From abducted...to betrothed! To stop an unsuitable elopement, Tobias Spenlow bundles his ward’s intended bride into his carriage — only to discover he’s made a terrible mistake. The woman is actually innocent governess Miss Dorothy Phillips — whose reputation he’s unintentionally ruined! The only way to right this wrong is for the Earl to wed her. She might have accidentally become his Countess, but their consuming attraction has him courting her in earnest! Mills & Boon Historical — Your romantic escape to the past.

The scandalous truth about the count’s new mistress! A Matches Made in Scandal story Count Aleksei Derevenko has hired governess Allison Galbraith for her skills as a herbalist, not a mistress! But when rumors spread, Allison is more shocked by her wanton reaction to Aleksei—inscrutable and impossibly handsome, his icy blue eyes promise white-hot nights of sin. She knows too well how fragile her reputation is, but will the price of their passion be worth paying? “Readers will be seduced by the passionate natures of the protagonists, and the fast-paced, thrilling adventure” — RT Book Reviews on The Harlot and the Sheikh “Fairytales do come true … There is plenty of action and adventure to captivate all readers” — RT Book Reviews on Sheikh’s Mail-Order Bride Matches Made in Scandal miniseries Book 1 — From Governess to Countess Book 2 — From Courtesan to Convenient Wife — coming soon

A sensual Victorian gothic romance set in Scotland She’s running from the past… Am I the key to her future? As a private investigator to the rich, it’s my job to be impartial, but returning to moody Edinburgh—the city where I made my name—to locate Marianne Crawford unsettles me. And when I meet the beguiling governess in question, I’m inexplicably drawn to her… Marianne Crawford is a survivor. She’s lived through experiences designed to destroy her. But I’m here to reveal her true identity, not to fall under her spell. I’ve never been afraid of secrets, but once I uncover this one, I’m afraid I won’t be able to walk away… From Harlequin Historical: Your romantic escape to the past.

Between the 1780s and the end of the nineteenth century, an army of sad women took up residence in other people's homes, part and yet not part of the family, not servants, yet not equals. To become a governess, observed Jane Austen in Emma, was to "retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever." However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction-partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Brontës, whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

We only know a surprisingly small number of eighteenth-century women as personalities. This is true, in particular, of women who had to work for their living. Which is why the survival of the letters and journals of Miss Agnes Porter, dating from 1788 to 1814, constitutes an unusually important find. Miss Porter, the daughter of a Church of England clergyman, was born in 1752 with brains but not looks or wealth. Although she would have liked to marry, her various hopes ended in disappointment. She therefore had to earn her living as a governess, working principally in teaching the daughters and grand-daughter of the second Earl of Ilchester. Agnes Porter was neither morbidly religious, as were many of her Victorian successors, nor did she spend her time dwelling on the unfairness of her situation. She emerges as a intelligent, warm and likeable woman ready to make the best of her lot. Joanna Martin has provided a substantial introduction which sets Miss Porter in her historical context. A Governess in the Age of Jane Austen is a detailed, and very early, portrait of a woman entering a profession.

A marriage hiding secrets …but forged by passion! A Penniless Brides of Convenience story. Miss Estelle Brannagh has never met a man who’s tempted her to renounce her hard-won independence—until an encounter with Irish landowner Aidan Malahide blossoms into spine-tingling attraction. He’s carefree and charismatic; accepting his proposal seems practical and shockingly desirable! Yet Aidan is hiding a dark secret, and it will take all of Estelle’s courage to ensure it doesn’t tear them apart…

In 1714 George Ludwig, the fifty-eight-year-old elector of Brunswick-Luneburg, became, as George I, the first of the Hanoverian dynasty to rule Britain. Until his death in 1727 George served as both elector of Hanover and British monarch. An enigmatic figure whose real character has long been concealed by anti-Hanoverian propaganda, George emerges in this groundbreaking biography as an impressive ruler who welcomed the responsibilities the accession brought him and set out to bring culture to what he considered the unsophisticated English nation. Ragnhild Hatton’s biography is the only comprehensive account of George’s life and reign. It draws on a wide range of archival sources in several languages to illuminate the fascinating details of George’s early life and dynastic crises, his plans and ambitions for the British nation, the impact of his rationalist ideas, and his accomplishments as king. The book also examines the king’s private life, his family relationships in both Prussia and England, his private interest in music and the arts, and the improvement of his British and Hanoverian properties.