Haskell keeps both novel and movie at hand, moving from one to the other, comparing and distinguishing what Margaret Mitchell expresses from what obsessive producer David O. Selznick, directors George Cukor and Victor Fleming, screenplaywrights Sidney Howard and a host of fixers (including Ben Hecht and Scott Fitzgerald), and actors Vivien Leigh, Clark Gable, Hattie McDaniel, and others convey. She emphasizes the contributions of Selznick, Leigh, and in an entire chapter, Mitchell, drawing heavily and analytically on existing biographies, the literature of women and the Civil War, Civil War films (especially Birth of a Nation and Jezebel), and film criticism to such engaging effect as to not just revisit GWTW but to revive and intensify the enduring fascination of what Selznick dubbed the American Bible. --Olson, Ray Copyright 2009 Booklist.

Lost in the Bayou... Selene has always had three great passions: men, food . . . and Gone With the Wind. Still, the glamorous model always seems to be starving for both nourishment and affection. Weary of the petty world of high fashion, she heads to New Orleans for one last shoot before she chucks it all and begins a whole new life. But she doesn't realize that, thanks to an errant voodoo spell, her new life will happen 150 years in the past . . . and in the company of a dark and brooding gentleman who could give Rhett Butler a run for his money! An alarmingly handsome Southern planter, James Baptiste may not have Rhett's cavalier spirit—and his plantation is certainly no Tara! But it's clear as crystal that this virile Creole is a lover worth giving a damn about. And with God as her witness, Selene vows she will never go hungry for this man again!

Delilah Dickinson finds her new literary travel agency in Atlanta getting some bad press when the actor playing the role of Rhett Butler at a plantation modeled after Tara from "Gone with the Wind" turns up dead.

Glimpses into the soul of a people and a nation.

“Exquisitely imagined, deeply researched . . . brings to the foreground the most enigmatic and fascinating figure in Gone with the Wind. This is a brave work of literary empathy by a writer at the height of his powers, who demonstrates a magisterial understanding of the period, its clashing cultures, and its heartbreaking crises. ” —Geraldine Brooks, author of March The only authorized prequel to Margaret Mitchell’s Gone with the Wind—the unforgettable story of Mammy. On a Caribbean island consumed by the flames of revolution, an infant girl falls under the care of two French émigrés, Henri and Solange Fournier, who take the beautiful child they call Ruth to the bustling American city of Savannah. What follows is the sweeping tale of Ruth’s life as shaped first by her strong-willed mistress, and then by Solange’s daughter Ellen and Gerald O’Hara, the rough Irishman Ellen chooses to marry; the Butler family of Charleston and their unexpected connection to Mammy Ruth; and finally Scarlett O’Hara—the irrepressible Southern belle Mammy raises from birth. As we witness the lives of three generations of women, gifted storyteller Donald McCaig reveals a nuanced portrait of Mammy, at once a proud woman and a captive, a strict disciplinarian who has never experienced freedom herself. Through it all, Mammy endures, a rock in the river of time. Set against the backdrop of the South from the 1820s until the dawn of the Civil War, here is a remarkable story of fortitude, heartbreak, and indomitable will—and a tale that will forever illuminate your reading of Margaret Mitchell’s Gone with the Wind.

This collection of the funniest, most acerbic, most insulting lines ever uttered by the wits of the film industry--as well as by equally witty outsiders whose opinions of Hollywood are usually less than flattering. Includes 12 pages of black-and-white photos from famous films such as "Gone With the Wind, The Godfather, On the Waterfront," and "The Wizard of Oz," among others.

An Instant New York Times Bestseller and #1 Indie Bestseller! A William C. Morris YA Debut Award Finalist An Asian Pacific American Librarians Association Honor Book Two friends. One fake dating scheme. What could possibly go wrong? Frank Li has two names. There's Frank Li, his American name. Then there's Sung-Min Li, his Korean name. No one uses his Korean name, not even his parents. Frank barely speaks any Korean. He was born and raised in Southern California. Even so, his parents still expect him to end up with a nice Korean girl--which is a problem, since Frank is finally dating the girl of his dreams: Brit Means. Brit, who is funny and nerdy just like him. Brit, who makes him laugh like no one else. Brit . . . who is white. As Frank falls in love for the very first time, he's forced to confront the fact that while his parents sacrificed everything to raise him in the land of opportunity, their traditional expectations don't leave a lot of room for him to be a regular American teen. Desperate to be with Brit without his parents finding out, Frank turns to family friend Joy Song, who is in a similar bind. Together, they come up with a plan to help each other and keep their parents off their backs. Frank thinks he's found the solution to all his problems, but when life throws him a curveball, he's left wondering whether he ever really knew anything about love—or himself—at all. In this moving debut novel—featuring striking blue stained edges and beautiful original endpaper art by the author—David Yoon takes on the question of who am I? with a result that is humorous, heartfelt, and ultimately unforgettable.

The lives and loves of Daisy and Violet Hilton follows the poignant life story of twin sisters who were literally joined at the hip, set against the tumultuous backdrop of America during the first half of the 20th century. Daisy and Violet and an unforgettable cast of show-business characters come alive on the pages of this carefully researched and sensitively written biography. Reviews "Jensen's book is a testament to the fickleness of the entertainment world." -Tampa Bay Tribune "It is an affecting story, gently and honestly told without frills, without sensation. In Jensen's hands, the twins are always human, individuals, never freaks joined at the hips as the world saw them after their birth in 1908. . . Here, their story is pure." -Milwaukee Journal Sentinel

This propulsive post-apocalyptic thriller “in which Agatha Christie’s And Then There Were None collides with Stephen King’s The Shining” (NPR) follows a group of survivors stranded at a hotel as the world descends into nuclear war and the body of a young girl is discovered in one of the hotel’s water tanks. Jon thought he had all the time in the world to respond to his wife’s text message: I miss you so much. I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC, has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange. Two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Jon and the rest try to maintain some semblance of civilization. But when he goes up to the roof to investigate the hotel’s worsening water quality, he is shocked to discover the body of a young girl floating in one of the tanks, and is faced with the terrifying possibility that there might be a killer among the group. As supplies dwindle and tensions rise, Jon becomes obsessed with discovering the truth behind the girl’s death. In this “brilliantly executed...chilling and extraordinary” post-apocalyptic mystery, “the questions Jameson poses—who will be with you at the end of the world, and what kind of person will you be?—are as haunting as the plot itself.” (Emily St. John Mandel, nationally bestselling author of Station Eleven).