"I wonder, then, what freedom is. Is it a place? Is it a thought? Can it be stolen? Can it be bought?" As powerful as it is beautiful, Freedom, We Sing is a lyrical picture book designed to inspire and give hope to readers around the world. Molly Mendoza's immersive, lush illustrations invite kids to ponder singer/songwriter Amyra León's poem about what it means to be free. It's the perfect book for parents who want a way to gently start the conversation with their kids about finding hope in these very tense times we are living in.

On benches just for 'colored, ' black folks obeyed the rules. Rosa Parks at the front of the bus, she let her light shine. In the 1950's and 1960's, the struggle for civil rights forever changed the landscape of America. In her debut Blue Apple book, Vanessa Newton candid images illuminate anew the inequality that affected Americans, young and old. With an introduction by Ruby Bridges and text to the tune of "This Little Light of Mine," Newton's rich, mixed-media illustrations create a vivid message of hope.

In the late 1950s and early 1960s, such songs as "We Shall Overcome," "Keep Your Eyes on the Prize," and "Do What the Spirit Says Do" were sung at virtually every mass meeting, demonstration, and planning session of Civil Rights activists. They were sung on the Freedom Rides, during the marches, and in jail cells of the South. Movement activists have commented frequently and eloquently on the ways that singing and songs gave them strength and a sense of self. This study offers a close analysis of the lyrics of the songs most central to the Civil Rights Movement, with an eye to understanding the songs as self-persuasion. In the songs, the activists defined themselves and their world, and reinforced a plan of action for their participation in the Movement. This analysis of the freedom songs is set in the context of Movement history and supported with commentary from activists and background information on Movement activities. In addition, this study offers readers insights into the moving and inspiring power of the freedom songs.

No one thought Susan B. Anthony and Frederick Douglass would ever become friends. The former slave and the outspoken woman came from two different worlds. But they shared deep-seated beliefs in equality and the need to fight for it. Despite naysayers, hecklers, and even arsonists, Susan and Frederick became fast friends and worked together to change America.

A Goddard CBC's Social Justice Prize Nominee • A YALSA Amazing Audiobook for Young Adults "I will close my eyes and disappear into the pages of this book for many years to come."--Hanif Abdurraqib (New York Times bestselling author of Go Ahead in The Rain: Notes to A Tribe Called Quest) "Amyra's wondrous awe for life in all its terror and splendor is inspiring to witness."--Rosario Dawson (award-winning actor, singer, and activist) "A moving, inspiring love letter to and about 'the concrete kids. The kids with a melanin kiss.'"-- Kirkus Reviews "Leon's powerful book will embolden readers find their own ways of speaking out against injustice." -- Booklist, Starred Review "A raw and complex free verse exploration of self-love, Blackness, womanhood, and healing. A timely, essential ­purchase for all young adult collections." -- School Library Journal, Starred Review In Concrete Kids, playwright, musician, and educator Amyra León uses free verse to challenge us to dream beyond our circumstances -- and sometimes even despite them. Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. Concrete Kids is an exploration of love and loss, melody and bloodshed. Musician, playwright, and educator Amyra León takes us on a poetic journey through her childhood in Harlem, as she navigates the intricacies of foster care, mourning, self-love, and resilience. In her signature free-verse style, she invites us all to dream with abandon--and to recognize the privilege it is to dream at all.

In Betty Reid Soskin’s 96 years of living, she has been a witness to a grand sweep of American history. When she was born in 1921, the lynching of African-Americans was a national epidemic, blackface minstrel shows were the most popular American form of entertainment, white women had only just won the right to vote, and most African-Americans in the Deep South could not vote at all. From her great-grandmother, who had been enslaved until her mid-20s, Betty heard stories of slavery and the times of terror and struggle for black folk that followed. In her lifetime, Betty has watched the nation begin to confront its race and gender biases when forced to come together in the World War II era; seen our differences nearly break us apart again in the upheavals of the civil rights and Black Power eras; and, finally, lived long enough to witness both the election of an African-American president and the re-emergence of a militant, racist far right. The child of proud Louisiana Creole parents who refused to bow down to Southern discrimination, Betty was raised in the Bay Area black community before the great westward migration of World War II. After working in the civilian home front effort in the war years, she and her husband, Mel Reid, helped break down racial boundaries by moving into a previously all-white community east of the Oakland hills, where they raised four children while resisting the prejudices against the family that many of her neighbors held. With Mel, she opened up one of the first Bay Area record stores in Berkeley both owned by African-Americans and dedicated to the distribution of African-American music. Her volunteer work in rehabilitating the community where the record shop began eventually led her to a paid position as a state legislative aide, helping to plan the innovative Rosie the Riveter/WWII Home Front National Historical Park in Richmond, California, then to a “second” career as the oldest park ranger in the history of the National Park Service. In between, she used her talents as a singer and songwriter to interpret and chronicle the great American social upheavals that marked the 1960s. In 2003, Betty displayed a new talent when she created the popular blog CBreaux Speaks, sharing the sometimes fierce, sometimes gently persuasive, but always brightly honest story of her long journey through an American and African-American life. Blending together selections from many of Betty’s hundreds of blog entries with interviews, letters, and speeches, Sign My Name to Freedom invites you along on that journey, through the words and thoughts of a national treasure who has never stopped looking at herself, the nation, or the world with fresh eyes.

More Will Sing Their Way to Freedom is about Indigenous resistance and resurgence across lands and waters claimed by Canada. Both Indigenous and non-Indigenous contributors describe and analyze struggles against contemporary colonialism by the Canadian state and, more broadly, against the global colonial-capitalist system. Resistance includes Indigenous survival against centuries of genocidal policies and the on-going dispossession and destruction of Indigenous lands and waters. Resurgence is the re-invention of diverse Indigenous ways of being, knowing and doing in politics, economics, the arts, research and all realms of life. The underlying argument of More Will Sing Their Way to Freedom is that colonial-capitalism is a historical fact but not an inevitability. By analyzing and detailing various forms of Indigenous resistance and resurgence, the authors here describe practices and visions that prefigure a possible world where there is justice for Indigenous peoples and renewed healthy relationships with “all our relations.”

Chosen as a New York Times Best Illustrated Book of 2016, this poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart. Mondays, there were hogs to slop, mules to train, and logs to chop. Slavery was no ways fair. Six more days to Congo Square. As slaves relentlessly toiled in an unjust system in 19th century Louisiana, they all counted down the days until Sunday, when at least for half a day they were briefly able to congregate in Congo Square in New Orleans. Here they were free to set up an open market, sing, dance, and play music. They were free to forget their cares, their struggles, and their oppression. This story chronicles slaves' duties each day, from chopping logs on Mondays to baking bread on Wednesdays to plucking hens on Saturday, and builds to the freedom of Sundays and the special experience of an afternoon spent in Congo Square. This book will have a forward from Freddi Williams Evans (freddievans.com), a historian and Congo Square expert, as well as a glossary of terms with pronunciations and definitions. AWARDS: A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine

Montgomery, Alabama, 1955--the civil rights movement has begun. The authors build a narrative from the words of the people, their photographs and their songs to form an emphasis on triumph in an uncertain age. Photos and music.

An award-winning author and illustrator join forces in an emotional retelling of Henry “Box” Brown's famed escape from slavery that is celebrated for its daring and originality.