"Showcasing the riches of the Morgan's collection and encompassing a broad chronological and geographical scope, one hundred drawings from the fifteenth through twentieth centuries have been selected for their outstanding quality and art historical significance with an eye to conveying the breadth and depth of the Morgan's holdings. From Leonardo to Pollock: Master Drawings from the Morgan Library also chronicles the history of the collection, including sheets from the initial group of drawings purchased by Pierpont Morgan in 1909 to notable acquisitions and gifts since the institution's founding in 1924." "This publication presents a variety of types of drawings - from preliminary sketches to highly finished studies - featuring a wide range of media, namely metalpoint, chalk, pen and ink, and water color."--BOOK JACKET

Katalog mit 100 Zeichnungen des 14. bis 20. Jahrhunderts. - Einf. in die Geschichte der Sammlung.

Digby and his sister, Hannah find Leonardo Da Vinci's palette in an antiques market and Mr. Rummage tells them about Da Vinci's life and how he made history.

Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of drinking.

How an oddly attributed $19,000 picture proved to be a $100 million work by Leonardo da Vinci—a true art-world detective story In late 2010, art collector Peter Silverman revealed that a "German, early 19th century" portrait he had bought for $19,000 was, in fact, a previously unknown drawing by Leonardo da Vinci—an exquisite depiction of Bianca Sforza, rendered 500 years ago. In Leonardo's Lost Princess, Silverman gives a riveting first-person account of how his initial suspicions of the portrait's provenance were confirmed repeatedly by scientists and art experts. He describes the path to authentication, fraught with opposition and controversy. The twists and turns of this fascinating, decade-long quest lead from art history to cutting-edge science, and from a New York art gallery to Paris, Milan, Zurich, and ultimately a Warsaw library where the final, convincing evidence that the portrait was indeed by da Vinci was found. Takes an up-close look at the workings of the art world and at figures ranging from dealers and connoisseurs to a suspected forger Discusses current scientific techniques used to investigate and authenticate works of art, such as carbon dating and cutting-edge photography Uses Silverman's drawing as an entree into Leonardo da Vinci's world: his studio, his style, and his methods Explores the intersection of art and science in the authentication process, involving the work of a man who embodied that intersection Unearthing the secrets almost lost to history, the book is ideal reading for art lovers and anyone interested in an astounding case of "whodunit."

Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

Jeanne Siegal takes a fresh approach in this work, concentrating on artists who have been profoundly influenced by Jackson Pollock's work. She argues that artistic roots are not limited to stylistic innovations, but include influences such as biography, cultural, political, and economic developments.

Understanding Da Vinci’s Creative Genius The life and art of history’s most influential mind Bestselling author Leonard Shlain explores the potential for humankind through the life, art, and mind of the first true Renaissance Man, Leonardo da Vinci. His innovations as an artist, scientist, and inventor are recast through a modern lens, with Shlain applying contemporary neuroscience to illuminate da Vinci’s creative process. No other person in human history has excelled in so many areas of innovation: Shlain reveals the how and the why. Shlain theorizes that Leonardo’s extraordinary mind came from a uniquely developed and integrated right and left brain, which offers a model for how we too can evolve. Using past and current research, Leonardo’s Brain presents da Vinci as the focal point for a fresh exploration of human creativity. With his lucid style and remarkable ability to discern connections among a wide range of fields, Shlain brings the reader into the world of history’s greatest mind. Leonard Shlain is a bestselling author, inventor, and surgeon. Admired among artists, scientists, philosophers, anthropologists, and educators, he authored three bestselling books. He delivered stunning visual presentations based upon his books in venues around the world, including Harvard, the New York Museum of Modern Art, CERN, Los Alamos, the Florence Academy of Art, and the European Council of Ministers. Shlain died in May 2009 at the age of 71 from brain cancer shortly after the completion of this book. Visit LeonardShlain.com and LeonardosBrain.com.

With a novel quality theory of consumption which treats opulence and self-restraint in consumption styles symmetrically, Ernst Mohr shows how social distance and proximity are communicated by consumption and produced by communication. He positions fringe styles with those of the mainstream in an overall stylistic system of society and analyses their encounters. Rigorously derived, the approach casts fresh light on the cultural and social evolution as well as the business models of the consumer industry. It provides a coherent interdisciplinary access to the aesthetic turn of society that has so far been treated with contradictory paradigms.