Sixteen full-page designs adapted from windows in Wright buildings: Robie House, Dana House, Coonley Playhouse, many more. Geometrics, florals, etc. Color and hang near light source for glowing stained glass effects.

In captivating color photography and well-researched commentary, Tom Heinz captures the essence of Frank Lloyd Wright's genius and his fascination with the interplay of light and shadow in an exquisite representation of Frank Lloyd Wright's lighting treatments. Frank Lloyd Wright's Stained Glass & Lightscreens features not only Wright's iridescent stained glass but a sweeping range of his "lightscreens," Wright's term for his designs that capture the essence of both light and shadow. These screens were not intended to obscure the window view but to modify and focus it through framing. Wright's abstraction of patterns and geometry from nature--plants and flowers--resulted in imaginative stained-glass designs. While he is best known for his stained glass set in metal frames, he also created screens in cut wood, concrete, and terra-cotta. Thomas A. Heinz, AIA, has been involved with the restoration of more than forty Frank Lloyd Wright buildings and is the author of twenty books on Wright. He is also coauthor with Randell L. Makinson and principal photographer for Greene and Greene: The Blacker House and Greene and Greene Creating a Style. He lives in Mettawa, Illinois.

A portfolio of Frank Lloyd Wright's buildings in the Chicago area, featuring Prairie style architecture.

"Prairie Designs for Stained Glass Windows" is a book of 56 original designs by Alex Spatz in the Prairie School of design, which was started by Frank Lloyd Wright. It has designs in circles, rectangles and free-form shapes, in varying complexities for hobbyists of different levels.

A revised and updated edition of this comprehensive volume dedicated to Wright's only plantation design. Although Frank Lloyd Wright designed more than 1,000 projects during his long and prolific career, Auldbrass Plantation, in Yemassee, South Carolina, is the only plantation he ever designed. It is also one of the largest and most complex projects he ever undertook. Wright had an unusually intense commitment to Auldbrass, and worked on it, off and on, for more than twenty years, from 1938 until his death in 1959. Because Auldbrass was private and because it fell into disrepair in the 1960s after the owners' death, it was rarely photographed or studied, and as a consequence little has been known about this major work. With a recently completed restoration and new photography, this book affords a rare opportunity to see one of Wright's greatest works, as the master himself originally envisioned it. Through photos, plans, and drawings, we see what Wright planned, and how it has finally all been either restored or realized for the first time. In 1986, film producer Joel Silver (Die Hard, Lethal Weapon, 48 Hours, Predator, Romeo Must Die, The Matrix, and over forty other films) bought Auldbrass. He had earlier bought and meticulously restored Wright's famous 1923 Storer House in Hollywood. Now he has again collaborated with Wright's grandson, architect Eric Lloyd Wright, who restored the Storer House, to restore the Auldbrass Plantation.

I have been standing on the side of life, watching it float by. I want to swim in the river. I want to feel the current. So writes Mamah Borthwick Cheney in her diary as she struggles to justify her clandestine love affair with Frank Lloyd Wright. Four years earlier, in 1903, Mamah and her husband, Edwin, had commissioned the renowned architect to design a new home for them. During the construction of the house, a powerful attraction developed between Mamah and Frank, and in time the lovers, each married with children, embarked on a course that would shock Chicago society and forever change their lives. In this ambitious debut novel, fact and fiction blend together brilliantly. While scholars have largely relegated Mamah to a footnote in the life of America’s greatest architect, author Nancy Horan gives full weight to their dramatic love story and illuminates Cheney’s profound influence on Wright. Drawing on years of research, Horan weaves little-known facts into a compelling narrative, vividly portraying the conflicts and struggles of a woman forced to choose between the roles of mother, wife, lover, and intellectual. Horan’s Mamah is a woman seeking to find her own place, her own creative calling in the world. Mamah’s is an unforgettable journey marked by choices that reshape her notions of love and responsibility, leading inexorably ultimately lead to this novel’s stunning conclusion. Elegantly written and remarkably rich in detail, Loving Frank is a fitting tribute to a courageous woman, a national icon, and their timeless love story. BONUS: This edition includes an excerpt from Nancy Horan's Under the Wide and Starry Sky. Advance praise for Loving Frank: “Loving Frank is one of those novels that takes over your life. It’s mesmerizing and fascinating–filled with complex characters, deep passions, tactile descriptions of astonishing architecture, and the colorful immediacy of daily life a hundred years ago–all gathered into a story that unfolds with riveting urgency.” –Lauren Belfer, author of City of Light “This graceful, assured first novel tells the remarkable story of the long-lived affair between Frank Lloyd Wright, a passionate and impossible figure, and Mamah Cheney, a married woman whom Wright beguiled and led beyond the restraint of convention. It is engrossing, provocative reading.” ——Scott Turow “It takes great courage to write a novel about historical people, and in particular to give voice to someone as mythic as Frank Lloyd Wright. This beautifully written novel about Mamah Cheney and Frank Lloyd Wright’s love affair is vivid and intelligent, unsentimental and compassionate.” ——Jane Hamilton “I admire this novel, adore this novel, for so many reasons: The intelligence and lyricism of the prose. The attention to period detail. The epic proportions of this most fascinating love story. Mamah Cheney has been in my head and heart and soul since reading this book; I doubt she’ ll ever leave.” –Elizabeth Berg