interior design: the quarrel between ancient and modern was outdated, the combination of function and art was essential, and interior designers were more focused on new creations rather than on post-war reconstruction. The style of this period exhibits all the contradictions that arise from a society that was in a general state of shock, unsure of what the future would hold. Exemplary cabinet making marks the period, featuring famous names like T.H. Robsjohn-Gibbing and George Nelson from the United States. In France, Adnet, Arbus, Dominique, Kohlmann, Jallot, and Leleu produced sumptuous ensembles, with beautiful detailing. "Furniture and Interiors of the 1940s" features the work of numerous designers in 300 archival images and recent color photographs that shed new light on this transitional period in design, as it evolved both in Europe and in the United States.

"The 1970s - a revolutionary decade born out of the turbulent late 1960s, during which militant outspokenness and cultural unrest shook up society with lasting effects. Protest against cultural norms and a disillusionment in consumerism went hand in hand with a strong sense of social commitment that propelled radical creative and functional changes in design." "Furniture and Interiors of the 1970s bears witness to the fusion of influences - both societal and individual - that took hold during this explosive decade and catapulted design into its contemporary framework."--BOOK JACKET.

A profusely illustrated guide to every aspect of decorating provides ideas and techniques for increasing the beauty and comfort of homes of all styles and sizes

Emily Henson explores the elements that come together to create this eclectic, colourful and contemporary look and draws inspiration from an array of real-life Bohemian Modern homes.

In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.

Lileks delivers a jaw-dropping retrospective of the worst of the worst rec rooms, dens, bedrooms, and other interior spaces of homes in the years when shag rugs ruled. Everything here is straight out of the pages of 1970s interior design magazines, books, and other supposed arbiters of style and taste.176 pp.

Exceptional interiors by world-renowned designer Alberto Pinto, revealed for the first time. Revered as one of the greatest decorators of the twentieth century, Alberto Pinto made his distinctive mark on the world of interior design thanks to his style, his extraordinary perception and understanding of locations and local cultures, and his perpetually renewed inspiration. Following in the master's footsteps, the Cabinet Alberto Pinto continues to give form to the wildest dreams, while preserving the founder's unrivaled precision to every element of design. This new volume presents the latest creations by the agency in its luxurious, comfortable, generous, and modern signature style. It provides a unique opportunity to discover exceptional interiors that have never been seen before--sumptuous hôtels particuliers, lavish apartments, historical residences, and even a Middle Eastern palace--all of which reveal the quintessential Alberto Pinto style.

The design of the 1970s was distinguished by a strong confluence of creativity and functionalism in furnishing and decor. We already recognize many '70s furniture designs as icons of mid-century modernism-and the proof is the prices they command at fine furniture auctions today.Bony examines the works of international designers whose creations exemplify this period, from the ergonomically-focused designers working in America to the pure design movement in Scandinavia and design innovators in Italy led by Archizoom, Alchymia, and Gaetano Pesce. This indispensable reference book chronicles the period's interior design trends with over 200 photographs focusing on artistic and decorative innovations that created the first intelligent and informed design conversation between two continents.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This comprehensive, practical guide explores how contemporary furniture is used within interior design to define a space, create division and enclosure, and alter or redefine circulation. Initial chapters illustrate the different contexts in which furniture is used, from the office and domestic interiors to retail and exhibition space; look at types of furniture, whether off-the-shelf or bespoke; and explore the new vogue for recycling and vintage. Later chapters examine both traditional materials such as wood and the more unusual such as stone and glass, while also explaining new methods of manufacture – such as Computer Numerical Controlled and Selected Laser Sintering. The final chapter looks at how a design is developed, the site surveyed, prototypes made and specifications and schedules drawn up. Furniture for Interior Design is a detailed, highly illustrated guide to specifying and placing existing manufactured furniture, but also shows the reader how to design, detail, and commission batch-produced furniture or one-off, site-specific pieces.