To his fellow conservatives, John Derbyshire makes a plea: Don't be seduced by this nonsense about "the politics of hope." Skepticism, pessimism, and suspicion of happy talk are the true characteristics of an authentically conservative temperament. And from Hobbes and Burke through Lord Salisbury and Calvin Coolidge, up to Pat Buchanan and Mark Steyn in our own time, these beliefs have kept the human race from blindly chasing its utopian dreams right off a cliff. Recently, though, various comforting yet fundamentally idiotic notions of political correctness and wishful thinking have taken root beyond the "Kumbaya"-singing, we're-all-one crowd. These ideas have now infected conservatives, the very people who really should know better. The Republican Party has been derailed by legions of fools and poseurs wearing smiley-face masks. Think rescuing the economy by condemning our descendents to lives of spirit-crushing debt. Think nation-building abroad while we slowly disintegrate at home. Think education and No Child Left Behind. . . . But don't think about it too much, because if you do, you'll quickly come to the logical conclusion: We are doomed. Need more convincing? Dwell on the cheerful promises of the diversity cult and the undeniable reality of the oncoming demographic disaster. Contemplate the feminization of everything, or take a good look at what passes for art these days. Witness the rise of culturism and the death of religion. Bow down before your new master, the federal apparatchik. Finally, ask yourself: How certain am I that the United States of America will survive, in any recognizable form, until, say, 2022? A scathing, mordantly funny romp through today's dismal and dismaler political and cultural scene, We Are Doomed provides a long-overdue dose of reality, revealing just how the GOP has been led astray in recent years–and showing that had conservatives held on to their fittingly pessimistic outlook, America's future would be far brighter. Ladies and gentlemen, it's time to embrace the Audacity of Hopelessness.

From the PEN/Malamud Award-winning author of Lucky Girls comes an intricately woven novel about secrets, love, art, identity, and the shining chaos of every day American life. Yuan Zhao, a celebrated Chinese performance artist and political dissident, has accepted a one-year artist's residency in Los Angeles. He is to be a Visiting Scholar at the St. Anselm's School for Girls, teaching advanced art, and hosted by one of the school's most devoted families: the wealthy if dysfunctional Traverses. The Traverses are too preoccupied with their own problems to pay their foreign guest too much attention, and the dissident is delighted to be left alone—his past links with radical movements give him good reason to avoid careful scrutiny. The trouble starts when he and his American hosts begin to view one another with clearer eyes.

"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening." ––Sue Monk Kidd For years, Sue Monk Kidd was a conventionally religious woman. Then, in the late 1980s, Kidd experienced an unexpected awakening, and began a journey toward a feminine spirituality. With the exceptional storytelling skills that have helped make her name, author of When the Heart Waits tells her very personal story of the fear, anger, healing, and freedom she experienced on the path toward the wholeness that many women have lost in the church. From a jarring encounter with sexism in a suburban drugstore, to monastery retreats and to rituals in the caves of Crete, she reveals a new level of feminine spiritual consciousness for all women– one that retains a meaningful connection with the "deep song of Christianity," embraces the sacredness of ordinary women's experience, and has the power to transform in the most positive ways every fundamental relationship in a woman's life– her marriage, her career, and her religion. This Plus edition paperback includes a recent interview with the author conducted by the book's editor Michael Maudlin.

The book consists of sixteen essays (and an introduction) from prominent philosophers who are at odds with the predominant political trend(s) of academic philosophy, political trend(s) primarily associated with leftism. Some of these philosophers identify explicitly with the political right – an admittedly broad term which ranges from American conservative to British Tory, from religious right to non-religious right, from libertarian to authoritarian. Yet other dissident philosophers eschew the left/right dichotomy altogether while maintaining a firm political distance from the majority of their (left-leaning) colleagues. The primary goal of the volume is to represent a broad constituency of political philosophies and perspectives at variance with the prevailing political sentiments of the academy. Each essay is partly autobiographical in nature, detailing personal experiences that have influenced these philosophers throughout their lives, and partly philosophical, putting forth reflections on the intellectual viability of a right-leaning (or decidedly non-left leaning) political philosophy or some segment of it. The contemporary university is supposed to be the locus of viewpoint diversity, and yet as is evident to professors, students, and virtually anyone else who sets foot within its halls, it most certainly is not – particularly in matters political. Nevertheless, these essays are not instances of special-pleading or grievance incitement. Instead, each article provides a glimpse into the life of an academic philosopher whose views have largely been at odds with peers and colleagues. Furthermore, all of the essays were consciously constructed with the aim of being philosophically rigorous while eschewing technical language and verbose prose. In short, the essays will be enjoyable to a wide audience.

This book is mainly a collection of speeches made and essays published in 2013. Most of the material appeared on VDARE.com, an online magazine dedicated to frank discussion of the National Question, which embraces issues of immigration, population, race, culture, language, religion, and national identity.

Dissident Dispatches contains theological essays which outline a Christian ethno-theology consistent with the politics of the Alt-Right. It also serves as a memoir of the author's recent experience as a retired academic and racially conscious WASP studying theology in the hostile environment of a suburban divinity school in Sydney, Australia.

World of Theology Series Thomas K. Johnson: The First Step in Missions Training: How our Neighbors are Wrestling with God's General Revelation Thomas K. Johnson: Christian Ethics in Secular Cultures David Parker: Discerning the Obedience of Faith: A Short Histo- ry of the World Evangelical Alliance Theological Commission Thomas Schirrmacher (Ed.): William Carey: Theologian - Lin- guist - Social Reformer Thomas Schirrmacher: Advocate of Love - Martin Bucer as Theologian and Pastor Thomas Schirrmacher: Culture of Shame / Culture of Guilt Thomas Schirrmacher: The Koran and the Bible Thomas Schirrmacher (ed.): The Humanisation of Slavery in the Old Testament Jim Harries: New Foundations for Appreciating Africa: Beyond Religious and Secular Deceptions Thomas Schirrmacher: Missio Dei - God's Missional Nature Thomas Schirrmacher: Biblical Foundations for 21st Century World Mission

Harper's Magazine made its debut in June 1850, the brainchild of the prominent New York book-publishing firm Harper & Brothers. Harper's Magazine, the oldest general-interest monthly in America, explores the issues that drive our national conversation, through long-form narrative journalism and essays, and such celebrated features as the iconic Harper's Index. With its emphasis on fine writing and original thought Harper's provides readers with a unique perspective on politics, society, the environment, and culture.

“A feast for serious fiction readers.” —Wendy Smith, The Washington Post “A dead-serious, dead-funny, no-he-didn't marvel.” —Joshua Cohen, author of The Netanyahus A thrilling, witty, and slyly original Cold War mystery about a ragtag group of Jewish refuseniks in Moscow. On his wedding day in 1976, Viktor Moroz stumbles upon a murder scene: two gay men, one of them a U.S. official, have been axed to death in Moscow. Viktor, a Jewish refusenik, is stuck in the Soviet Union because the government has denied his application to leave for Israel; he sits “in refusal” alongside his wife and their group of intellectuals, Jewish and not. But the KGB spots Viktor leaving the murder scene. Plucked off the street, he’s given a choice: find the murderer or become the suspect of convenience. His deadline is nine days later, when Henry Kissinger will be arriving in Moscow. Unsolved ax murders, it seems, aren’t good for politics. A whip-smart, often hilarious Cold War thriller, Paul Goldberg’s The Dissident explores what it means to survive in the face of impossible choices and monumental consequences. To help solve the case, Viktor ropes in his community, which includes his banned-text-distributing wife, a hard-drinking sculptor, a Russian priest of Jewish heritage, and a visiting American intent on reliving World War II heroics. As Viktor struggles to determine whom to trust, he’s forced to question not only the KGB’s murky motives but also those of his fellow refuseniks—and the man he admires above all: Kissinger himself. Immersive, unpredictable, and always ax-sharp, The Dissident is Cold War intrigue at its most inventive. It is an uncompromising look at sacrifice, community, and the scars of history and identity, from an expert storyteller.