A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.

In French Odysseys, Olga Augustinos offers a comprehensive treatment of French travel literature about Greece - from the mid-16th-century arrival of the first French travellers to the outbreak of the Greek Revolution in 1821. The result not only provides a composite portrait of Greece over two and a half centuries but also offers a revealing look at the evolving values and perceptual framework of the travellers themselves.

This book investigates how French Romanticism was shaped by and contributed to colonial discourses of race. It studies the ways in which metropolitan Romantic novels—that is, novels by French authors such as Victor Hugo, George Sand, Bernardin de Saint-Pierre, François René de Chateaubriand, Claire de Duras, and Prosper Mérimée—comprehend and construct colonized peoples, fashion French identity in the context of colonialism, and record the encounter between Europeans and non-Europeans. While the primary texts that come under investigation in the book are novels, close attention is paid to Romantic fiction’s interdependence with naturalist treatises, travel writing, abolitionist texts, and ethnographies. Colonialism, Race, and the French Romantic Imagination is one of the first books to carry out a sustained and comprehensive analysis of the French Romantic novel’s racial imagination that encompasses several sites of colonial contact: the Indian Ocean, North America, the Caribbean, West Africa, and France. Its archival research and interdisciplinary approach shed new light on canonical texts and expose the reader to non-canonical ones. The book will be useful to students and academics involved with Romanticism, colonial historians, students and scholars of transatlantic studies and postcolonial studies, as well as those interested in questions of race and colonialism.

What do you wear to Paris? Ami and I discussed it for hours but I still couldn't think of anything suitable. Ami said a trench coat with nothing underneath but your best underwear. That was only if some boy was meeting you at the airport, I said. Eighteen-year-old Lisette has just arrived in Paris (France!) - the city of haute couture and all things stylish - to practise her French and see great works of art. Her clairvoyant landlady Madame Christophe forces her to attend language lessons with a bunch of international students but soon Lise discovers she's more interested in studying boys than art or verbs ... When the undeniably hot Anders jogs into her life it feels too good to be true. Things get even more complicated when she is pursued by Hugo, a charming English antiques dealer. Can she take a chance and follow her own dreams? How far into the future can Madame Christophe see? And could Lise really be falling in love - in Paris?

Ten years ago, Janine Marsh decided to leave her corporate life behind to fix up a run-down barn in northern France. This is the true story of her rollercoaster ride.

An illustrated love letter to the City of Light.

Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.

In May 1840, Thophile Gautier, the enfant terrible of the French Romantic movement, set off by coach from Paris for a journey to Spain. Hired by the journal La Presse to send back regular installments of travelogue, Gautier recorded his experiences and impressions with extraordinary vividness and enthusiasm. The end result was the book Voyage en Espagne (1845), an enthralling piece of travel writing later translated into English as A Romantic in Spain.

Examining the aesthetics and politics at stake in urban travel writing as spatial practice, this book explores French travellers’ representations of London and New York from 1851 to the 1980s.

Traces an idyllic French honeymoon trip while sharing lighthearted tips and advice on how to thrive as a traveler, in a book with hundreds of watercolor and line illustrations.