Volume 1 of the Routledge History of Philosophy covers one of the most remarkable periods in human thought. The essays present the fundamental approaches and thinkers of Greek philosophy in chronological order.

“The major American philosopher . . . makes us want to re-read the Platonic text with fascination. And that is but its grandest gift.” —Daniel Guerriere, professor emeritus of philosophy at California State University, Long Beach In Chorology, John Sallis takes up one of the most enigmatic discourses in the history of philosophy. Plato’s discourse on the chora—the chorology—forms the pivotal moment in the Timaeus. The implications of the chorology are momentous and communicate with many of the most decisive issues in contemporary philosophical discussions. “This excellent work . . . deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato.” —Review of Metaphysics

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Scholars of Plato are divided between those who emphasize the literature of the dialogues and those who emphasize the argument of the dialogues, and between those who see a development in the thought of the dialogues and those who do not. In this important book Russell Dancy focuses on the arguments and defends a developmental picture. He explains the Theory of Forms of the Phaedo and Symposium as an outgrowth of the quest for definitions canvassed in the Socratic dialogues, by constructing a Theory of Definition for the Socratic dialogues based on the refutations of definitions in those dialogues, and showing how that theory is mirrored in the Theory of Forms. His discussion, notable for both its clarity and its meticulous scholarship, ranges in detail over a number of Plato's early and middle dialogues, and will be of interest to readers in Plato studies and in ancient philosophy more generally.

The Platonic tradition in Western philosophy is not just one of many equally central traditions. It is so much THE central one that the very existence and survival of Western civilization depends on it. It is like the Confucian tradition in Chinese culture, or the monotheistic tradition in religion, or the human rights tradition in politics. In the first of his eight lectures, Peter Kreeft defines Platonism and its "Big Idea," the idea of a transcendent reality that the history of philosophy has labeled "Platonic Ideas" or Platonic Forms. In the second lecture, he briefly explores Plato's two basic predecessors or sources, myth and Socrates; and then looks at 12 applications of the Forms in Plato's own dialogues. The third lecture covers the three most important modifications or additions to Plato himself in the Platonic tradition: Aristotle, Plotinus, and Augustine, each of whom gave the Forms a new metaphysical address. The fourth lecture explores six Christian Platonists, three in the New Testament and three philosophers, Justin Martyr, Bonaventure, and Aquinas. The next three lectures explore the consequences of the modern abandoning of Platonism, beginning with William of Ockham's Nominalism, as the source of nearly all modern philosophical errors, and its results in the Empiricism of Locke and Hume, the so-called Copernican Revolution in philosophy in Kant, the so-called "analytic philosophy," which still dominates English and American philosophy departments. In the sixth essays, Kreeft looks at 13 influential kinds of positivism or reductionism in modern thought: in method, history, metaphysics, epistemology, ethics, sociology, politics, logics, linguistics, sex, psychology, and theology, exemplified by Descartes, Machiavelli, Hobbes, Marx, Kant, Comte, Rousseau, Rawls, Ayer, Derrida, Freud, Skimmer, Nietzsche, and Sartre. Lecture 7 looks at the results of abandoning the Platonic tradition in ethics, the values vacuum, or nihilism, in Ecclesiastes, Pascal, Kierkegaard, Nietzsche, Heidegger, Sartre, Dostoyevsky, Tolstoi, Marcel, and Buber. In the last lecture, Kreeft looks at some experiential evidence for Platonism, doors out of the cave that are still open, signals of transcendence.

This lively and accessible introduction to Plato focuses on the philosophy and argument of his writings, drawing the reader into Plato's way of doing philosophy, and the general themes of his thinking. This is not a book to leave the reader standing in the outer court of introduction and background information, but leads directly into Plato's argument. It looks at Plato as a thinker grappling with philosophical problems in a variety of ways, rather than a philosopher with a fully worked-out system. It includes a brief account of Plato's life and the various interpretations that have been drawn from the sparse remains of information. It stresses the importance of the founding of the Academy and the conception of philosophy as a subject. Julia Annas discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. She also looks at his discussions of love and philosophy, his attitude to women, and to homosexual love, explores Plato's claim that virtue is sufficient for happiness, and touches on his arguments for the immortality of the soul and his ideas about the nature of the universe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today's debates on religion, morality, politics, and science.

A complete 10 volume set of the Routledge History of Philosophy, which has established itself as the most comprehensive chronological survey of the history of western philosophy available.

The Greek philosopher Plato was born in Athens in 428 B.C. He created dramatic dialogues, probably intended for oral performance, but seldom presented in that format until Agora Publications launched this series of dramatizations in 1994. The Republic explores most of the fundamental questions of philosophy, beginning with a search for how to define justice, moving to a quest for a model of the best possible human community, and concluding with reflections on the immortality of the soul.