I have planned and designed this representative Anthology of Kannada short Stories in English (Fifteen stories).My main objective is to offer the best short stories in English. The seeds of Kannada short story as a literary form can be traced back to Katha Sarasttisagara, Panchantantra, Jataka tales and great oral folk legends and wonderful tales. Some of the oral and written stories were carried to the West mostly by traders, wanderers, monks and cultural ambassadors. They also carried with them the two greatest epics like Ramayana and Mahabharata, Vedas and Upanishads. The travellers brought back the great stories/epics of the West like Illiad, Odyssey and Biblical stories. With the invention of printing press in Germany in 16th century it became possible to reach out to countries far and wide through the medium of print. The short story as a genre developed steadily over the centuries and it lost its amorphous body and acquired a well defined order, arrangement and form.

Issues for 1919-47 include Who's who in India; 1948, Who's who in India and Pakistan.

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It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.

A compelling tale of mystery, passion and spiritual exploration seventy-year-old Shastri; A reciter of Harikatha, encounters an Ayyappa pilgrim on a train. Around the pilgrim's neck is a Sri chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, A young man destined for spiritual attainment. The interwoven lives of three generations play out variations on the same themes. Whose son am I? Whose father am I? Where are my roots? These mysteries of the past and present are explored, but there are no clear answers. And while significant in daily being , such questions lose urgency in the flux of becoming (Bhava means both being and becoming). So we are led to consider that Samsara-the world of illusion and embodiment-may not be very different from Sunya , the emptiness from which everything arises. At times a drama of cruelty and lust, at times a lyrical meditation on love and transformation, Bhava is an exceptional novel by one of India's most celebrated writers. Translated from the Kannada by Judith Kroll with the author.

The Life of a Text offers a vivid portrait of one community's interaction with its favorite text—the epic Ramcaritmanas—and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists, historians of religion, and readers interested in the culture of North India and the performance arts will find breadth of subject, careful scholarship, and engaging presentation in this unique and beautifully illustrated examination of Hindi culture. The most popular and influential text of Hindi-speaking North India, the epic Ramcaritmanas is a sixteenth century retelling of the Ramayana story by the poet Tulsidas. This masterpiece of pre-modern Hindi literature has always reached its largely illiterate audiences primarily through oral performance including ceremonial recitation, folksinging, oral exegesis, and theatrical representation. Drawing on fieldwork in Banaras, Lutgendorf breaks new ground by capturing the range of performance techniques in vivid detail and tracing the impact of the epic in its contemporary cultural context.