Influential Austrian artist, Franz West (1947-2012) had been writing texts, notes, remarks and aphorisms non-stop since 1977.He attached these texts to his sculptures, continuing the sculptural expression linguistically without illustrating or explaining.In places the titles, epithets and texts can raise awareness of the sculpture's form, in others they can drive the viewer mad or fascinate like the cryptograms of a lingual alchemist.Texts accompany Franz West's complete oeuvre. Thus far, more than 200 have been created and they are published here in their entirety for the first time in a newly edited form, as facsimiles and in transcriptions.The Franz West retrospective exhibition is taking place at Centre Pompidou, Paris (autumn/winter 2018), and at TATE Modern, London (spring/summer 2019).There was a major Franz West exhibition at The Hepworth Wakefield in 2014.

Franz West is widely considered to be one of Europe's most important contemporary artists, and he has reached that position without ever having needed to limit himself to a single medium or mode of expression. Like other artists who came of age in the midst of Conceptualism and Minimalism, his work has ranged widely and blurred the boundaries between art and life. The works showcased here, including autonomous sculpture and interactive pieces, were all made between 1972 and 1988, starting with the furniture with which he expanded our understanding of sculpture--a chair with a seat made of chains still stirs visceral reactions--and the photo-filled and always photogenic collages with which he seemed to join Pop. Early Work exemplifies the richness of West's early production, and Eva Badura-Triska's insightful essay traces through it the development of the theories and practices that continue to shape his work today.

Foreword by Glenn D. Lowry. Text by Roxana Marcoci.

A New York Times Notable Book and aSan Jose Mercury News Top 20 Nonfiction Book of 2003In 1606, approximately 105 British colonists sailed to America, seeking gold and a trade route to the Pacific. Instead, they found disease, hunger, and hostile natives. Ill prepared for such hardship, the men responded with incompetence and infighting; only the leadership of Captain John Smith averted doom for the first permanent English settlement in the New World.The Jamestown colony is one of the great survival stories of American history, and this book brings it fully to life for the first time. Drawing on extensive original documents, David A. Price paints intimate portraits of the major figures from the formidable monarch Chief Powhatan, to the resourceful but unpopular leader John Smith, to the spirited Pocahontas, who twice saved Smith’s life. He also gives a rare balanced view of relations between the settlers and the natives and debunks popular myths about the colony. This is a superb work of history, reminding us of the horrors and heroism that marked the dawning of our nation.

This book, first published in 1980, provides both a broad review and detailed analysis of the major issues that had been affecting the changing relations between Moscow and the other European Communist parties. In discussing the Spanish, Italian, French and Scandinavian communist parties the individual contributors expose the weaknesses as well as the strengths of the parties, and analyse the ideological and sociological roots. This title will be of interest to students of politics.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.

This masterpiece of war literature that will change your perspective on life and humanity.** Follow the journey of Paul, a young German soldier who enlists in World War I with his friends, full of enthusiasm and patriotism. But soon, he faces the horrors of the trenches, where death, disease, and despair lurk at every corner. He witnesses the brutality and futility of war, and he vows to resist the hatred that makes him kill his fellow human beings, who are just like him, except for their uniforms. This book is a powerful and moving portrait of the suffering, the courage, and the longing for peace of a generation that was sacrificed for a senseless conflict. It is widely regarded as the best war novel of all time, and it has been adapted into an Oscar-winning movie that you can watch on Netflix.

With speed, violence, and deadly power, heavily armored tanks spearheaded the German blitzkrieg that stormed across Europe in 1939. In this reprint of the classic book, prolific author Kurowski tells the action-packed stories of six of the most daring and successful officers ever to command these Panzers.

The focus of this publication is Franz West's (1947-2012) Kombi-Werke installations, in which greatly differing individual pieces are brought together and then recomposed into new works. Gathering elements such as fittings, furniture, sculpture, videos and works on paper from all periods--and even works made by artist friends--into grand ensembles, the Kombi-Werke are without doubt key elements in West's legacy. An example is the three-part papier-mâché sculpture "Redundanz" its starting point is the gouache "Lost Weight" (1994), with its motif of a dieting woman showing her oversized pants. Omitting the "W," West transforms "Lost Weight" into "Lost Eight," in order to derive the title for a larger work, "Where Is my Eight?" With 250 color illustrations, this substantial and inspiring volume, and the exhibition it accompanies, were overseen by the artist himself, before his death in the summer of 2012.