Over his several decades of writing, Gardner has accomplished so much it's hard to believe there's just one of him. ... - Publishers WeeklyFor over fifty years Martin Gardner has been writing witty, entertaining, and highly intelligent articles on an amazing range of topics. Best known for his works on popular science and mathematics, and as an incisive skeptical commentator on the paranormal, Gardner is also an accomplished writer of children's literature, a novelist, and essayist on religion and philosophy. This collection of essays and book reviews takes its name from the bookend articles, The Wandering Jew and the Second Coming and The Faith of William Buckley, which in themselves demonstrate the extent of Gardner's interests.Besides the legend of the Wandering Jew, its relation to the Second Coming, and Bill Buckley's religious convictions, Gardner also takes on the subjects of astrology, psychic surgery, word play in the stories of L. Frank Baum (author of The Wizard of Oz), and the history of a forgotten children's magazine. In addition, there are reviews of books by astronomer Carl Sagan, philosopher Paul Edwards, and science fiction writer H. G. Wells, along with commentary on mathematics, Lewis Carroll, chess, Christian Science, science fads, and more.Longtime Gardner fans and intellectually curious newcomers will welcome this entertaining and literate collection by one of America's most brilliant essayists.Martin Gardner, the creator of Scientific American's Mathematical Games column, which he wrote for more than twenty-five years, is the author of almost one hundred books, including The Annotated Ancient Mariner, Martin Gardner's Favorite Poetic Parodies, From the Wandering Jew to William F. Buckley Jr., and Science: Good, Bad and Bogus. For many years he was also a contributing editor to the Skeptical Inquirer.

This first biography of Susan Sontag (1933–2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer's life and career. The authors base this revision on Sontag's newly released private correspondence—including emails—and the letters and memoirs of those who knew her best. The authors reveal as never before her early years in Tucson and Los Angeles, her conflicted relationship with her mother, her longing for her absent father, and her precocious achievements at the University of California, Berkeley, and the University of Chicago. Papers, diaries, and lecture notes, many accessible for the first time, spark a passionate fire in this biography. The authors follow Sontag as she abruptly ends an early first marriage, establishes herself in Paris, and embraces the open lifestyle she began as a teenager in Berkeley. As a single mother she struggled with teaching at Columbia University and other colleges while aiming for a career as a novelist and essayist. Eventually she made her own way in New York City after acquiring her one and only publisher, Farrar, Straus & Giroux. In her later years Sontag became a world figure, a tastemaker, dramatist, and political activist who risked her life in besieged Sarajevo. Love affairs with men and women troubled her. Diagnosed with cancer, she responded with determination, and her experience with illness inspired some of her best writing. This biography shows Sontag always craving “more life” at whatever cost and depicts her harrowing final decline even as she resisted terminal cancer. Susan Sontag: The Making of an Icon, Revised and Updated presents in candid and stark relief a new assessment of a heroic and controversial figure.

This volume explores the mutual influences between children’s literature and the avant-garde. Olson places particular focus on fin-de-siècle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children’s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children’s culture. These artists turned to children’s culture as a "new way of seeing," allied to a contemporary interest in international artistic styles. Children’s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision. This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children’s literature to fin-de-siècle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson’s unique focus covers new ground by concentrating not simply on children's literature, but on how childhood experiences and culture figure in art.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

In ten essays and 19 book reviews (1969-2000), esteemed Skeptical Inquirer and Scientific American "Mathematical Games" columnist debunks superstition of all types in discussing such sundry topics as psychic "surgery," the Wandering Jew- Second Coming legend, Christian Science, and books by Buckley and Carl Sagan. Lacks an index. Annotation copyrighted by Book News Inc., Portland, OR