"Published to accompany an exhibition at the Museum of Fine Arts, Boston, From Paris to Provincetown tells the story of both Lazzell and the remarkably innovative circle of which she was a part."--BOOK JACKET.

"Academic studies are often pedantic and dense. This is not the case with this study...Krahulik combines traditional research methods and oral histories to record and interpret this journey in a respectful, scholarly manner." --Choice, Highly Recommended"A fascinating study of a fascinating town; a charming piece of social history that is as readable as it is scholarly." --TWNInsider"At the end of curling Cape Cod, Provincetown has gone through several transformations since the Pilgrims landed there--from Yankee whaling town to Portuguese fishing village to bohemian artist enclave to, today, one of the world's most popular gay resorts. Surprisingly, each of those segments of society contributed to the 'P-town' of today." --Chicago Sun-TimesKaren Krahuliks Provincetown is the definitive book on the history of that mysterious and magical place. Its a singular accomplishment. Im grateful to her for writing it, as I suspect many others will be for years and years to come. --Michael Cunningham, author of The Hours"From Pilgrim's Landing to gay Disneyland, Provincetown has remade itself again and again. Karen Krahulik's remarkable book deftly charts these transformations. She manages to weave New England Yankees, Portuguese fisherman, bohemian artists, and lesbian entrepreneurs into a single history that is both absorbing and revelatory. In her hands, class, race, gender, and sexuality stop being categories or slogans and instead are the stuff of a community's story. This is social history at its most original and very best." --John D'Emilio, author of Sexual Politics, Sexual CommunitiesKrahulik tells a rich and compelling story of a unique community shaped by immigration, global economicforces, ethnic tensions, commercialism, and the struggles of indiv

Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation. Cynthia Fowler discusses the efforts of Ralph Pearson and of Zoltan and Rosa Hecht to establish modernist hooked rug industries in the 1920s, uncovering a previously undocumented history. The book includes a consideration of the rural workers used to create the modernist narrative of the hooked rug, as cottage industries were established throughout the rural Northeast and South to serve the ever increasing demand for hooked rugs by urban consumers. Fowler closely examines institutional enterprises that highlighted and engaged the modernist hooked rugs, such as key exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art in the 1930s and '40s. This study reveals the fluidity of boundaries among art, craft and design, and the profound efforts of a devoted group of modernists to introduce the general public to the value of modern art.

Edna Boies Hopkins (1872-1937) is best known for herfloral woodblock prints that range from delicate Japanese-inspiredstylizations to boldly colored and progressivelymodernist works. In her brief twenty-year career, Hopkins producedseventy-four known woodblock prints, including figurativework and landscapes as well as floral compositions. This catalogueraisonné is the first in-depth study of this once well-known Americanartist. It illustrates all of Hopkins's known prints, related drawings, andstudies. Born in Hudson, Michigan, Hopkins attended the Art Academy of Cincinnatifrom 1895 to 1898. In 1899 she took classes with the influential artist ArthurWesley Dow, an advocate of Japanese art. Following her marriage in 1904, Hopkinsand her husband settled in Paris, where they remained until the outbreakof World War I. After returning to America, Hopkins became part of a smallgroup of artists in Provincetown, whose innovations in woodblock printmakinghave come to be known as the Provincetown print or the white line woodcut. In1917, a visit to the Cumberland Falls region of Kentucky provided the inspirationfor some of Hopkins's most important prints which predate the work ofAmerican regionalist painters and printmakers by a decade or more. In addition to the catalogue raisonné, Edna Boies Hopkins includes much new biographical research along with a census of her prints and a comprehensive list of her exhibitions. Exhibition Dates Columbus Museum of Art, Columbus, OH, December 14, 2007-March 2, 2008 Springfield Museum of Art, Springfield, OH, March 15-June 1, 2008 Provincetown Art Association and Museum, Provincetown, MA, June 1-Aug. 3, 2008 Cincinnati Art Museum, Cincinnati, OH, Feb. 20, 2010-May 2, 2010

An intimate portrait of a legendary generation of artists, writers, activists, and dreamers who created a utopia on the shores of Cape Cod during the first half of the twentieth century. Their names are iconic: Eugene O’Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius—the list goes on and on. Scorning the devastation that industrialization had wrought on the nation’s workforce and culture in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beach - fronts of Cape Cod. They began as progressives but soon turned to socialism, then communism. They founded theaters, periodicals, and art schools. They formed editorial boards that met in beach shacks and performed radical new plays in a shanty on the docks, where they could see the ocean through cracks in the floor. They welcomed the tremendous wave of talent fleeing Europe in the 1930s. At the end of their era, in the 1960s, as the postwar economy boomed, they took shelter in liberalism when the anticapitalist movement fragmented into other causes. John Taylor “Ike” Williams, who married into the Cape’s artistic world and has spent half a century talking about and walking along its shores with these cultural and political luminaries, renders the twisting lives and careers of a generation of staggering American thinkers and creators. The Shores of Bohemia records a great set of shifts in American culture and the ideas and arguments fueled by drink, infidelity, and competition that made for a fifty-year conversation among intellectual leaders and creative revolutionaries. Together they found a community as they created some of the great works of the American Century. This is their story. Welcome to the party!

Featuring 19 color plates and 65 b&w illustrations, this text critically examines the imagery, process, and pictorial structure of works by American painter Edwin Dickinson (1891-1978). Drawing upon 56 years of the artist's journals and several thousand pages of his letters, Ward makes connections b

This catalogue presents an overview of American printmaking in the first half of the twentieth century, beginning in 1905 with John Sloans etchings of everyday urban experience, dubbed the Ashcan School, and concluding with Jackson Pollock and abstract expressionist prints. About 140 powerful prints by approximately 75 artists will be featured. A substantial introduction sets the prints in context, showing how this dynamic tradition arose and how it relates to other media such as magazine illustration, photography, cinema and poster design. Biographies of all the artists are included in this book.

Rich with anecdotes about famous and infamous residents (Norman Mailer, Tennessee Williams, Marlon Brando), "Ptown" is a lively, penetrating, and occasionally shocking look at Provincetown, Massachusetts, by writer Manso, who has lived there for much of his life. 16-page photo insert.

A trenchant yet sympathetic portrait of Lee Miller, one of the iconic faces and careers of the twentieth century. Carolyn Burke reveals Miller as a multifaceted woman: both model and photographer, muse and reporter, sexual adventurer and mother, and, in later years, gourmet cook—the last of the many dramatic transformations she underwent during her lifetime. A sleek blond bombshell, Miller was part of a glamorous circle in New York and Paris in the 1920s and 1930s as a leading Vogue model, close to Edward Steichen, Charlie Chaplin, Jean Cocteau, and Pablo Picasso. Then, during World War II, she became a war correspondent—one of the first women to do so—shooting harrowing images of a devastated Europe, entering Dachau with the Allied troops, posing in Hitler’s bathtub. Burke examines Miller’s troubled personal life, from the unsettling photo sessions during which Miller, both as a child and as a young woman, posed nude for her father, to her crucial affair with artist-photographer Man Ray, to her unconventional marriages. And through Miller’s body of work, Burke explores the photographer’s journey from object to subject; her eye for form, pattern, and light; and the powerful emotion behind each of her images.A lushly illustrated story of art and beauty, sex and power, Modernism and Surrealism, independence and collaboration, Lee Miller: A Life is an astute study of a fascinating, yet enigmatic, cultural figure.