A historian who lived the kind of history he wrote, Francis Parkman is a major—and controversial—figure in American historiography. His narrative style, while popular with readers wanting a "good story," has raised many questions with professional historians. Was Parkman writing history or historical fiction? Did he color historical figures with his own heroic self-image? Was his objectivity compromised by his "unbending, conservative, Brahmin" values? These are some of the many issues that Wilbur Jacobs treats in this thought-provoking study. Jacobs carefully considers the "apprenticeship" of Francis Parkman, first spent in facing the rigors of the Oregon Trail and later in struggling to write his histories despite a mysterious, frequently incapacitating illness. He shows how these events allowed Parkman to create a heroic self-image, which impelled his desire for fame as a historian and influenced his treatment of both the "noble" and the "savage" characters of his histories. In addition to assessing the influence of Parkman's development and personality on his histories, Jacobs comments on Parkman's relationship to basic social and cultural issues of the nineteenth century. These include the slavery question, Native American issues, expansion of the suffrage to new groups, including women, and anti-Catholicism.

Historians have long engaged in passionate debate about collective memory and the building of national identities. This book focuses on one national hero – Jacques Cartier – to explore how notions about the past have been created and passed on through the generations and used to present particular ideas about the world in English- and French-speaking Canada. The cult of celebrity surrounding Cartier by the mid-nineteenth century, Gordon reveals, reflected a particular understanding of history, one which accompanied the arrival of modernity in North America. This new sensibility, in turn, shaped the political and cultural currents of nation building in Canada. Cartier may have been a point of contact between English and French Canadian nationalism, but the nature of that contact, as Gordon shows, had profound limitations. The Hero and the Historians is necessary reading for anyone interested in the underlying culture of national identity – and national unity – in Canada.

The leaders of anticolonial wars of resistance--Metacom, Pontiac, Tecumseh, and Cuauhtemoc--spread fear across the frontiers of North America. Yet once defeated, these men became iconic martyrs for postcolonial national identity in Canada, the United States, and Mexico. By the early 1800s a craze arose for Indian tragedy on the U.S. stage, such as John Augustus Stone's Metamora, and for Indian biographies as national historiography, such as the writings of Benjamin Drake, Francis Parkman, and William Apess. With chapters on seven major resistance struggles, including the Pueblo Revolt of 1680 and the Natchez Massacre of 1729, The Indian Chief as Tragic Hero offers an analysis of not only the tragedies and epics written about these leaders, but also their own speeches and strategies, as recorded in archival sources and narratives by adversaries including Hernan Cortes, Antoine-Simon Le Page du Pratz, Joseph Doddridge, Robert Rogers, and William Henry Harrison. Sayre concludes that these tragedies and epics about Native resistance laid the foundation for revolutionary culture and historiography in the three modern nations of North America, and that, at odds with the trope of the complaisant "vanishing Indian," these leaders presented colonizers with a cathartic reproof of past injustices.

Originally published in 1889 in 13 volumes, this brilliant, unequalled work by the most famous American historian of the age has now been skillfully edited into a single edition. The wonderfully readable result retains its sharp focus and wonderfully graceful style, while eliminating repetitions and archaic phrases. Playing out in the dramatic account is the struggle for a continent, and the brilliant men who dominated the conflict: Champlain, La Salle, Washington, Howe, and others. By ousting the French from the land, the British unwittingly set the stage for their own later defeat.