This title focuses on Freddy Krueger from the Nightmare on Elm Street series and gives information related to his origin, Hollywood influence, and legacy. This hi-lo title is complete with thrilling and colorful photographs, simple text, glossary, and an index. Aligned to Common Core Standards and correlated to state standards. Fly! is an imprint of Abdo Zoom, a division of ABDO.

Wes Craven's A Nightmare on Elm Street is one of the most inventive American films of the 1980s. Its sleeper success bred a series of film sequels and a syndicated television program while its villain, Freddy Krueger, became a Hollywood horror icon for the ages. In the four decades since its release, Craven's creation and subsequent franchise has become firmly established as a pop culture institution and a celebrated symbol of American cinema. This book takes readers on an engrossing journey through the history, production and themes of the Nightmare on Elm Street film series and its spin-off TV show, Freddy's Nightmares. It reveals new stories about the franchise's history and dives into some of the themes and ideas that tend to be overlooked. The book has a foreword by production designer Mick Strawn and exclusive interviews with cast and crew, including legendary Freddy Krueger actor Robert Englund; directors Jack Sholder, Chuck Russell, Mick Garris, Tom McLoughlin, Lisa Gottlieb, and William Malone; cinematographers Jacques Haitkin, Roy H. Wagner, and Steven Fierberg; and many more.

The character Freddy Krueger is featured here in seven grotesque tales by authors including Nancy A. Collins, Bentley Little and Tom Elliot.

Looks at the six Nightmare films, and explains the special effects used to create their most gruesome scenes

It's Halloween in Springwood and the place to be is the old Appleby mansion where the lord of the manor is none other than Jack Spyder, himself. Born John Appleby, Jack Spyder changed his name when he was eight, right after he was discovered in a national talent search and landed a role on a hit television sitcom. But like many child stars, Jack rose to fame too fast, and when he lost his parents suddenly in a terrible accident, he returned home to the mansion they owned in Springwood. Then teen idol Jack throws a Halloween bash--the party to end all parties. Not only has the local boy-made-good returned home, but it has also been rumored that the accident which Jack himself had been in had ruined his clean-cut good looks. Will he be as hideous as the gossip papers have suggested? Will the party be beyond Springwood's wildest expectations? Everyone is literally dying to find out.

Writer, producer, and director Wes Craven has successfully tapped into the horror vein for over forty years, serving up scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably Nightmare on Elm Street, which spawned a series of sequels and made Craven (and his creation, Freddy Kruger) an international sensation. He then created a second indelible series in the horror movie trope with Scream. In Screams & Nightmares, Brian J. Robb examines Craven's entire career, from his low-budget beginnings to his most recent box office hits, from the banned thriller The Last House on the Left and the cult classic The Hills Have Eyes to the outrageous Shocker and The People Under the Stairs. Through exclusive interviews with Craven, Robb provides in-depth accounts of the making of each of the films – including the final instalments of the Scream series – Craven's foray into writing novels, and his numerous television projects.

John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

Written by JEFF KATZ & JAMES KUHORIC - Art by JASON CRAIG Cover by ARTHUR SUYDAM Beneath the bloody waters of Crystal Lake, an immortal evil wakes and begins a new cycle of violence in this new collection of the second hit miniseries. Co-published with Dynamite Entertainment.