This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.

This book studies the multi-dimensional development and landscapes of the internationalization of China’s higher education throughout the past four decades, illustrating its trajectory from the periphery to the centre of the global higher education system. Combining solid theoretical elucidation and rich empirical studies, the author systematically reviews the key relevant concepts and examines policies and practices of higher education internationalization in China based on rich data gathered from interviews and surveys on overseas Chinese scholars, academic returnees, and international students. With a focus on “internationalization at home” and “transnational academic mobility”, the book analyzes the core topics and phenomena of China’s internationalizing higher education, including Chinese students studying abroad, overseas academics returning to China, international students in China, Sino-foreign cooperative education, and internationalization of higher education in Hong Kong, Singapore, and Shanghai. Seeking to offer valuable experience, reflections, and policy reference, this book will be of great value for researchers, policymakers, and university administrators interested in the internationalization of higher education and especially China’s successful cases.

Historians often assume a one-directional transmission of knowledge and ideas, leading to the establishment of spatial hierarchies defined as centres and peripheries. In recent decades, transnational and global history have contributed to a more inclusive understanding of intellectual and cultural exchanges that profoundly challenged the ways in which we draw our mental maps. Covering the early modern and modern periods, Re-Mapping Centre and Periphery investigates the asymmetrical and multi-directional structure of such encounters within Europe as well as in a global context. Exploring subjects from the shores of the Russian Empire to nation-making in Latin America, the international team of contributors demonstrates how, as products of human agency, centre and periphery are conditioned by mutual dependencies; rather than representing absolute categories of analysis, they are subjective constructions determined by a constantly changing discursive context. Through its analysis, the volume develops and implements a conceptual framework for remapping centres and peripheries, based on conceptual history and discourse history. As such, it will appeal to a wide variety of historians, including transnational, cultural and intellectual, and historians of early modern and modern periods.

`This outstanding overview creates an effective framework on which to hang 13 diverse papers. The papers are tightly written and good editing has successfully merged them into a very successful volume.' - American Antiquity

This collaborative volume is concerned with long-term social change. Envisaging individual societies as interlinked and interdependent parts of a global social system, the aim of the contributors is to determine the extent to which ancient societies were shaped over time by their incorporation in - or resistance to - the larger system. Their particular concern is the dependent relationship between technically and socially more developed societies with a strong state ideology at the centre and the simpler societies that functioned principally as sources of raw materials and manpower on the periphery of the system. The papers in the first part of the book are all concerned with political developments in the Ancient Near East and the notion of a regional system as a framework for analysis. Part 2 examines the problems of conceptualising local societies as discrete centres of development in the context of both the Near East and prehistoric Europe during the second millennium BC. Part 3 then presents a comprehensive analytical study of the Roman Empire as a single system showing how its component parts often relate to each other in uneven, even contradictory, ways.

Bringing together a team of cutting-edge researchers based in Hong Kong, Taiwan and Indo-Pacific countries, this book focuses on the tug of war between China’s influence and forces of resistance in Hong Kong, Taiwan and selected countries in its surrounding jurisdictions. China’s influence has met growing defiance from citizens in Hong Kong and Taiwan who fear the extinction of their valued local identities. However, the book shows that resistance to China’s influence is a global phenomenon, varying in motivation and intensity from region to region and country to country depending on the forms of China’s influence and the balances of forces in each society. The book also advances a concentric center-periphery framework for comparing different forms of extra-jurisdictional Chinese influence mechanisms, ranging from economic, military and diplomatic influences to united front operations. This book will be of key interest to scholars and students of comparative politics, international relations, geopolitics, Chinese politics, Hong Kong-China relations, Taiwan and Asian politics.

Science is usually knownbyits most successful figures and resource-rich institutions. In stark contrast, Creativity from the Peripherydraws our attention to unknown figures in science—those who remain marginalized, even neglected, within its practices. Researchers in early twentieth-century colonial India, for example, have made significant contributions to the stock of scientific knowledge and have provided science with new breakthroughs and novel ideas, but to little acclaim. As Deepanwita Dasgupta argues, sometimes the best ideas in science are born from difficult and resource-poor conditions. Inthis study,she turns our attention to these peripheral actors, shedding new light on how scientific creativity operates in lesser-known, marginalized contexts, and how the work of self-trained researchers, though largely ignored , has contributed to important conceptual shifts. Her book presents a new philosophical framework for understanding this peripheral creativity in science through the lens of trading zones—where knowledge is exchanged between two unequal communities—and explores the implications for the future diversity of transnational science.

The fifteen papers in this volume cover a wide range of centre-periphery related studies, from the archaeology and history of the period to investigations into the intellectual millieux and religious thoughts and their contexts. Contributors include: L Hannestad (Greeks and Celts: The creation of a myth); F Kaul (The Gundestrup cauldron); B Cunliffe (Iberia and the Mediterranean); K Randsborg (Greek peripheries and barbarian centres); J E Skydsgaard (The Greeks in southern Russia); V Gabrielsen (Rhodes and Rome after the Third Macedonian War); S Alcock (Surveying the peripheries of the Hellenistic world); T Bekker-Nielsen (Centres and road networks in Cyprus); I Nielsen (Italic palaces); A Invernizzi (Centre and periphery in Seleucid Asia); G Shipley (World-systems analysis and the Hellenistic' world); P Bilde (Jesus and Paul and religious innovation).

This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919–2012) György Kurtág (1926–) and Sándor Veress (1907–92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, “Place and Displacement,” contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, “Perspectives on Reception, Analysis, and Interpretation,” look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be “naturally” embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production—he is one of the twentieth century’s most prolific composers of vocal music—involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists’ divergent cultural perspectives impinge on the interpretation of this work. The final section, “The Presence of the Past and Memory in Contemporary Music,” examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.

This book investigates the interplay of internal and external constraints, challenges and possibilities regarding foreign policy in India. It is the first attempt to systematically analyse and focus on the different actors and institutions in the domestic and international contexts who impose and push for various directions in India’s foreign policy. Rather than focusing on any one particular theme, the book explores the myriad aspects of foreign policymaking and the close interface between the domestic and external aspects in Indian policymaking. In turn, this relates to the structural issues shaping and reshaping the Asian regional dynamics and India’s connectivity within a globalized world. This book will be of great interest to postgraduate students; scholars of Asian Studies, development, and political science and international relations; and all those involved in policy – especially foreign policy – within India and South Asia. It will also be useful for people working in professional branches of consultancy and the private sector dealing with India and with South Asia in general.