An excellent introduction to Franco's rise to power and his four decades as autocratic head of state in Spain.

The complete diaries that Ivan Maisky, Soviet ambassador to London, kept between 1932 and 1943 Confiscated by Soviet authorities in the 1950s, the diaries of Ivan Maisky, the USSR's ambassador to Great Britain from 1932 to 1943, have been unearthed, annotated, and edited for publication in a three-volume set that Niall Ferguson predicts "will stand as one of the great achievements of twenty-first century historical scholarship." Maisky's revelations illuminate Soviet foreign policy in the years prior to and during World War II, providing fascinating perspectives on London's political life and climate, key figures and events, and the Kremlin rivalries that influenced Soviet policy. Volume 1: The Rise of Hitler and the Gathering Clouds of War, 1932-1938 Volume 2: The Ribbentrop-Molotov Pact and the Battle of Britain, 1939-1940 Volume 3: The German Invasion of Russia and the Forging of the Grand Alliance, 1941-19

An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.