When Friedrich Gilly died in 1800 at age twenty-eight, his architectural career had spanned less than a decade and construction of his major designs was incomplete. Nevertheless, his ideas so strongly influenced Berlin architecture of the next century that he is now widely regarded as the founder of Berlin's distinct architectural tradition. By uniting Rationalist and Neoclassicist principles, his designs achieve an artistic expression that is at once visually dramatic and formally pure. Today, his theories are known primarily through the work of Karl Friedrich Schinkel, his student who became one of Berlin's primary modern architects. In addition to presenting five of Gilly's most influential essays, this volume contains previously unpublished archival records that clarify the intellectual context in which Gilly developed his thoughts on architecture. A catalog of Gilly’s personal library is especially illuminating.

When the small farmstead in the south-western corner of Sanssouci park came up for sale in 1825, Hofmarschall von Maltzahn wrote to the King of Prussia to say that the grounds of Sanssouci would be much improved by the addition of this plot. It was clear that Peter Joseph Lenne, who produced a first plan for the garden as soon as the land was presented to the Crown Prince, later King Friedrich Wilhelm IV, was behind the letter. Schinkel, the architect of Charlottenhof, and Lenne, the designer of the surrounding park, had met in 1816 when they were working for Chancellor Hardenberg in Glienicke, between Berlin and Potsdam. They established a community of interest that architecture critics have compared with the best years of cooperation between John Nash and Humphry Repton. Charlottenhof became the highlight of their joint activities. The palace, set on a severe garden axis, was built from 1826 to 1829. It was followed from 1829 to 1840 by the freely developing area of the Hofgartnerhaus and its adjacent facilities, all of which has become known as the 'Roman Baths'. The Crown Prince involved himself in the planning process, contributing over 100 sketches. He called Charlottenhof 'my Siam', understood as a synonym for a better world, and he was pursuing with it his intention of presenting his own future style of government, based on romantic theories of the state and striving for a harmonious balance of all classes and interests. Charlottenhof is Schinkel's only work to have survived complete inside and outside, surrounded by Lenne's landscape garden, which has also been carefully looked after and preserved. In his role as the foundation's curator Heinz Schonemann isresponsible for the preservation of the buildings and monuments of the Stiftung Preussische Schlosser und Garten Berlin-Brandenburg. Reinhard Gorner has been working as an architectural photographer for more than a decade. He is highly thought of by many major architects as an interpre

This book is about one of the geatest and most influential architects and designers of the 19th century. Schinkel designed many of the great buildings of his native Germany; his architecture still dominates Berlin.

The history of Western architecture from the earliest times in Mesopotamia and Egypt to the dramatic impact of CAD on architectural practice at the beginning of the 21st century.

Offering an approach to the history of the modern state, this text concentrates on the 18th century and on two cases, those of Britain and Germany.

There is a copius and wide-ranging body of literature on Karl Friedrich Schinkel, Germany's most important 19th-century architect.This volume hopes to fill the gap by providing the fullest possible compliation.

The book focuses on how musical taste and style affected architecture and acoustics influenced musical composition.

Friedrich Weinbrenner was the first internationally important German architect of the nineteenth century. His planning for the city of Karlsruhe—and his design of every imaginable type of structure, including palaces, churches, synagogue, government buildings, city gates, shops, fountains, theaters, armories, cemetery buildings and farms—is a remarkable achievement. This collection includes treatment of Weinbrenner's contributions to agricultural architecture. Based on new rationalist models that were greatly influenced by the scientific movement in the mideighteenth century.

This book offers a fresh appraisal of Karl Friedrich Schinkel’s urban design legacy and his involvement in the design of modern Athens in the 1830s. It challenges the common perception of Schinkel’s proposed palace atop the Acropolis of Athens (1834) as a utopian scheme, detached from the realities of nineteenth-century Greece.