The ten essays which make up the body of this book are drawn from a wide variety of disciplines and weave a complex pattern of the experiences of women in India over the last one hundred years. The book departs from traditional historiography which has given inadequate attention to women, and in this sense From the Seams of History attempts to 'rewrite' history. Beginning with the debate on widow remarriage in Bengal and Haryana, the book moves on to examine how the new fashions in clothing of the Bengali 'gentlewomen' in the nineteenth century were tailored according to the values and anxieties of their dominant male counterparts. The argument of male domination is taken further in an essay demonstrating that male oppression of women in Indian society was in fact remarkably similar to that of the colonial masters.

“A truly excellent contribution that unearths new and largely unknown evidence about relationships between Puerto Ricans and African-Americans and white Americans in the continental United States and Puerto Rico. Alamo-Pastrana revises how race is to be studied and understood across national, cultural, colonial, and hierarchical cultural relations.”—Zaire Zenit Dinzey-Flores, author of Locked In, Locked Out: Gated Communities in a Puerto Rican City Puerto Rico’s colonial relationship with the United States and its history of intermixture of native, African, and Spanish inhabitants has prompted inconsistent narratives about race and power in the colonial territory. Departing from these accounts, early twentieth-century writers, journalists, and activists scrutinized both Puerto Rico’s and the United States’s institutionalized racism and colonialism in an attempt to spur reform, leaving an archive of oft-overlooked political writings. In Seams of Empire, Carlos Alamo-Pastrana uses racial imbrication as a framework for reading this archive of little-known Puerto Rican, African American, and white American radicals and progressives, both on the island and the continental United States. By addressing the concealed power relations responsible for national, gendered, and class differences, this method of textual analysis reveals key symbolic and material connections between marginalized groups in both national spaces and traces the complexity of race, racism, and conflict on the edges of empire.

The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons of the 1971 war with the poet’s modern-day hotel, or the tragic death of a loved one with the holocaust of a nation. Moving from West Texas to Dubai, from Virginia to remote villages in Bangladesh and back again, the narrator calls on the legacies of Willa Cather, César Vallejo, Tomas Tranströmer, and Paul Celan to give voice to the voiceless. Fierce yet loving, devastating and magical at once, Seam is a testament to the lingering potency of memory and the bravery of a nation’s victims. Winner, Great Lakes Colleges Association New Writers Award, 2014 Winner, Binghamton University Milt Kessler Poetry Book Award, 2015 Winner, Drake University Emerging Writers Award, 2015

There's a new fashion designer in town, and "Fashion Don'ts" have never been more in style! Sami Granger is fresh off the bus from the Midwest when some crazy person in the bus terminal warns her that life in New York City won't be what she always dreamed of. But Sami's determined to make it in an industry that is notoriously hard to break in to. Nothing she ever learned in her small town can prepare her for her first job working for a hot-shot designer: He steals her designs! Now the only place that will hire Sami is a trashy lingerie store that she's too embarrassed to tell her old-fashioned father about. Will a visit from her father land Sami on the catwalk, or out on the sidewalk?

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

Biblical books, which were transmitted on separate scrolls in antiquity, are not necessarily identical with books in the modern sense of a coherent and self-contained compositional unit. The books of the Primary History especially constitute a larger master narrative. This raises the question of how the distribution of the text to different scrolls relates to its compositional history. Were the respective books conceived as physically separate parts of a multivolume composition (whether Pentateuch, Hexateuch, Deuteronomistic History or Enneateuch) from the outset, or are we dealing with a more complex development of originally independent compositional units that were only connected or separated by later redaction? The present volume addresses these issues with respect to the transitions between the books of Genesis/Exodus and Joshua/Judges, which have obviously developed in dependency upon each other.

A woman in a failing marriage discovers a new pattern for living in the quilting series from the New York Times bestselling author of Ties That Bind. Twice in her life, college counselor Gayla Oliver fell in love at first sight. The first time was with Brian—a lean, longhaired, British bass player. Marriage followed quickly, then twins, and gradually their bohemian lifestyle gave way to busy careers in New York. Gayla’s second love affair is with New Bern, Connecticut. Like Brian, the laid-back town is charming without trying too hard. It’s the ideal place to buy a second home and reignite the spark in their twenty-six-year marriage. Not that Gayla is worried. At least, not until she finds a discarded memo in which Brian admits to a past affair and suggests an amicable divorce. Devastated, Gayla flees to New Bern. Though Brian insists he’s since recommitted to his family, Gayla’s feelings of betrayal may go too deep for forgiveness. Besides, her solo sabbatical is a chance to explore the creative impulses she sidelined long ago—quilting, gardening, and striking up new friendships with the women of the Cobbled Court circle—particularly Ivy, a single mother confronting fresh starts and past hurts of her own. With all of their support, Gayla just might find the courage to look ahead, decide which fragments of her old life she wants to keep, which are beyond repair—and how to knot the fraying ends until a bold new design reveals itself . . . Praise for the Cobbled Court Quilts series “Filled with wit and wisdom.” —Susan Wiggs, New York Times bestselling author “Warmly nourishing, emotionally compelling.” —Chicago Tribune

Contributed seminar papers.

Horner teaches newcomers how to sew, without sweating the inconsequential stuff, and offers 24 patterns for new and veteran sewers. Full-color throughout.

Though still a relatively young field, the study of Latin American environmental history is blossoming, as the contributions to this definitive volume demonstrate. Bringing together thirteen leading experts on the region, A Living Past synthesizes a wide range of scholarship to offer new perspectives on environmental change in Latin America and the Spanish Caribbean since the nineteenth century. Each chapter provides insightful, up-to-date syntheses of current scholarship on critical countries and ecosystems (including Brazil, Mexico, the Caribbean, the tropical Andes, and tropical forests) and such cross-cutting themes as agriculture, conservation, mining, ranching, science, and urbanization. Together, these studies provide valuable historical contexts for making sense of contemporary environmental challenges facing the region.