Reprint of the original, first published in 1856.

This edition first published in 1970. Francis Galton has been honoured as the founder of biostatics and one of the creators of modern psychology. His principal aim was to establish a body of statistical knowledge about mental heredity which would result in a new pattern of behaviour for society. The relationship between outstanding men had led him to conclude that mental traits are inherited, and that an ideal society would take advantage of this "fact". In this particular work, which he termed a "Natural History of the English Men of Science of the present day", he examined at great length the antecedents, environment, education and hereditary features of the most prominent men of science in order to establish certain laws relating to heredity. It is a landmark in the transition from introspective to objective methods in biological and psychological research, and the author’s statistical, nonanecdotal approach was to prove immensely fruitful for the development of psychology. Indeed the questionnaire included in the work is probably the earliest in existence. As Professor Cowan points out in her introduction, historians as well as scientists intent upon a deeper understanding of the Victorian mind will find much of interest in this remarkable book.

'...this is a splendid, first-class book, the definitive book on Francis Galton and his legacy. The editing has been superb...The timing of its publication is excellent in relation to the increasing interest in human genetics in all areas of the biological and behavioural sciences'.R.Plomin, Distinguished Professor and Director, Center for Development and Health Genetics, Pennsylvania State University Sir Francis Galton (1822-1911), a grandson of Erasmus Darwin, was one of the most versatile men of his time. In his twenties he won fame as an explorer. He worked at the prediction of weather, and described his discovery of the anticyclone He first became an anthropologist in 1862 when he joined the Ethnological Society. He initiated anthropometry and the measurement of human variation, and the use of photography for the analysis of differencies, or individual characteristics, in a group. He recognised the uniqueness of Finger Prints, and, in 1875, first used the records of pairs of identical twins in his researches into the laws of heredity. Besides contributions to human genetics, Galton devised the correlation coefficient, and was thus concerned with the advancement of statistics. In 1883, he coined the word eugenics by which he meant 'good in birth' and 'noble in heredity', and, in 1904, he founded the Galton Laboratory at University College, London. He was first President of the Eugenics Education Society in 1907.

A groundbreaking study of South Africa's role as a site for global experiments in biometric identification throughout the twentieth century.

THE SUNDAY TIMES TOP TEN BESTSELLER 'Honest, funny and dripping with witty aphorisms. Extremely entertaining and enlightening [...] all the way to journey's end' Herald One of our greatest voices in modern philosophy, author of The Course of Love, The Consolations of Philosophy, Religion for Atheists and The School of Life, presents a travel guide with a difference - an exploration of why we travel, and what we learn along the way... Few activities seem to promise as much happiness as going travelling: taking off for somewhere else, somewhere far from home, a place with more interesting weather, customs and landscapes. But although we are inundated with advice on where to travel to, we seldom ask why we go and how we might become more fulfilled by doing so. With the help of a selection of writers, artists and thinkers - including Flaubert, Edward Hopper, Wordsworth and Van Gogh - Alain de Botton provides invaluable insights into everything from holiday romance to hotel minibars, airports to sightseeing. The perfect antidote to those guides that tell us what to do when we get there, The Art of Travel tries to explain why we really went in the first place - and helpfully suggest how we might be happier on our journeys. 'Delightful, profound, entertaining. I doubt if de Botton has written a dull sentence in his life' Jan Morris 'An elegant and subtle work, unlike any other. Beguiling' Colin Thubron, The Times

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.