Friday night is the family's special night because Papa joins them, but this week Papa doesn't come home.

Friday night is the family's special night because Papa joins them, but this week Papa doesn't come home as usual.

Friday night is the family's special night because Papa joins them, but this week Papa doesn't come home as usual.

New York Times Bestseller Best-selling author J. Kenji López-Alt introduces Pipo, a girl on a quest to prove that pizza is the best food in the world. Pipo thinks that pizza is the best. No, Pipo knows that pizza is the best. It is scientific fact. But when she sets out on a neighborhood-spanning quest to prove it, she discovers that "best" might not mean what she thought it meant. Join Pipo as she cooks new foods with her friends Eugene, Farah, Dakota, and Ronnie and Donnie. Each eating experiment delights and stuns her taste buds. Is a family recipe for bibimbap better than pizza? What about a Moroccan tagine that reminds you of home? Or is the best food in the world the kind of food you share with the people you love? Warm and funny, with bright, whimsical illustrations by Gianna Ruggiero, Every Night Is Pizza Night is a story about open-mindedness, community, and family. With a bonus pizza recipe for young readers to cook with their parents, Every Night Is Pizza Night will make even the pickiest eaters hungry for something new.

From the crow's nest to the hold, from the high seas to the island of buried treasure, this boy hangs out with the most rough-and-tumble of rogues. And at the end of each day, he gets tucked in by the fiercest pirate of them all: his loving and tender dad.

Reviews 1,400 books for children chosen as the best published during the years 1966-1972.

Themagerichte benadering van de hedendaagse, vnl. Engelse en Amerikaanse jeugdliteratuur, waarin onderwerpen als seksualiteit, ouderdom, dood, milieu, discriminatie, racisme en oorlog en vrede in kinderboeken uitvoerig worden behandeld en voorzien van een titellijst

Periodizing contemporary fiction against the backdrop of neoliberalism, After Critique identifies a notable turn away from progressive politics among a cadre of key twenty-first-century authors. Through authoritative readings of foundational texts from writers such as Percival Everett, Helena Viramontes, Uzodinma Iweala, Colson Whitehead, Tom McCarthy, and David Foster Wallace, Huehls charts a distinct move away from standard forms of political critique grounded in rights discourse, ideological demystification, and the identification of injustice and inequality. The authors discussed in After Critique register the decline of a conventional leftist politics, and in many ways even capitulate to its demise. As Huehls explains, however, such capitulation should actually be understood as contemporary U.S. fiction's concerted attempt to reconfigure the nature of politics from within the neoliberal beast. While it's easy to dismiss this as post-ideological fantasy, Huehls draws on an array of diverse scholarship--most notably the work of Bruno Latour--to suggest that an entirely new form of politics is emerging, both because of and in response to neoliberalism. Arguing that we must stop thinking of neoliberalism as a set of norms, ideological beliefs, or market principles that can be countered with a more just set of norms, beliefs, and principles, Huehls instead insists that we must start to appreciate neoliberalism as a post-normative ontological phenomenon. That is, it's not something that requires us to think or act a certain way; it's something that requires us to be in and occupy space in a certain way. This provocative treatment of neoliberalism in turn allows After Critique to reimagine our understanding of contemporary fiction and the political possibilities it envisions.