“From boyhood,” wrote Francis Parkman, “I had a taste for the woods and the Indians.” This Library of America volume, containing The Oregon Trail and The Conspiracy of Pontiac, brilliantly demonstrates this lifelong fascination. His first book, The Oregon Trail, is a vivid account of his frontier adventures and his encounters with Plains Indians in their final era of nomadic life. The Conspiracy of Pontiac and the Indian War after the Conquest of Canada, Parkman’s first historical work, portrays the fierce conflict that erupted along the Great Lakes in the aftermath of the Seven Years’ War and chronicles the defeats in which the eastern Native American tribes “received their final doom.” The Oregon Trail (1849) opens on a Missouri River steamboat crowded with traders, gamblers, speculators, Oregon emigrants, “mountain men,” and Kansas Indians. In his search for Natives untouched by white culture, Parkman meets the Whirlwind, a Sioux chieftain, and follows him through the Black Hills. His descriptions of natives’ buffalo hunts, feasts and games, feuds, and gift-giving derive their intensity from his awareness that he was recording a vanishing way of life. Praised by Herman Melville for its “true wild-game flavor,” The Oregon Trail is a classic tale of adventure that celebrates the rich variety of life Parkman found on the frontier and the immensity and grandeur of America’s western landscapes. In The Conspiracy of Pontiac (1851), Parkman chronicles the consequences of the French defeat in Canada for the eastern Native American tribes. At the head of the Native American resistance to the Anglo-American advance in the 1760s was the daring Ottawa leader Pontiac, whose attacks on the frontier forts and settlements put in doubt the continuation of western expansion. A powerful narrative of battles and skirmishes, treaties and betrayals, written with eloquence and fervor and filled with episodes of heroism and endurance, The Conspiracy of Pontiac captures the spirit of a tragic and tumultuous age. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This is the second of two Library of America volumes (the companion volume here) presenting, in compact form, all seven parts of Francis Parkman’s monumental narrative history of the struggle for control of the American continent. Thirty years in the writing, Parkman’s “history of the American forest” is an accomplishment hardly less awesome than the explorations and adventures he so vividly describes. The story reaches its climax with the fatal confrontation of two great commanders at Quebec’s Plains of Abraham—and a daring stratagem that would determine the future of a continent. Count Frontenac and New France under Louis XIV (1877) details how France might have won her imperial struggle with England. Frontenac, a courtier who was made governor of New France by that most sagacious of monarchs, oversaw the colony’s brightest era of growth and influence. Had Canada’s later governors possessed his administrative skill and personal force, his sense of diplomacy and political talent, or his grasp of the uses of power in a modern world, the English colonies to the south might have become part of what Frontenac saw as a continental scheme of French dominion. England’s American colonies flourished, while France, in both the Old World and the New, declined from its greatness of the late seventeenth century. Conflict over the developing western regions of North America erupted in a series of colonial wars. As narrated by Parkman in A Half-Century of Conflict (1892), these American campaigns, while only part of a larger, global struggle, prepared the colonies for the American Revolution. In Montcalm and Wolfe (1884) Parkman describes the fatal confrontation of the two great French and English commanders whose climactic battle marked the end of French power in America. As the English colonies cooperated for their own defense, they began to realize their common interests, their relative strength, and their unique position. In this imperial war of European powers we also begin to see the American figures—Benjamin Franklin, George Washington—soon to occupy a historical stage of their own. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America volume, along with its companion, presents, for the first time in compact form, all seven titles of Francis Parkman’s monumental account of France and England’s imperial struggle for dominance on the North American continent. Deservedly compared as a literary achievement to Gibbon’s The Decline and Fall of the Roman Empire, Parkman’s accomplishment is hardly less awesome than the explorations and adventures he so vividly describes. Pioneers of France in the New World (1865) begins with the early and tragic settlement of the French Huguenots in Florida, then shifts to the northern reaches of the continent and follows the expeditions of Samuel de Champlain up the St. Lawrence River and into the Great Lakes as he mapped the wilderness, organized the fur trade, promoted Christianity among the natives, and waged a savage forest campaign against the Iroquois. The Jesuits in North America in the Seventeenth Century (1867) traces the zealous efforts of the Jesuits and other Roman Catholic orders to convert the Native American tribes of North America. La Salle and the Discovery of the Great West (1869) records that explorer’s voyages on the Ohio and Mississippi Rivers and his treks, often alone, across the vast western prairies and through the labyrinthine swamps of Louisiana. The Old Régime in Canada (1874) recounts the political struggles among the religious sects, colonial officials, feudal chiefs, royal ministers, and military commanders of Canada. Their bitter fights over the monopoly of the fur trade, the sale of brandy to the natives, the importation of wives from the orphanages and poorhouses of France, and the bizarre fanaticism of religious extremists and their “incessant supernaturalism” animate this pioneering social history of early Canada. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The four novels collected in this Library of America volume are among the classic works from the immensely productive career of America’s most influential man of letters at the turn of the twentieth century. William Dean Howells was a champion of French and Russian realistic writers and a brilliant advocate of the most controversial American writers of his own time. In A Foregone Conclusion (1875), a young American painter roams through Europe for years before at last deciding to marry the woman who, he erroneously thinks, has been in love with an Italian priest turned agnostic. A Modern Instance (1882) offers an unflinching portrait of an unhappy marriage and ends with a hero barred by his perhaps overscrupulous conscience from marrying the divorced heroine. Once again personal dilemmas are seen as symptoms of the rapid displacement of older social and religious stabilities by opportunism and commercial progress. One of the most engaging of all his novels, Indian Summer(1885), is touched with the Jamesian glamour of romantic confusion among two American couples in Italy. Here Howells’s realism takes a quietly humorous turn. Situations which might be exploited by another novelist for their theatrical or melodramatic possibilities are instead eroded by the often trivial or casual experiences of everyday living. Characteristically, Howells is opposed to exaggeration in the interest of discovering how people, despite the crises that beset them, manage to find their way. The Rise of Silas Lapham (1885), Howells’s best-known work, gives a brilliantly skeptical portrait of American business life and its perils, celebrating not the rise but the loss of fortune that makes possible the hero’s recovery of his earlier integrity and happiness. “There are,” remarked a contemporary reviewer, “thousands of Silas Laphams throughout the United States,” and present-day readers might agree that there still are. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An extensive collection of H.P. Lovecraft’s greatest works of horror and dread, from his early stories to his major classics like “The Call of Cthulhu,” “The Shadow Over Innsmouth,” and At the Mountains of Madness In this Library of America volume, the best-selling novelist Peter Straub brings together the very best of H. P. Lovecraft's fiction in a treasury guaranteed to bring fright and delight both to longtime fans and to readers new to his work. Early stories such as “The Outsider,” “The Music of Erich Zann,” “Herbert West–Reanimator,” and “The Lurking Fear” demonstrate Lovecraft's uncanny ability to blur the distinction between reality and nightmare, sanity and madness, the human and non-human. “The Horror at Red Hook” and “He” reveal the fascination and revulsion Lovecraft felt for New York City; “Pickman's Model” uncovers the frightening secret behind an artist's work; “The Rats in the Walls” is a terrifying descent into atavistic horror; and “The Colour Out of Space” explores the eerie impact of a meteorite on a remote Massachusetts valley. In such later works as “The Call of Cthulhu,” “The Whisperer in Darkness,” “At the Mountains of Madness,” “The Shadow Over Innsmouth,” and “The Shadow Out of Time,” Lovecraft developed his own nightmarish mythology in which encounters with ancient, pitiless extraterrestrial intelligences wreak havoc on hapless humans who only gradually begin to glimpse “terrifying vistas of reality, and our frightful position therein.” Moving from old New England towns haunted by occult pasts to Antarctic wastes that disclose appalling secrets, Lovecraft's tales continue to exert a dread fascination. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

At the height of the Jazz Age, Ring Lardner was America’s most beloved humorist, equally admired by a popular audience and by literary friends like F. Scott Fitzgerald and Edmund Wilson. A sports writer who became a sensation with his comic baseball bestseller, You Know Me Al, Lardner had a rare gift for inspired nonsense and an ear attuned to the rhythms and hilarious oddities of American speech. He was also a sharp and dispassionate observer of the American scene. His best stories—among them such masterpieces as “Haircut,” “The Golden Honeymoon,” “A Caddy’s Diary,” and “The Love Nest”—cast a devastating eye on the hypocrisies, prejudices, and petty scheming of everyday life. In this Library of America edition, editor Ian Frazier surveys the whole sweep of Lardner’s talents, offering contemporary readers his finest stories, the full texts of You Know Me Al, The Big Town, and the long out-of-print The Real Dope, and a generous sampling of his humor pieces, sports reporting, song lyrics, and surrealist playlets. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A collection of writings from and about New England’s Great Awakening—a spiritual movement that gave rise to American evangelicalism—from the theologian and philosopher who first reported it to the masses Jonathan Edwards (1703–1758) is recognized today as a great theologian and philosopher. In his own day Edwards was best known as a leader of what is now known as the Great Awakening: a series of small-town revivals that mushroomed into a movement credited with giving birth to American evangelicalism and laying the groundwork for the American Revolution. In authoritative texts drawn from first editions and manuscript sources, this volume brings together all of Edwards’s essential writings from and about the revivals, including the famous sermon “Sinners in the Hands of an Angry God” and his vivid Faithful Narrative of the Surprising Work of God in the Conversion of Many Hundreds of Souls, the work that first publicized the awakenings. Characterized by precise logic and powerful imagery, his writing continues to inspire students and spiritual seekers alike. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This comprehensive collection of writings from the War of Independence poses a “subtle but profound challenge to much that we think we know about the founders and their era” (Los Angeles Times) Drawn from letters, diaries, newspaper articles, public declarations, contemporary narratives, and private memoranda, this Library of America volume brings together over 120 pieces by more than seventy participants and eyewitnesses to create a unique literary panorama of the War of Independence. Beginning with Paul Revere’s own narrative of his legendary ride in April 1775 and ending with a moving account of George Washington’s resignation from the command of the Continental Army in December 1783, the volume contains writing that describes the major events of the conflict—the early battles of Lexington, Concord, and Bunker Hill; the failed American invasion of Canada; the 1776 campaign in New York and New Jersey; the crucial battle of Saratoga; the bitter fighting in the South and along the western frontier; and the decisive triumph at Yorktown. Included are writings by famous figures—Washington Franklin, Jefferson, Benedict Arnold, John and Abigail Adams—and by lesser known participants: Samuel Blachley Webb describing courage and panic at Bunker Hill; Sarah Hodgkins writing longingly to her absent soldier husband; Jabez Fitch recounting the last hours of a wounded American officer in Brooklyn; Albigence Waldo chronicling the privations and miseries of Valley Forge; Otho Holland Williams recording with appealing candor American defeats and victories in South Carolina. The volume also contains writings by American Loyalists and by British officers and officials serving in America that provide provocative insights into the losing side of an epochal conflict. All selections are written by people who were in America at the time of the conflict. The American Revolution also includes a chronology of events, biographical and explanatory notes, and an index.

This collection of landmark slave narratives demonstrates how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition No literary genre speaks as directly and as eloquently to the brutal contradictions in American history as the slave narrative. The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person’s—and a people’s—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition. This volume collects ten works published between 1772 and 1864: • Narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America. • The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history. • The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality. • The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman. • Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft’s subversive and ingenious escape from Georgia to Philadelphia. • Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs’s complex and moving story of her prolonged resistance to sexual and racial oppression. • The narrative of the “trickster” Jacob Green (1864) presents a disturbing story full of wild humor and intense cruelty. Together, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation. Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.