This publication traces the arc of Hudson Valley-based artist Tanya Marcuse's (born 1964) work over a 15-year period. Fueled by the Biblical narrative of the fall from Eden, these projects use fantastical imagery to explore cycles of growth and decay and the dynamic tension between the passage of time and the photographic medium. The first volume, Fruitless (2005-10), features serial photographs of fruit trees near Marcuse's home in the Hudson Valley. Repeatedly photographing particular trees from the same vantage point, Marcuse catalogs seasonal transformations; the fallen apples become more prominent as the work progresses. In the second volume, Fallen (2010-15), Marcuse imagines the landscape of ruin in Eden after the exile of Adam and Eve. Using fruit collected from beneath the trees of Fruitless, Marcuse depicts an ordered paradise becoming wild and untended. Volume three, Woven (2015-19), takes Fallen's dense arrangements of flora and fauna to a newly immersive scale, with 5-by-10-foot tableaux that converse with medieval millefleur tapestries. These exquisitely detailed photographs evoke a Boschian world of allegory and fable

Fantasy-roman.

"With the support of a Guggenheim Fellowship, I traveled to archives and museums in the U.S. and England photographing undergarments, armor, and the museum forms that populate the storerooms-- breastplates, helmets, corsets, bustles, mannequins and dress forms. I portray these garments and suits of armor as sculptures of the body, carapaces that have outlasted their wearers. Where they once adorned, constricted and protected their wearers, they are now archived as artifacts, the shells of those who once inhabited them." -- Artist's website

A Time Magazine 100 Best Fantasy Books of All Time selection!​ A Reader’s Digest Best Children’s Book of All Time​! This stunning fantasy inspired by Chinese folklore is a companion novel to Starry River of the Sky and the New York Times bestselling and National Book Award finalist When the Sea Turned to Silver In the valley of Fruitless mountain, a young girl named Minli lives in a ramshackle hut with her parents. In the evenings, her father regales her with old folktales of the Jade Dragon and the Old Man on the Moon, who knows the answers to all of life's questions. Inspired by these stories, Minli sets off on an extraordinary journey to find the Old Man on the Moon to ask him how she can change her family's fortune. She encounters an assorted cast of characters and magical creatures along the way, including a dragon who accompanies her on her quest for the ultimate answer. Grace Lin, author of the beloved Year of the Dog and Year of the Rat returns with a wondrous story of adventure, faith, and friendship. A fantasy crossed with Chinese folklore, Where the Mountain Meets the Moon is a timeless story reminiscent of The Wizard of Oz and Kelly Barnhill's The Girl Who Drank the Moon. Her beautiful illustrations, printed in full-color, accompany the text throughout. Once again, she has created a charming, engaging book for young readers.

Ink showcases an unusual body of work by Tanya Marcuse which came about serendipitously after her young son insisted on trying nocturnal squid fishing one summer in Maine. Unlike the majority of Marcuse's large-scale, elaborate works, these images were made with an iPhone camera, a more spontaneous and versatile tool. Marcuse's uncanny images, in which the bodies of squid spread acrobatically across newspaper headlines, fashion advertisements, and marriage announcements, echo the broadside's sense of moral warning and impending apocalypse. As the squid ink obscures the printer's ink, the photographs explore the materiality of the newspaper and the dynamic interplay between its sense of fact and order and the abstract, primordial chaos of the tangled tentacles. Both in their physical presence and the inky marks they leave behind, the bodies of the squid both obscure and transform the apparently objective narratives of the newspaper.

#1 NEW YORK TIMES BESTSELLER • The critically acclaimed singer-songwriter, producer, and six-time Grammy winner opens up about faith, sexuality, parenthood, and a life shaped by music in “one of the great memoirs of our time” (Glennon Doyle, author of Untamed). NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND AUTOSTRADDLE • “The best-written, most engaging rock autobiography since her childhood hero, Elton John, published Me.”—Variety Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood. As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music. In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans. Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

Three narratives, set in the fifth, fourteenth, and twentieth centuries, all revolving around an ancient text and each with a love story at its centre, are the elements of this brilliantly ingenious novel, a follow-up to the international bestseller An Instance of the Fingerpost. The centuries are the 5th (the final days of the Roman Empire); the 14th (the years of the Plague — the Black Death); and the 20th (World War II). The setting for each is the same — Provence — and each has at its heart a love story. The narratives intertwine seamlessly, and what joins them thematically is an ancient text — “The Dream of Scipio” — a work of neo-Platonism that poses timeless philosophical questions. What is the obligation of the individual in a society under siege? What is the role of learning when civilization itself is threatened, whether by acts of man or nature? Does virtue lie more in engagement or in neutrality? “Power without wisdom is tyranny; wisdom without power is pointless,” warns one of Pears’s characters. The Dream of Scipio is a bona fide novel of ideas, a dazzling feat of storytelling, fiction for our times.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

'An enthralling journey into an ancient world.' - Edoardo Albert, author of Edwin: High King of Britain A vividly-realized and beautifully crafted novel focused around the fabled meeting between Sheba and Solomon Against all odds Makeda, daughter of an obscure African chieftain, is chosen as Queen of all Sheba. Recognizing her own inexperience, yet desperately wanting to address Sheba's appalling social injustice, she is persuaded by her cousin Tamrin, wealthy merchant and narrator of the novel, to visit Solomon, King of Israel, to find out about how he governs his kingdom. She is hugely impressed by Israel's prosperity, by the wisdom and integrity with which Solomon rules, by the Hebrew religion, which she decides to adopt as her own, and by the justice for all that she determines to copy. However Solomon, who is trapped in a childless and loveless dynastic marriage with Pharaoh's daughter, allows himself to fall in love with the beautiful and intelligent African. He eventually tricks her into sleeping with him, and on the return journey to Sheba she discovers that she is pregnant. The son to whom she gives birth grows up in the court of Sheba, and eventually travels to Israel with Tamrin, to meet his father. But Solomon is a broken man, having put his doomed love for Makeda and need for an heir before his relationship with God. He has taken hundreds of wives and concubines in a fruitless attempt to recapture the love which he and Makeda shared. And Israel is no longer the nation of his youth . . . When the leader of the nation of God is apostate, where will the blessing fall?