Study of one of the younger generation of avant-garde architects in Southern California, who has worked most closely with the art community

"Robert Venturi’s Rome is a guidebook to the city of Rome seen through the eyes of Robert Venturi and re-interpreted by two subsequent Rome Prize fellows and architect, Frederick Fisher and Stephen Harby. Published in 1966, Venturi viewed architecture, landscape, and art as different manifestations of common themes. Fundamental to the develo9pment of any young architects’ outlook on architecture, Venturi wrote this seminal publication following a two-year Rome Prize fellowship at the American Academy in Rome. Many buildings in Rome serve as examples that illustrate his theories, underscoring the city’s profound influence on Venturi’s thinking: from the Pantheon, through works by his favorite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rom as a complex and contradictory city." -- Book jacket.

This book offers a casual, witty, and approachable retrospective on the characters, environment, and cultural history of L.A. architecture as remembered through a series of oral history interviews with the architects conducted by Stephen Phillips alongside Wim de Wit, Christopher Alexander, and the students of the Cal Poly L.A. Metro Program in Architecture and Urban Design.

A profile of ten buildings illustrates how environmental responsibility is enabling new innovations in contemporary architecture, in a companion to a major traveling exhibition that features the works of such innovators as Norman Foster, Neutelings Riedijk Architecten, and Herzog + Partner. Original.

From the arid deserts of Tucson, Arizona to the icy forests of Poori, Finland to the tropical beaches of New South Wales, Australia to the urban jungle of downtown Manhattan, critics Alanna Stang and Christopher Hawthorne have travelled to the farthest reaches of the globe to find all that is new in the design of sustainable, or "green" homes. The result is more than thirty-five residences in fifteen countries, and nearly every conceivable natural environment, designed by a combination of star architects and heretofore unknown practitioners including Santiago Calatrava, Shigeru Ban, Miller/Hull, Rick Joy, Lake Flato, Kengo Kuma, Glenn Murcutt, Pugh & Scarpa, Werner Sobek, and many others. Projects are presented with large colour images, plans, drawings, and an accompanying text that describes their green features and explains how they work with and in the environment. The Green House is not only a beautiful object in its own right, but is sure to be an indispensable reference for anyone building or interested in sustainable design.

* Provides a wealth of information on a diverse selection of international design firms, large and small, and their working environments * Reveals design solutions, details, and concepts that have been explored and used by design firms from around the world * Beautifully illustrated in full color to inspire cutting edge workplace design

A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.

A Confederacy of Heretics examines the explosion of activity associated with the Architecture Gallery, the first gallery in Los Angeles dedicated exclusively to architecture. Instigated by Thom Mayne in the fall of 1979, the Architecture Gallery staged ten exhibitions in as many weeks by both young and established Los Angeles practitioners, featuring the work of Eugene Kupper, Roland Coate, Jr., Frederick Fisher, Frank Dimster, Frank Gehry, Peter de Bretteville, Morphosis (Thom Mayne and Michael Rotondi), Studio Works (Craig Hodgetts and Robert Mangurian), and Eric Owen Moss. Another young architect, Coy Howard, opened the events with a lecture at the Southern California Institute of Architecture, which hosted talks by each exhibiting architect. In an unprecedented move by the popular press, the events were chronicled in weekly reviews by the critic John Dreyfuss in the Los Angeles Times. Gathering an array of original drawings, models, photographs, video recordings, and commentary alongside new assessments by current scholars, A Confederacy of Heretics aims neither to canonize the participating architects nor to consecrate their unorthodox activities. Rather, the book re-examines the early work of some of Los Angeles' most well-known architects, charts the development of their most potent design techniques, and documents a crucial turning point in Los Angeles architecture, a time when Angeleno architecture culture shifted from working local variations on imported themes to exporting highly original disciplinary innovations with global reach. Taken together, the exhibition, symposium, and catalog that comprise A Confederacy of Heretics offer a unique lens through which to analyze a pivotal moment in the development of late twentieth-century architecture.

Richard Neutra's landmark publication Survival Through Design, in print again for the first time in decades, is a cycle of essays providing insights far ahead of their time. With a new introduction by Dr. Barbara Lamprecht and foreword by Dr. Raymond Neutra, it is richly illustrated and intended as a reference for years to come. Neutra's themes are wide-ranging and he extensively plumbs through history to develop his insights, however, the general theme of man-made environment and its impact on human physiological, neurological, emotional states over time, and the designer's potential role as mediator of these conditions, is a constant throughout Survival Through Design with ever greater relevance for the present day. Richard Neutra's landmark publication Survival Through Design, in print again for the first time in decades, is a cycle of essays providing insights far ahead of their time. With a new introduction by Dr. Barbara Lamprecht and foreword by Dr. Raymond Neutra, it is richly illustrated and intended as a reference for years to come.

This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture. "A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine "A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times