Every June the city of Lowell, Massachusetts, celebrates Franco-American Day, raising the Franco-American flag and hosting events designed to commemorate French culture in the Americas. Though there are twenty million French speakers and people of French or francophone descent in North America, making them the fifth-largest ethnic group in the United States, their cultural legacy has remained nearly invisible. Events like Franco-American Day, however, attest to French ethnic permanence on the American topography. In Franco-America in the Making, Jonathan K. Gosnell examines the manifestation and persistence of hybrid Franco-American literary, musical, culinary, and media cultures in North America, especially New England and southern Louisiana. To shed light on the French cultural legacy in North America long after the formal end of the French empire in the mid-eighteenth century, Gosnell seeks out hidden French or "Franco" identities and sites of memory in the United States and Canada that quietly proclaim an intercontinental French presence, examining institutions of higher learning, literature, folklore, newspapers, women's organizations, and churches. This study situates Franco-American cultures within the new and evolving field of postcolonial Francophone studies by exploring the story of the peoples and ideas contributing to the evolution and articulation of a Franco-American cultural identity in the New World. Gosnell asks what it means to be French, not simply in America but of America.

This book examines the formulation of British and American policy between 1945 and 1955 towards one of the most hated regimes of this century. The Franco question though apparently not of the first importance in the evolution of Cold War policy, nevertheless haunted British and American governments during this period. It posed a problem which epitomises the difficulty of dealing with pariah regimes. As such it highlights for historians the attempts of these two governments to straddle the contradictions inherent in the emerging dual system of the United Nations, or internationalism, on the one hand, and the older system of balance of power, played out by the super powers as the Cold War. Set as it is in the domestic and international context, it also exemplifies the problems faced today by individual governments and by the United Nations in dealing with questions of intervention or non-intervention in distasteful regimes.

Her name is Abbie. She is nineteen and she has had it with guys. Especially the wrong guys. 'Cause that's all she ever seems to meet. Oh, she likes guys just fine -- and they are kind of necessary, in a Mother Nature sort of way -- but she is just over it with the ones who drink all the time, and are forever taking pills and drifting off into their own little private Idaho. Abbie will just concentrate on getting through this final year of schooling in fashion design, because once outta here she is off to make her name. She's got her roommate Georgette and her best friend Pat, and they will be all the companionship she needs. And then she meets Franco. Dream on, Abbie. Dream on. In a style so fresh and original that it seems to practically reinvent prose, and with an energy that grabs the reader from the very outset, first-time novelist Julie Taylor succeeds with Franco American Dreams in bringing to life characters that defy you not to love them, no matter what your age. They and their story are funny, fabulous, far-out ... and so very, very real.

Every June the city of Lowell, Massachusetts, celebrates Franco-American Day, raising the Franco-American flag and hosting events designed to commemorate French culture in the Americas. Though there are twenty million French speakers and people of French or francophone descent in North America, making them the fifth-largest ethnic group in the United States, their cultural legacy has remained nearly invisible. Events like Franco-American Day, however, attest to French ethnic permanence on the American topography. In Franco-America in the Making, Jonathan K. Gosnell examines the manifestation and persistence of hybrid Franco-American literary, musical, culinary, and media cultures in North America, especially New England and southern Louisiana. To shed light on the French cultural legacy in North America long after the formal end of the French empire in the mid-eighteenth century, Gosnell seeks out hidden French or “Franco” identities and sites of memory in the United States and Canada that quietly proclaim an intercontinental French presence, examining institutions of higher learning, literature, folklore, newspapers, women’s organizations, and churches. This study situates Franco-American cultures within the new and evolving field of postcolonial Francophone studies by exploring the story of the peoples and ideas contributing to the evolution and articulation of a Franco-American cultural identity in the New World. Gosnell asks what it means to be French, not simply in America but of America.