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Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.

"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture

A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.

Reliable and contemporaneous graphic observations of everyday life in 13th-century France by an artist/draftsman responsible for creating one of the most treasured documents in art history. 73 black-and-white plates.

100 royalty-free alphabets: Blackstone, Dolbey, Germania, 97 more — with many lowercases, numerals, punctuation marks.

Leading scholars shed light on the development of genre painting in this heavily illustrated volume.