DIVA reprint of a novel and other temperance writings by Walt Whitman, with an introduction and explanatory notes by the editors./div

In Interior States Christopher Castiglia focuses on U.S. citizens’ democratic impulse: their ability to work with others to imagine genuinely democratic publics while taking divergent views into account. Castiglia contends that citizens of the early United States were encouraged to locate this social impulse not in associations with others but in the turbulent and conflicted interiors of their own bodies. He describes how the human interior—with its battles between appetite and restraint, desire and deferral—became a displacement of the divided sociality of nineteenth-century America’s public sphere and contributed to the vanishing of that sphere in the twentieth century and the twenty-first. Drawing insightful connections between political structures, social relations, and cultural forms, he explains that as the interior came to reflect the ideological conflicts of the social world, citizens were encouraged to (mis)understand vigilant self-scrutiny and self-management as effective democratic action. In the late eighteenth century and early nineteenth, as discourses of interiority gained prominence, so did powerful counter-narratives. Castiglia reveals the flamboyant pages of antebellum popular fiction to be an archive of unruly democratic aspirations. Through close readings of works by Maria Monk and George Lippard, Walt Whitman and Timothy Shay Arthur, Hannah Webster Foster and Hannah Crafts, and Nathaniel Hawthorne and Herman Melville, Castiglia highlights a refusal to be reformed or self-contained. In antebellum authors’ representations of nervousness, desire, appetite, fantasy, and imagination, he finds democratic strivings that refused to disappear. Taking inspiration from those writers and turning to the present, Castiglia advocates a humanism-without-humans that, denied the adjudicative power of interiority, promises to release democracy from its inner life and to return it to the public sphere where U.S. citizens may yet create unprecedented possibilities for social action.

Franklin Evans or The Inebriate: A Tale of the Times, is the rag-to-riches story of Franklin Evans. Franklin starts as an innocent young man, leaving Long Island to come to New York City for the opportunity to better himself. Being young and naïve, he is easily influenced by a man he befriended and eventually becomes a drunkard. He tries many times to abstain from alcohol but does not succeed until a major tragedy struck him. Franklin Evans scuttles through a journey of a young man living and learning through his mistakes, picking up life lessons along the way.

"Indispensable to students of antebellum culture."—Philip F. Gura, Univ. of North Carolina. "A highly valuable resource for students of American Studies and Women's Studies alike."—Donald Pease, UC-Riverside.

"Explores the meaning of blacks and blackness in Whitman's imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essay, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence."--Page [4] of cover.

Franklin Evans; or The Inebriate: A Tale of the Times, the first novel written by Walt Whitman, is the rag-to-riches story of Franklin Evans. Franklin Evans starts as an innocent young man, leaving Long Island to come to New York City for the opportunity to better himself. Being young and naïve, he is easily influenced by someone whom he befriended (Colby) and eventually becomes a drunkard. He tries many times to abstain from alcohol but does not succeed until after the death of his two wives. Franklin Evans takes you through a journey of a young man living and learning through his mistakes, picking up life lessons along the way.

How did a New York printer become one of the most influential poets of all time? Find out in this addition to the Who HQ library! Walt Whitman was a printer, journalist, editor, and schoolteacher. But today, he's recognized as one of America's founding poets, a man who changed American literature forever. Throughout his life, Walt journeyed everywhere, from New York to New Orleans, Washington D.C. to Denver, taking in all that America had to offer. With the Civil War approaching, he saw a nation deeply divided, but he also understood the power of words to inspire unity. So in 1855, Walt published a short collection of poems, Leaves of Grass, a book about the America he saw and believed in. Though hated and misunderstood by many at the time, Walt's writing introduced an entirely new writing style: one that broke forms, and celebrated the common man, human body, and the diversity of America. Generations later, readers can still find themselves in Whitman's words, and recognize the America he depicts. Who Was Walt Whitman? follows his remarkable journey from a young New York printer to one of America's most beloved literary figures.