From Babel to Babylon explores the literary and historical character of biblical texts in the Torah, Prophecy, and Writings. It considers questions of composition and the writing of history. The book situates biblical texts in their immediate and distant context. It reflects upon their intertextuality and identifies their literary sources. Key events and figures are discussed in light of the politics of the age. Gender issues are explored, with attention to the different social roles of men and women and the character of the interaction. Theology is another important topic, and the character of God keeps changing to reflect the development of historical and prophetic traditions. The books ends with biblical wisdom, with the specific instruction to rely on the experience of the sage, whose superior understanding is greater than our own. This exhortation to listen to the text directs us back to the introduction, where readers are asked to pay attention to the principles the text sets up for its own interpretation.

Although cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown—vaudeville, dime museums, fairgrounds—a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm—as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience. After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer. Babel and Babylon recasts the debate on early American cinema—and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.

The Tower of Babel is a fascinating story, one that has garnered a lot of attention to date and becomes a topic of great controversy among historians and biblical scholars around the world. It is one of the strangest tales mentioned in the Bible that is surrounded by many myths and explanations. In essence, this book will walk you through the entire story of the Tower of Babel

A Vintage Shorts “Short Story Month” Selection Together with a crew of other miners and cart-pullers, Hillalum is recruited to climb the Tower of Babylon and unearth what lies beyond the vault of heaven. During his journey, Hillalum discovers entire civilizations of tower-dwellers on the tower—there are those who live inside the mists of clouds, those who raise their vegetables above the sun, and those who have spent their lives under the oppressive weight of an endless, white stratum at the top of the universe. “Tower of Babylon” is a rare gem—a winner of the prestigious Nebula award, the first story Ted Chiang ever published, and the brilliant opening piece to Chiang’s much-lauded first collection, Stories of Your Life and Others, which is soon to be a major motion picture starring Amy Adams. An ebook short.

Creationists have acquired a more sophisticated intellectual arsenal. This book reveals the insubstantiality of their arguments. Creationism is no longer the simple notion it once was taken to be. Its new advocates have become more sophisticated in how they present their views, speaking of "intelligent design" rather than "creation science" and aiming their arguments against the naturalistic philosophical method that underlies science, proposing to replace it with a "theistic science." The creationism controversy is not just about the status of Darwinian evolution—it is a clash of religious and philosophical worldviews, for a common underlying fear among Creationists is that evolution undermines both the basis of morality as they understand it and the possibility of purpose in life. In Tower of Babel, philosopher Robert T. Pennock compares the views of the new creationists with those of the old and reveals the insubstantiality of their arguments. One of Pennock's major innovations is to turn from biological evolution to the less charged subject of linguistic evolution, which has strong theoretical parallels with biological evolution, both in content and in the sort of evidence scientists use to draw conclusions about origins. Of course, an evolutionary view of language does conflict with the Bible, which says that God created the variety of languages at one time as punishment for the Tower of Babel. Several chapters deal with the work of Phillip Johnson, a highly influential leader of the new Creationists. Against his and other views, Pennock explains how science uses naturalism and discusses the relationship between factual and moral issues in the creationism-evolution controversy. The book also includes a discussion of Darwin's own shift from creationist to evolutionist and an extended argument for keeping private religious beliefs separate from public scientific knowledge.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

The Tower of Babel: The Cultural History of Our Ancestors reveals our shared ancestry as never before! Many are familiar with the Biblical account of Babel, but after the dispersal, there was a void beyond Biblical history until empires like Rome and Greece arose. Now, discover the truth of these people groups and their civilizations that spread across the earth and trace their roots back to Babel as well as to the sons and grandsons of Noah. Many of today's scholars write off what occurred at the Tower of Babel as mythology and deny that it was a historical event. Beginning with the Biblical accounts, author Bodie Hodge researched ancient texts, critical clues, and rare historic records to help solve the mystery of what became of the failed builders of Babel. For the purpose of defending the Bible, Hodge presents these and other vital historical facts surrounding this much-debated event. Teens and older can use this layman's reference for Biblical classes, ancient history, apologetics training, and to realize their own cultural connection to the Bible.

The United States is one of history's great Christian nations, but our unique history, success, and global impact have seduced us into believing we are something more--God's New Israel, the new order of the ages, the last best hope of mankind, a redeemer nation. Using the subtle categories that arise from biblical narrative, Between Babel and Beast analyzes how the heresy of Americanism inspired America's rise to hegemony while blinding American Christians to our failures and abuses of power. The book demonstrates that the church best serves the genuine good of the United States by training witnesses--martyr-citizens of God's Abrahamic empire.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

Peter Thornton doesn't believe in God. Or rather, he doesn't believe in one God. "All paths are valid," he teaches his university students. One evening he ventures to the archaeology museum and touches an artifact recently discovered from ancient Babylon. At the touch he is transported three thousand years back in time to Old Testament Babylon. Somehow the people know him as Rim-Sin, sorcerer and high priest to the gods of Babylon. The moment he arrives he is accused of murder-a murder Rim-Sin committed-and he must run for his life. Against the backdrop of Nebuchadnezzar's court at its zenith, he and rival sorcerers vie with Beltshazzar, the Jewish upstart, for the king's favor. As Peter scrambles to get back to the twenty-first century he encounters a lovely young woman who has some disturbingly powerful arguments about the God of the Bible. Peter won't get home until he has fallen from his pride. Fallen from his polytheism. Fallen from Babel.