From political evenings in Wiltshire to the jungle death-house of Dahomey, the arch-cad triumphs once again by the skin of his chattering teeth.

A game of cards leads Flashman from the jungle death-house of Dahomey to the slave state of Mississippi as he dabbles in the slave trade in Volume III of the "Flashman Papers". When Flashman was inveigled into a game of pontoon with Disraeli and Lord George Bentinck, he was making an unconscious choice about his own future - would it lie in the House of Commons or the West African slave trade? Was there, for that matter, very much difference? Once again Flashman's charm, cowardice, treachery, lechery and fleetness of foot see the lovable rogue triumph by the skin of his chattering teeth.

First Person Fiction is dedicated to the immigrant experience in modern America. "Flight to Freedom" is closely based on Suarez's own story of leaving Cuba during the Freedom Flights of the 1960s. Yara Garcia and her family live a middle-class life in Havana, Cuba. But in 1967, as Communist ruler Fidel Castro tightens his hold on Cuba, the Garcias, who do not share the political beliefs of the Communist Party, are forced to flee to Miami, Florida. There, Yara encounters a strange land with foreign customs. She knows very little English, and she finds that the other students in her new school have much more freedom than she and her sisters. Tension develops between her parents, as Mami grows more independent and Papi joins a militant anti-Castro organization.

Sarah, a fourteen-year-old slave living in Maryland in the 1850s, tries to escape to freedom in the North through the Underground Railroad, knowing that her path to freedom will be filled with danger.

Evelyn Summers is imprisoned for a crime that was wiped from her memory. In order for Evelyn to be released, she—along with other “reformed” prisoners—must pass seven mental, physical, and virtual challenges known as the Freedom Trials. One mistake means execution and, with her history of being a snitch, her fellow inmates will do everything they can to get revenge. When new prisoner Alex Martinez arrives, armed with secrets about Evelyn’s missing memories, she must make a choice. She can follow the rules to win and walk free, or covertly uncover details of the crime that sent her there. But competing in the trials and dredging up her erased past may cost Evelyn the one thing more valuable than freedom: her life.

Three of George MacDonald Fraser’s incomparable and hilarious novels featuring the lovable rogue, soldier, cheat, and coward: Harry Paget Flashman. Praised by everyone from John Updike to Jane Smiley, Fraser was an acknowledged master of comedy and satire, an unrivaled storyteller, whose craft was matched only by his impeccable historical research. And his greatest creation was, of course, Flashman. The novels collected here find our hero in the midst of his usual swashbuckling adventures of derring-do: fleeing adversaries in the First Anglo-Afghan War; meeting and nearly deceiving a young Abraham Lincoln in America; alternately impersonating a native Indian cavalry recruit and wooing women in India; and managing, whatever the circumstances, to keep his hero’s reputation unsullied. A must-have treat for the legions of dedicated Flashman fans, and a delightful introduction for those lucky enough to be encountering him for the first time.

Bob Dylan’s abrupt abandonment of overtly political songwriting in the mid-1960s caused an uproar among critics and fans. In Wicked Messenger, acclaimed cultural-political commentator Mike Marqusee advances the new thesis that Dylan did not drop politics from his songs but changed the manner of his critique to address the changing political and cultural climate and, more importantly, his own evolving aesthetic. Wicked Messenger is also a riveting political history of the United States in the 1960s. Tracing the development of the decade’s political and cultural dissent movements, Marqusee shows how their twists and turns were anticipated in the poetic aesthetic—anarchic, unaccountable, contradictory, punk— of Dylan's mid-sixties albums, as well as in his recent artistic ventures in Chronicles, Vol. I and Masked and Anonymous. Dylan’s anguished, self-obsessed, prickly artistic evolution, Marqusee asserts, was a deeply creative response to a deeply disturbing situation. "He can no longer tell the story straight," Marqusee concludes, "because any story told straight is a false one."

Freedom of Religion reigns as a First Amendment freedom. To preserve, cherish, and advance Freedom of Religion, the Freedom of Religion Party launches. Then the Freedom of Religion Party flourishes. When you want to preserve, cherish, and advance Freedom of Religion, kindly read this booklet. 26 pages.

A theory of religious freedom for the modern era that uses natural law from ancient Greek, Jewish, Christian and Islamic sources.