We have come to admire Buddhism for being profound but accessible, as much a lifestyle as a religion. The credit for creating Buddhism goes to the Buddha, a figure widely respected across the Western world for his philosophical insight, his teachings of nonviolence, and his practice of meditation. But who was this Buddha, and how did he become the Buddha we know and love today? Leading historian of Buddhism Donald S. Lopez Jr. tells the story of how various idols carved in stone—variously named Beddou, Codam, Xaca, and Fo—became the man of flesh and blood that we know simply as the Buddha. He reveals that the positive view of the Buddha in Europe and America is rather recent, originating a little more than a hundred and fifty years ago. For centuries, the Buddha was condemned by Western writers as the most dangerous idol of the Orient. He was a demon, the murderer of his mother, a purveyor of idolatry. Lopez provides an engaging history of depictions of the Buddha from classical accounts and medieval stories to the testimonies of European travelers, diplomats, soldiers, and missionaries. He shows that centuries of hostility toward the Buddha changed dramatically in the nineteenth century, when the teachings of the Buddha, having disappeared from India by the fourteenth century, were read by European scholars newly proficient in Asian languages. At the same time, the traditional view of the Buddha persisted in Asia, where he was revered as much for his supernatural powers as for his philosophical insights. From Stone to Flesh follows the twists and turns of these Eastern and Western notions of the Buddha, leading finally to his triumph as the founder of a world religion.

We've all been let down by so-called community. Why is it so hard for us to connect and grow together for the long haul? Veteran spiritual director Ruth Haley Barton helps us get personal and practical about experiencing transformation together. This interactive guide allows us to grow through and by the experience of transforming community.

Much has been written about the conditions that made possible Hitler's rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study. Materials analyzed here—ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources—make explicit a dynamic scenario where actors embody a variety of positions toward death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.

The exquisite pink granite quarried at Stony Creek, Connecticut, has found its way into many of America’s greatest landmarks. The physical and social history of this unique natural resource is traced from a small coastal village to the grand monuments of the 19th century, reflecting the growing forces of immigration, labor, and evolving technology. Historic photographs evoke the hard-working community of Italians, English, Irish, Swedes, and Finns who mixed their languages and cultures into a uniquely American experience.

Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion.

From Classical Greece and Rome to medieval and Renaissance Europe, from Hogarth's London to the metropolis of today, cities have been at the centre of human existence for thousands of years. By examining individual cities at their most pivotal moments in history, and the way people lived in them, Richard Sennett traces changing attitudes to concepts such as space, burial, sanctuary and planning. He provides fascinating insights into the interaction between the human body and the spaces of the city it inhabits, evoking the sounds, smells and bustle throughout the centuries. And he asks whether modern cities starve people's sensual experience.

Christ’s Body, Human Flesh If we’re honest, no one really cares about theology unless it reveals a gut-level view of God’s presence. According to pastor and ministry leader Hugh Halter, only the incarnational power of Jesus satisfies what we truly crave, and once we taste it, we’re never the same. God understands how hard it is to be human, and the incarnation—God with us—enables us to be fully alive. With refreshing, raw candor, Flesh reveals the faith we all long to experience—one based on the power of Christ in the daily grind of work, home, school, and life. For anyone burned out, disenchanted, or seeking a fresh honest-to-God encounter, Flesh will invigorate your faith.

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

It's so easy to get bogged down in this world -- to feel the weight of ugliness, hate, destruction, emptiness, and depression pushing down on us. If you're not careful, life will try its best to crush you. But something gentle exists outside of it, under the coarse fabric of things. There is a soft voice waiting for you to listen and hear. And it's so easy to drown it out, to overlook it, to pretend it doesn't exist, or simply not hear it through the noise.Jesus is the whisper in the chaos. Our contributors see Him in the peripheral, call out to Him from the dark places and wait for His voice, feel the peace in His gentle light, or recognize the weight of His absence in an absurd, seemingly meaningless world.In this issue, you'll find laughter and despair, the everyday moments and the sublime, brokenness and healing, pain and joy, and in everything, bubbling underneath the surface, Jesus -- waiting, whispering, and placing His finger on everything.