From Out of a Dark Corner is a true story of the work I did in a halfway house for young people with major mental illness. I organized a musical group there and met a man with a severe Obsessive Compulsive Disorder, (O.C.D.), who had a beautiful voice and was living in the facility. He had been in and out of state hospitals for over twenty years, taking medication, which caused him to act very drugged. He was erroneously diagnosed with schizophrenia from several psychiatrists over the years and was destined to live a terrible, institutionalized life. I had just graduated Florida International University with a degree in psychology and applied whatever knowledge I had about mental illness in order to help him. At the time I was married to another man but later divorced him because I fell in love with Marty. After reading Dr. Leonard Cammers book, Freedom from Compulsion, I diagnosed Martys problem correctly and spent years helping him with his repetitive rituals and excessive hand washing. I was also able to help him relive his childhood with his mentally sick mother until he got much better. I chose the title, From Out of a Dark Corner because Marty spent day after day sitting in his bedroom, in a corner, not doing much of anything except attending the halfway house. He also helped me to leave my dark corner because of the fear I had that I, too, would suffer psychotic episodes like my poor mother did. Today Marty doesnt take any medication for O.C.D and lives a normal life, socializing with my friends and singing professionally.

“Don’t miss it. This is a great one!” — Stephen King Soon to be an Amazon TV series I am the legion of the night ... He appears in the darkness like a ghost, made of shadows and fear—the Midnight Man. He comes for the parents but leaves the children alive, tiny witnesses to unspeakable horror. The bedroom communities of Los Angeles are gripped with dread, and the attacks are escalating. Still reeling from her best friend’s close call in a bombing six months ago, FBI behavioral analyst Caitlin Hendrix has come to Los Angeles to assist in the Midnight Man investigation and do what she does best—hunt a serial killer. Her work is what keeps her going, but something about this UNSUB—unknown subject—doesn’t sit right. She soon realizes that this case will test not only her skills but also her dedication, for within the heart of a killer lives a secret that mirrors Caitlin’s own past. Hesitancy is not an option, but will she be able to do what must be done if the time comes? Tense and impactful, Edgar Award winner Meg Gardiner’s latest UNSUB thriller will leave you on the edge of your seat until its riveting conclusion.

From Brandon Massey, award-winning author of Thunderland, comes a terrifying new novel about a town besieged by evil . . . and the one man who is determined to fight the darkness . . . When renowned author Richard Hunter dies in a boating accident, his son David travels to Mason's Corner, Mississippi, to find out more about the father he never really knew. At first, Mason's Corner seems friendly and unassuming-–the perfect small town. But after a newcomer moves into the old-–and supposedly haunted-–mansion on the hill, everything changes . . . People begin to disappear. Dogs viciously attack. And soon David discovers that the terror consuming this place has its roots in his own family tree . . . For something has risen in Mason's Corner. Something with bloody ties to the town's past. Something undead--and hungering for vengeance . . .

One week after Wendy Blight’s college graduation, she walked into her apartment to find a masked man holding a knife and waiting for her at the top of the stairs. The man spent an hour physically and sexually assaulting Wendy, leaving her changed forever. After this terrifying experience, she lived for years cocooned in a prison of fear, despair, and hopelessness. Finally, after years of searching and believing she had nowhere else to turn, she fell on her knees before God and poured out her tears, anger, and questions to Him. Wendy’s story is one of transformation from trauma to rebirth through the power of the Word of God. Through Hidden Joy in a Dark Corner, the reader will experience hope and the encouragement necessary to press forward to healing and restoration.

“One of those tales that ties you up, turns you inside-out, wrings you like a wet cloth.” —Jason Reynolds, New York Times bestselling author of Long Way Down American Street meets Long Way Down in this searing and gritty debut novel that takes an unflinching look at the harsh realities of gang life in Jamaica and how far a teen is willing to go for family. Things can change in a second: The second Frankie Green gets that scholarship letter, he has his ticket out of Jamaica. The second his longtime crush, Leah, asks him on a date, he’s in trouble. The second his father gets shot, suddenly nothing else matters. And the second Frankie joins his uncle’s gang in exchange for paying for his father’s medical bills, there’s no going back...or is there? As Frankie does things he never thought he’d be capable of, he’s forced to confront the truth of the family and future he was born into—and the ones he wants to build for himself.

The area known as the "Dark Corner" near Greenville, South Carolina was once home to a distinct Appalachian culture. Isolated from their fellow South Carolinians, the Dark Corner was perceived as culturally and politically backwards throughout much of the nineteenth century. In particular, the area's reliance on illicit distillation as a cornerstone of its economy led to a protracted conflict with State and Federal law enforcement. Much of this conflict occurred during the post-Civil War modernization of the South Carolina Upstate. New South editors aggressively perpetuated the stereotype of the lawless and drunken distillers on the inhabitants of the Dark Corner. This stereotype, coupled with the Dark Corner's resistance to modernization, ostracized the local inhabitants and alienated the area from much of the economic boom of the Upstate. While the cultural mores, including the production of illicit alcohol, of the Dark Corner remained intact throughout much of the twentieth century, the area was eventually modernized by outsiders moving into upscale residential resorts dotted throughout the mountain landscape. While genealogists and popular writers have outlined some of the historical events surrounding the disputes between law enforcement and the residents of the Dark Corner, they have not placed these events in a proper cultural context. This work attempts to fill the gaps in the historiography of the Dark Corner. By picking up where many have left off, and introducing a new argument to the topic; this work demonstrates that the various conflicts over the illicit production of alcohol reflect deep cultural differences between this outpost of Appalachia and the rest of SouthCarolina.

"Many names and locations have been changed to protect people's privacy."--Title page verso.

“The best Appalachian novelist of his generation.” —Ron Rash, author of Serena and The Cove "The Dark Corner is one of the most riveting and beautifully written novels that I have ever read. Trouble drives the story, as it does in all great fiction, but grace, that feeling of mercy that all men hunger for, is the ultimate subject, and that's just part of the reason that Mark Powell is one of America's most brilliant writers." —Donald Ray Pollock, author of The Devil All the Time and Knockemstiff “Mark Powell’s third novel powerfully tackles the ongoing curses of drugs, real estate development, veterans’ plights, and other regional cultural banes that plague an Appalachia still very much alive and with us as its own chameleon-like animal. Brimming with fury and beauty, The Dark Corner is a thing wrought to be feared and admired.” —Casey Clabough, author of Confederado “Powell’s work is so clearly sourced to the wellspring of all spiritual understanding—this physical world...He is heir to the literary lineage of Melville, Conrad, Flannery O’Connor, Denis Johnson, and Robert Stone.” —Pete Duval, author of Rear View A troubled Episcopal priest and would-be activist, Malcolm Walker has failed twice over—first in an effort to shock his New England congregants out of their complacency and second in an attempt at suicide. Discharged from the hospital and haunted by images of the Iraq War and Abu Ghraib, he heads home to the mountains of northwestern South Carolina, the state’s “dark corner,” where a gathering storm of private grief and public rage awaits him. Malcolm’s life soon converges with people as damaged in their own ways as he is: his older brother, Dallas, a onetime college football star who has made a comfortable living in real-estate development but is now being drawn ever more deeply into an extremist militia; his dying father, Elijah, still plagued by traumatic memories of Vietnam and the death of his wife; and Jordan Taylor, a young, drug-addicted woman who is being ruthlessly exploited by Dallas’s viperous business partner, Leighton Clatter. As Malcolm tries to restart his life, he enters into a relationship with Jordan that offers both of them fleeting glimpses of heaven, even as hellish realities continue to threaten them. In The Dark Corner, Mark Powell confronts crucial issues currently shaping our culture: environmentalism and the disappearance of wild places, the crippling effects of wars past and present, drug abuse, and the rise of right-wing paranoia. With his skillful plotting, feel for place, and gift for creating complex and compelling characters, Powell evokes a world as vivid and immediate as the latest news cycle, while at the same time he offers a nuanced reflection on timeless themes of violence, longing, redemption, faith, and love. MARK POWELL is the author of two previous novels published by the University of Tennessee Press, Prodigals and the Peter Taylor Prize–winning Blood Kin. The recipient of National Endowment for the Arts and Breadloaf Writers’ Conference fellowships, as well as the Chaffin Award for fiction, he is an assistant professor of English at Stetson University.

Catherine Bailey has been enjoying the single life long enough to know a catch when she sees one. Gorgeous, charismatic and spontaneous, Lee seems almost too perfect to be true. And her friends clearly agree, as each in turn falls under his spell. But what begins as flattering attentiveness and passionate sex turns into raging jealousy, and Catherine soon learns there is a darker side to Lee. His increasingly erratic, controlling behaviour becomes frightening, but no one believes her when she shares her fears. Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a meticulous escape. Four years later, Lee is behind bars and Catherine—now Cathy—compulsively checks the locks and doors in her apartment, trusting no one. But when an attractive upstairs neighbour, Stuart, comes into her life, Cathy dares to hope that happiness and love may still be possible . . . until she receives a phone call informing her of Lee’s impending release. Soon after, Cathy thinks she catches a glimpse of the former best friend who testified against her in the trial; she begins to return home to find objects subtly rearranged in her apartment, one of Lee’s old tricks. Convinced she is back in her former lover’s sights, Cathy prepares to wrestle with the demons of her past for the last time. Utterly convincing in its portrayal of obsession, Into the Darkest corner is an ingeniously structured and plotted tour de force of suspense that marks the arrival of a major new talent.

A tragic accident. A blackmail plot. A house of cards. And murder. In his late father's house, Carl finds a hoard of pills, 'wonder drugs' and herbal remedies. He sells a box of slimming pills to his close friend Stacey. She dies. And Carl's new tenant is now scheming to blackmail him, imposing more and more demands on an increasingly unstable Carl, pushing him to the point of no return... _________________________ Ruth Rendell's final novel is a dark and atmospheric tale of psychological suspense, full of mistaken identity, kidnap, blackmail, and a cast of normal people driven to do abnormal things. Infused with her distinctive blend of wry humour, acute observation and deep humanity, this is Rendell at her most memorable and best.