This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

This unique book addresses trends such as vitalism, neo-Kantianism, existentialism, Marxism and feminism, and provides concise biographies of the influential philosophers who shaped these movements, including entries on over ninety thinkers. Offers discussion and cross-referencing of ideas and figures Provides Appendix on the distinctive nature of French academic culture

A clear and comprehensive account of the history of French philosophy in the twentieth century.

This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

Richard A. Brooks, general editor, v.

This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

"There are suggestive and interesting contributions ... Historians of modern France and historians interested in the cultural aspects of war will find much to engage with in this stimulating collection." - French History France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.

Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.