In Victorian London, a lonely band of misfits trapped in a sideshow decides to put their extraordinary talents to use to solve the mysteries that no one else cares about, starting with the stealing of poor children from the banks of the Thames.

From the moment Bob Langmuir, a down-and-out rare book dealer, spies some intriguing photographs in the archive of a midcentury Times Square freak show, he knows he's on to something. It turns out he's made the find of a lifetime--never-before-seen prints by the legendary Diane Arbus. Furthermore, he begins to suspect that what he's found may add a pivotal chapter to what is now known about Arbus as well as about the "old weird America," in Greil Marcus's phrase, that Hubert's inhabited. Bob's ensuing adventure--a roller-coaster ride filled with bizarre characters and coincidences--takes him from the fringes of the rare book business to Sotheby's, and from the exhibits of a run-down Times Square freak show to the curator's office of the Metropolitan Museum of Art. Will the photos be authenticated? How will Arbus's notoriously protective daughter react? Most importantly, can Bob, who always manages to screw up his most promising deals, finally make just one big score?

This is a colourful history of the carnival sideshow and its distinctive banner art. With one hundred colour photographs, the book lovingly surveys this now vanished icon of early rural America, counterpointing classic freak show art with contemporary interpretations. Fifty archival black-and-white photos of sideshows provide a historical context for the banner illustrations.

It begins with a dire call-right before his father disappears and his skyscraper home's doors explode inward. Street Freaks is the kind of thrilling futuristic story only New York Times bestselling author Terry Brooks can tell. "Go into the Red Zone. Go to Street Freaks." his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits―human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world. Brooks has long been the grandmaster of fantasy. Now he turns his hand to science fiction filled with what his readers love best: complex characters, extraordinary settings, exciting action, and a page-turning story. Through it, Brooks reimagines his bestselling career yet again.

Max is used to being called Stupid. And he is used to everyone being scared of him. On account of his size and looking like his dad. Kevin is used to being called Dwarf. And he is used to everyone laughing at him. On account of his size and being some cripple kid. But greatness comes in all sizes, and together Max and Kevin become Freak The Mighty and walk high above the world. An inspiring, heartbreaking, multi-award winning international bestseller.

This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.

When a teenage cyborg is forced to hide out at a small-town high school, the unthinkable happens: she falls in love. Jay’s a cyborg who looks just like normal teenage girl. She’s super-strong, super-smart, and she can even appear to grow and age like a human. When a covert organization intent on using Jay as a weapon comes after her, she needs to find a place where she can blend in. Greenfield High seems perfect… except that the boys all think she’s totally hot and keep hitting on her, and she has no clue how to handle the attention. Who knew high school could be so perilous? To add to her confusion she’s evolving - experiencing human emotions for the first time. And when she encounters ex-jock-turned-outcast Tyler, he sends her logical brain into a spin. She’s just starting to get the hang of this girlfriend/boyfriend thing when her pursuers track her down. Now’s sooo not the time for a cyborg to fall in love and get all emotional! ~Optioned for TV by Cream Drama, Inc. ~Winner: Gulf Coast RWA Silken Sands Self-Published Star contest, YA category ~Winner: Maryland Romance Writers Reveal Your Inner Vixen contest, YA category Download this 68000 word young adult paranormal book FREE! Warning: Contains language and themes more suitable for older readers Other YA books by Maree Anderson: Freaks in the City (Freaks 2) Freaks Under Fire (Freaks 3) Freaks Series Bundle (Books 1, 2 and 3) Liminal (Liminals, Book 1) Phase (Liminals, Book 2) - Coming soon!

Until the early nineteenth century, "risk" was a specialized term: it was the commodity exchanged in a marine insurance contract. Freaks of Fortune tells the story of how the modern concept of risk emerged in the United States. Born on the high seas, risk migrated inland and became essential to the financial management of an inherently uncertain capitalist future. Focusing on the hopes and anxieties of ordinary people, Jonathan Levy shows how risk developed through the extraordinary growth of new financial institutions-insurance corporations, savings banks, mortgage-backed securities markets, commodities futures markets, and securities markets-while posing inescapable moral questions. For at the heart of risk's rise was a new vision of freedom. To be a free individual, whether an emancipated slave, a plains farmer, or a Wall Street financier, was to take, assume, and manage one's own personal risk. Yet this often meant offloading that same risk onto a series of new financial institutions, which together have only recently acquired the name "financial services industry." Levy traces the fate of a new vision of personal freedom, as it unfolded in the new economic reality created by the American financial system. Amid the nineteenth-century's waning faith in God's providence, Americans increasingly confronted unanticipated challenges to their independence and security in the boom and bust chance-world of capitalism. Freaks of Fortuneis one of the first books to excavate the historical origins of our own financialized times and risk-defined lives.

Tree-huggers may actually be squeezing the life out of the environment. In a book that is alternately alarming, enlightening, ironic, and entertaining, award-winning journalist John Berlau explores the myriad ways in which shortsighted environmentalism actually endangers trees, wildlife, and people. In chapter after chapter, Berlau debunks myths and libels about: global warming and climate change the dangers of pesticides like DDT trees and pollution fuel economy and the auto industry the threat posed by asbestos the lifesaving role of dams and levees plans to "rewild" America Mother Nature is not a gentle person, and Berlau's pointed reporting reveals the very real dangers to people and their environments when Eco-Freaks prevent us from restraining her. "Berlau makes a powerful case. . . . Thinking environmentalists who read this book will be forced to revisit at least some of their most deeply held beliefs." -Joel Himelfarb, Washington Times "Berlau says a lot of things that are not generally known that needed to be said." -Bruce N. Ames, recipient, National Medal of Science, 1998 Save the Planet . . . and Ourselves In Eco-Freaks, award-winning journalist John Berlau provides a much needed and startling exposé about how the environmental movement with its radical, shortsighted eco-activists has actually helped amplify the dangers of natural disasters and destroyed the lives and property of millions of Americans. As Berlau writes, "America . . . is still mighty prosperous, but environmentalism is putting us on the brink of danger as well. As technology after technology that our grandparents put in place is being banned, and new technologies never even come to market, we risk a public-health disaster. Environmentalists have promoted all sorts of doomsday scenarios about population explosions and massive cancer crises from pesticides that have been shown to be false. But now, because we have done away with so many useful products based on those scares, we are in danger of an old-fashion doomsday returning, because we've lost what protected us from the wrath of nature. Indeed, as we will see throughout this book, public health hazards caused by environmental policies are already on the scene."