Law firms are important economic institutions in this country: they collect hundreds of millions of dollars annually in fees, they order the affairs of businesses and of many government agencies, and their members include some of the most influential Canadians. Some firms have a history stretching back nearly two hundred years, and many are over a century old. Yet the history of law firms in Canada has remained largely unknown. This collection of essays, Volume VII in the Osgoode Society's series of Essays in the History of Canadian Law, is the first focused study of a variety of law firms and how they have evolved over a century and a half, from the golden age of the sole practitioner in the pre-industrial era to the recent rise of the mega-firm. The volume as a whole is an exploration of the impact of economic and social change on law-firm culture and organization. The introduction by Carol Wilton provides a chronological overview of Canadian law-firm evolution and emphasizes the distinctiveness of Canadian law-firm history.

In 1857 a Toronto-to-Hamilton train crashed on the Desjardins Canal bridge. Sixty people died, making it one of the worst railway disasters in North America. These are the stories of those associated with the bridge's construction and those who perished in the accident, capturing the ebullient economic confidence of pre-Confederation Canada.

It was one of the great railways that opened up Canada, and played a huge role in the development of Hamilton, the site of its head offices. Yet the rise and fall of the Great Western Railway has been almost lost to memory. David R.P. Guay provides the authoritative book of a great Canadian railway that history forgot.

This volume features about fifty photo historians from fifteen countries offering substantial and previously unpublished essays in honor of Dr. Heinz K. Henisch, the founding editor of the international quarterly History of Photography. The recognized authorities in the field, including Estelle Jussim, Ulrich Keller, Naomi Rosenblum, Mart Haworth-Booth, and others, are represented here and cover a wide range of topics from the earliest daguerreotypes to contemporary photography, with essays on nineteenth century practitioners, photojournalism, and twentieth-century aesthetics. This meaty collection of fifty-six essays is one no serious library, scholar, or student of photography should be without.

Das "lange 19. Jahrhundert" der Nationalstaatenbildung ist auch das Jahrhundert der "Erfindung" der Fotografie wie auch der Geburt der modernen Archivwissenschaften. Die Fotografie wurde bald von den Nationalstaaten in ihrem Bedürfnis nach bildlicher Visualisierung in den Dienst genommen. Nach dem II. Weltkrieg, dem Zerfall der kolonialistischen Systeme und schließlich dem Fall der Berliner Mauer erlangten nationale Fragen erneut Aktualität - nun in einem globalen Rahmen. Die Beiträge in diesem Band untersuchen den Zusammenhang zwischen Fotografie/Fotoarchiven und der Idee der Nation, wobei das Objektiv sich nicht auf einzelne Ikonen, sondern auf die weitreichende Dimension des Archivs richtet.