What was your earliest childhood artwork that received recognition? When did you first consider yourself a professional artist? How has your studio's location influenced your work? How do you choose titles? Do you have a favorite color? Joe Fig asked a wide range of celebrated artists these and many other questions during the illuminating studio visits documented in Inside the Artist's Studio—the follow-up to his acclaimed 2009 book, Inside the Painter's Studio. In this remarkable collection, twenty-four painters, video and mixed-media artists, sculptors, and photographers reveal highly idiosyncratic production tools and techniques, as well as quotidian habits and strategies for getting work done: the music they listen to; the hours they keep; and the relationships with gallerists and curators, friends, family, and fellow artists that sustain them outside the studio.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

Surveys the work and careers of twenty of the best-known American sculptors in the period 1893 to 1939.

By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.

A Gossipy, Anecdotal Book by Bob Colacello with luscious photography by Jonathan Becker of the homes & studios of forty prominent artists living in the Hamptons: from Julian Schnabel's ten-bedroom Stanford White spread to Ross Bleeckner's Sagaponack saltbox (formerly Truman Capote's), & including the personal places of Chuck Close, April Gornik, David Salle, John Chamberlain & others.

Visual artists are visual thinkers! Our mission is to supercharge them by making anatomy for artists' visible and understandable-anatomy book with clear images that contain the necessary information needed to create a realistic human figure. Get Loads of social visual references; Complex knowledge of human figure explained in a simple matter (Head, Upper limb, Lower limb, Torso, and figure); The most important muscles of the body and their form, in the movement and static, form various angles and body positions; Primary male anatomy and female anatomy differences; Proportions chars of the figure and head (age and gender)Anatomy for artists started as a sculpting book because the author, UIdis Zarins, is a sculptor with more than 25-year experience and a professor of Anatomy in Arts Academy. Nowadays, it used in 3d modeling, digital art, painting, CGI, character design, traditional or digital sculpting, and so on. All around the art world, artists find it's in their daily work. Content is king addition to the 3D models; there are photos of live models from various angles and body postures, overlaid with color-coded muscle diagrams. The coverage of the book is entirely comprehensive, displaying the human body from head to toe. Most pictures in the book are self-explanatory. Guess no moreThe Internet is not as full of information in the current subject as it might seem at first. With time you seem not to find the correct reference materials you were looking for. That makes you improvise. Improvising, without the real understanding of a human figure, brings imperfections and frustrations. Gaining an understanding of the human figure and its motions are the leading book's idea. It allows for a person not to just "copy" nature, but to understand it and improve in their work. Printed books - have references by your side at any time. Add your additional comments and references. Personalizes this book for your needs. They always have a special feeling when owning and using them. It's a part of your tool-kit. Paperback is a softcover type, with a paperboard front and back cover.

Dist. by Univ. of Washington Pr., Exhibition: 2/28-5/3/98; Phila. Mus. 5/16-8/2/98.

First-ever career-spanning retrospective of the nineteenth century New York sculptor, Charles Calverley.