"War creates many individual and family tragedies. To a child, war may mean not having enough to eat and feeling sick. To a woman, it may mean persistent threat of physical or sexual assault. To an older person, it may mean there is no available medical care and no available medicine to control diabetes and high blood pressure. To a displaced person, it may mean separation from family members. To a military veteran, it may mean recurring nightmares. And to those whose parents, spouse, siblings, children, or other family members or friends were killed, it may mean eternal grief"--

2020 Choice Outstanding Academic Title As deputy to the U.S. ambassador in Rwanda, Joyce E. Leader witnessed the tumultuous prelude to genocide--a period of political wrangling, human rights abuses, and many levels of ominous, ever-escalating violence. From Hope to Horror offers her insider's account of the nation's efforts to move toward democracy and peace and analyzes the challenges of conducting diplomacy in settings prone to--or engaged in--armed conflict. Leader traces the three-way struggle for control among Rwanda's ethnic and regional factions. Each sought to shape democratization and peacemaking to its own advantage. The United States, hoping to encourage a peaceful transition, midwifed negotiations toward an accord. The result: a revolutionary blueprint for political and military power-sharing among Rwanda's competing factions that met categorical rejection by the "losers" and a downward spiral into mass atrocities. Drawing on the Rwandan experience, Leader proposes ways diplomacy can more effectively avert the escalation of violence by identifying the unintended consequences of policies and emphasizing conflict prevention over crisis response. Compelling and expert, From Hope to Horror fills in the forgotten history of the diplomats who tried but failed to prevent a human rights catastrophe.

'Between Horror and Hope' is a study of Paul's metaphorical language of death in Romans 6:1-11. The scholarly debate focuses on two main issues; the origin of the 'commentatio mortis' tradition and its development. Dr. Sabou argues that the origin of this terminology is original to Paul; that it was the apostle's own insight into the meaning of Christ's death (a "death to sin") and his understanding of the identity of Christ in his death (as the anointed davidic king) which guided him to create this metaphor of "dying to sin" as a way of describing the relationship of the believer with sin. On the development of this language of death, the author argues that this language conveys two aspects — horror and hope. The first is discussed in the context of crucifixion in which Paul explains the believer's "death to sin" by presenting Christ's death as the death of the anointed davidic king who won the victory over sin and death by rising from the dead. Paul affirms that believers are "coalesced" with what was "proclaimed" about Christ's death and resurrection, thereby allowing him to assert that the releasing of the body from the power of sin is a result of "crucifixion." This "crucifixion" is the "condemnation" inflicted on our past lives in the age inaugurated by Adam's sin and this is such a horrible event that believers have to stay away from sin since sin leads to such punishment. In contrast, hope is presented in the context of "burial." The believers' "burial with" Christ points to the fact that they are part of Christ's family and this is accomplished by the overwhelming action of God by which he pushes us toward the event of Christ's death, an act pictured in baptism. It is this "burial with" Christ that allows believers to share with Christ in newness of life.

A gripping supernatural mystery for fans of John Wyndham's The Midwich Cuckoos from the author of Snakeskins. Workaholic TV news producer Nina Scaife is determined to fight for her daughter, Laurie, after her partner Rob walks out on her. She takes Laurie to visit Rob's parents on the beautiful but remote Hope Island, to prove to her that they are still a family. But Rob's parents are wary of Nina, and the islanders are acting strangely. And as Nina struggles to reconnect with Laurie, the silent island children begin to lure her daughter away. Meanwhile, Nina tries to resist the scoop as she is drawn to a local artists' commune, the recently unearthed archaeological site on their land, and the dead body on the beach...

A creepy collection of 10 unsettling horror stories from a master storyteller The splash from something enormous resounds through the sea-fog. In the stillness of a dark room, some unspeakable evil is making its approach. . . Abandon the safety of the familiar with 10 nerve-wracking episodes of horror penned by master of atmosphere and suspense, William Hope Hodgson. From encounters with abominations at sea to fireside tales of otherworldly forces recounted by occult detective Carnacki, this new selection offers the most unsettling of Hodgson's weird stories, guaranteed to terrorize the steeliest of constitutions.

The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.

"Robert Dallek brings to this majestic work a profound understanding of history, a deep engagement in foreign policy, and a lifetime of studying leadership. The story of what went wrong during the postwar period…has never been more intelligently explored." —Doris Kearns Goodwin, author of the Pulitzer Prize-winning Team of Rivals Robert Dalleck follows his bestselling Nixon and Kissenger: Partners in Power and An Unfinished Life: John F. Kennedy, 1917-1963 with this masterful account of the crucial period that shaped the postwar world. As the Obama Administration struggles to define its strategy for the wars in Afghanistan and Iraq, Dallek's critical and compelling look at Truman, Churchill, Stalin, and other world leaders in the wake of World War II not only offers important historical perspective but provides timely insight on America's course into the future.

This is a collection of stories written by Felicia Bornstein Lubliner related to her experiences during the Nazi Holocaust. The foreword and introduction are written by her son, Irving Lubliner

A chilling story of supernatural events that befell an entire Texas subdivision.

A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal