The studies collected in this volume deal with ancient, medieval and early modern forms of Gnosis and the diverse expressions of their myths, rites, ideas and expectations. The emphasis lays on Hermetism in Antiquity and its influence in the Middle Ages, the Renaissance and the early modern period. The 14 contributions were written by R. van den Broek (3), C. Gilly (2), P. Kingsley (2), J.-P. Mahé (1), and G.Quispel (6). The book contains discussions of several aspects of the Hermetic and Gnostic tradition, such as hermetic religious practices, magic, alchemy, apocalyptic visions, and the influence of Hermetic ideas on Early Christian and medieval theologians. The volume is of interest for students of Graeco-Roman religiosity, Early Christianity, medieval theology and the Hermetic traditions in the Renaissance and later western culture

14 studies dealing with ancient, medieval and early modern forms of Gnosis, their myths, rites, ideas and expectations, with strong emphasis on Hermetic traditions. Contributions by R. van den Broek, C. Gilly, P. Kingsley, J.-P. Mahe, and G. Quispel.

Jacob Böhme (1575–1624) has been recognized as one of the internationally most influential German authors of the Early Modern period. Even today, his writings continue to impact fields as diverse as literature, philosophy, religion and art. Yet Böhme and his reception remain understudied. As a lay author, his works were often suppressed and circulated underground. Borrowing Böhme’s idea of “three worlds” or planes of existence, this volume traces the transmission of his thought through three stations: from his first underground readers in Central and Eastern Europe, to the Netherlands, where most of his writings were first published, to Britain, where early translations made him a popular author for generations to come. Drawing on the work of both established and younger researchers from around the world, this volume charts new territory. It fills many lacunae and reveals a number of exciting discoveries, especially regarding the production and diffusion of manuscripts and previously overlooked sites of engagement. This book will be of interest to a wide range of scholars interested in the development of philosophical, religious, literary and artistic thought from the 17th century to the present day.

Explores tough questions that have occupied scholars since the discovery of the Gospel of Thomas in the sands of Nag Hammadi, Egypt, in the 1940's. Where did this gospel come from? When was it written? Who wrote it? Why was it composed? What is its meaning? This book examines these issues.

Covering the Hellenistic and Imperial periods in both pagan polytheistic as well as Jewish monotheistic settings, this edited collection focuses on individuation in everyday religious practices across the ancient Mediterranean as identified in institutional developments and philosophical reflections on the self.

In The Tradition of Hermes Trismegistus, Christian H. Bull argues that the treatises attributed to Hermes Trismegistus reflect the spiritual exercises and ritual practices of loosely organized brotherhoods in Egypt. These small groups were directed by Egyptian priests educated in the traditional lore of the temples, but also conversant with Greek philosophy. Such priests, who were increasingly dispossessed with the gradual demise of the Egyptian temples, could find eager adherents among a Greek-speaking audience seeking for the wisdom of the Egyptian Hermes, who was widely considered to be an important source for the philosophies of Pythagoras and Plato. The volume contains a comprehensive analysis of the myths of Hermes Trismegistus, a reevaluation of the Way of Hermes, and a contextualization of this ritual tradition.

Hermes is the Greek god of the Word, of thought and magic, the swift-moving messenger of the Divine and guardian of souls in the Afterlife. In Ancient Egypt he was the majestic god Thoth, the Recorder, the lord of measurement and science, the brother/husband of Isis. In Rome, he was of course Mercury, flying through the Empyrean at the speed of idea by the aid of his winged helmet and boots. In this broad survey of the Hermetic arts, author Jacob Slavenburg brings an unparalleled depth of insight to the subject. He examines the historical Hermetic literature and details its relevance to modern occultism, from the symbolism of architecture and art to the mysteries of Freemasonry. The heavenly mysteries of astrology are explored as are the healing arts which derive from the spirit of scientific inquiry embodied by Thoth/Hermes. Slavenburg examines the magical writings of the Greek papyri and their development into the contemporary magical practices of modern adepts. He sheds light on the workings of alchemy and the esoteric philosophy to the world of modern chemistry and physics. He explores the origin of evil and the realm of the afterlife, and the Hermetic doctrines of reincarnation and karma. In addition, the author provides a wealth of biographical data on the magi of Hermeticsm, from Ficino to Agrippa, John Dee to Giordano Bruno.

Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages & Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity & Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

In Pre-Nicene Christology in Paschal Contexts Dragoş A. Giulea re-examines the earliest texts related to the festival of Easter in light of Second Temple traditions. Commonly portrayed as sacrificial lamb, the key actor of the paschal narrative is here designated as heavenly Kabod, Divine Image, King of the Powers, celestial Anthropos, Demiurge, Son of Man, each of these divine names implying a corresponding soteriological function. Dragoş A. Giulea indicates as well that the Greek philosophical vocabulary and certain idioms of the mystery religions inspired new categories which reshaped the traditional way of describing the nature of celestial entities and the epistemological capacities able to access these realities. Thus, the King of the Powers, or the Son of Man, is several times described as a noetic Anthropos, while initiation and noetic perception become the appropriate methods of accessing the divine.