This is a book by and about Frank O. Etheridge, an African-American musician from an age of cultural explosion. The decade after World War II saw the coming-of-age of marginalized cultures, and in North America a new voice emerged among peoples of African descent. Etheridge performed in a period when some of the greatest cultural producers of the African-American heritage assumed center-stage. From Shanghai to Singapore; from India to Africa and beyond, Frank Etheridge left us a detailed record of his travels in his unpublished manuscript. The book contains his views, insights, and international itinerary during the 1920s. His book is an important volume in the annals of African-American history, not just for its content, but for what it means and symbolizes. Its readers will journey with him, see through his eyes, understand race and racial prejudice as lived in ordinary skin, and sample culture. Some of Etheridge’s reflections and personal biases will seem like unpleasant contradictions from the way we think about racial prejudice today. However, these jarring moments of dissonance are rich learning opportunities that will connect us to his times, while unraveling a greater understanding of ourselves in our current moment. This manuscript, published for the first time, will be accompanied by editorial commentary written by Professor Ben Vinson III, and will be of great interest to students and scholars of African American history.

For a quarter century, Melissa Etheridge has been one of the most iconic and prolific female rock musicians. This book critically examines this songwriter's portrayal of universal human emotions and experiences against the context of her life. Songwriter. Pop star. Gay activist. Cancer survivor. Advocate for cancer victims. Human being. Melissa Etheridge is all of these things, and all of these elements of who she is have played an instrumental role in her music from the beginning of her career to the present day. The Words and Music of Melissa Etheridge examines Melissa Etheridge's contributions to pop music in the tradition of other greats such as Janis Joplin, Bruce Springsteen, and Rod Stewart. Written by a music scholar and Etheridge fan, this book investigates her work chronologically by time period, underscoring her growth as a songwriter and musician and demonstrating how her music reflected the events in her life, both positive and negative. Author James E. Perone spotlights how Etheridge's songs defy traditional gender roles and stereotypes and appeal to general audiences with their universal themes, yet serve those in the lesbian community because of the specific applicability of her words to the members of this minority group. The book supplies expert, critical, and easy-to-understand analysis of all of the songs of Melissa Etheridge's studio albums from the 1980s through to her autobiographical and reflective album, 4th Street Feeling, released in 2012.

The 13th-21st include "Rules for the courts of Texas."

Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House".