French Tapestries and Textiles is a survey of the Getty Museum's seventeenth- and eighteenth-century French textiles—one of the world's finest collections. Featuring twenty-five extraordinary tapestries woven at the Gobelins and Beauvais manufactories, the catalogue also highlights three carpets, two knotted-pile screens, and two sets of embroidered bed hangings, one of which is the only complete lit à la duchesse surviving from the period. Among the magnificent textiles discussed in this lavish volume are the Emperor of China tapestry series, the whimsical Story of Don Quixote, and Boucher's cycle The Story of Psyche. A gatefold in the book opens to reveal a photograph of the stately twenty-nine-foot carpet commissioned for Louis XIV's Galerie du Bord de l'Eau at the Louvre, a piece never publicly displayed in this century. Each entry includes a listing of artists and weavers, date and place of manufacture, and materials and techniques used, followed by a complete description and a condition statement. The accompanying commentary provides information on the literary, historical, and visual source of design imagery as well as the context of the textile's commission and production. In addition, each textile shown has a complete provenance, exhibition history, and bibliography. For lovers of French decorative arts and connoisseurs of textiles, this book offers a study both of the art of tapestry- and textile-making and of the aesthetic tradition exemplified by these remarkable objects.

Reveals the evolution of tapestry as a unique and enduring art form, from the late Middle Ages through the twentieth century.

'What colors! what variety! What richness of objects and ideas!' So the great philosopher and art critic Diderot wrote in 1761 about Francois Boucher's enormous painting Halt at the Spring, exhibited that year in Paris and the Salon of the Royal Academy. This is but one of the nearly 90 paintings included in French Paintings in the Museum of Fine Arts, Boston: Volume 1, Artists born before 1790. Incorporated in this volume are the paintings of the sixteenth through the first part of the nineteenth centuries. In addition to Boucher, such notable artists as Poussin, Claude, Le Sueur, Largilliere, Greuze, Watteau, Vigee-Lebrun, Lancret, Baron Gros and Prud'hon are included. The MFA's French painting collection is one of America's greatest, and this catalogue marks the first scholarly publication of many of its highlights. Each work is fully illustrated (many in color), and each entry includes a full bibliography and provenance as well as text discussing the work's significance. An introductory essay also provides background on the history of the collection's formation from the acquisition of the Boucher in 1871 to the present day.