The story of Jamie Renee Coleman’s life and the unfortunate circumstances that she has endured helped to pass a state law that now protects other people and their rights from being permanently sterilized without their knowledge or permission. Roger, my lawyer, said, “Jamie, I am so sorry for you for what your mother and this doctor did to you.” I could see the tears welling up in his eyes. I asked him what I should do now. My lawyer said, “Jamie, I don’t know if you know this or not, but there is a law on the books because of your life story. It took your experience to pass this law that says no one can be sterilized unless they are in a mental institution. I know it was all wrong and that they should have to pay for what they have done to you.” He then told me that he had talked with Dr. Kline and the doctor wasn’t very nice to him, questioning him like he did. Roger threatened the doctor by telling him that he had better tell the truth about all of this or that he would have a big lawsuit on his hands. Roger said it took over an hour to convince him, but that the doctor finally told him the truth about what the surgery had done to my body. I could never have children. Jamie Renee Coleman

This Spur Award-winning novel tells of the 113 days in the summer of 1877 when Chief Joseph reluctantly led his people in a rear-guard action from the Nez Perce reservation in Oregon to Montana, across more than 1,000 miles of trackless country. Here is the saga of loyalty and treachery, tragedy and triumph.

Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines. Lincoln presents the Lakota concept of "singing with the heart of a bear" as poetry which moves through an artist. He argues for a fusion of estranged cultures, tribal and émigré, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a "native" sense of the "makings" of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture.

The hilarious tale following the diary of a man as he takes on the ultimate cycling challenge - to cycle from Lands End to John O'Groats, dragging his father-in-law; his Bike Buddy, with him. A man who is grumpy, overweight, unfit, with knackered knees and high blood pressure. A man more likely to die than succeed. Over three weeks, Gooderham tells of his battle through the country. A light-hearted and jovial tale of one man's quest to beat his mid-life crisis. I Will Stand in my House Forever is the real story behind the fictional Ten Bodies, Two Bikes and a Boil. Much of the text is similar to the original, but includes the final two chapters of what actually happened. For those who don't want fiction - but want real life comedy - this is the book for you. I Will Stand in my House Forever is a must read for anyone who has already cycled, or is contemplating the challenge and includes daily maps, road and traffic conditions as well as the contour of the route.

The word "elegy" comes from the Ancient Greek elogos, meaning a mournful poem or song, in particular, a song of grief in response to loss. Because mourning and memorialization are so deeply embedded in the human condition, all human societies have developed means for lamenting the dead, and, in "That the People Might Live" Arnold Krupat surveys the traditions of Native American elegiac expression over several centuries. Krupat covers a variety of oral performances of loss and renewal, including the Condolence Rites of the Iroquois and the memorial ceremony of the Tlingit people known as koo'eex, examining as well a number of Ghost Dance songs, which have been reinterpreted in culturally specific ways by many different tribal nations. Krupat treats elegiac "farewell" speeches of the eighteenth and nineteenth centuries in considerable detail, and comments on retrospective autobiographies by Black Hawk and Black Elk. Among contemporary Native writers, he looks at elegiac work by Linda Hogan, N. Scott Momaday, Gerald Vizenor, Sherman Alexie, Maurice Kenny, and Ralph Salisbury, among others. Despite differences of language and culture, he finds that death and loss are consistently felt by Native peoples both personally and socially: someone who had contributed to the People's well-being was now gone. Native American elegiac expression offered mourners consolation so that they might overcome their grief and renew their will to sustain communal life.

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.

"Tom King's debut novel opens in an imaginative world of comic book superheroes struggling to take on normal lives after sacrificing their powers to save the world"--

Life in Paraguay! What an adventure it all seems for idealistic sixteen-year-old Anna when she arrives in her new homeland in the Chaco of South America. Then she discovers the wilderness is hostile, pioneering is unrelentingly difficult, marriage brings sorrow, and friends become enemies. But she also finds love. Again and again, as her exuberant spirit is tested, she strives for resilience. And near the close of her life, she finds the best surprise of all. Under the Still Standing Sun is a deeply affecting and intimate journey through a woman’s life, woven into the narrative of Mennonite settlement in Paraguay.