The story of Francis Frith's pioneering Nile journeys made between 1857 and 1860. Includes Frith's original text and photo captions. Illustrated with 130 period photographs plus 30 modern colour photographs to show comparisons.

Priceless views of Egyptian and biblical antiquities as they looked in the mid-19th century, before war, neglect, and exploitation took their toll. 77 spectacular photographs of the Pyramids, Sphinx, Karnak, Luxor, Thebes, Mt. Horeb, Old Jerusalem, the Dead Sea, Damascus, and more. Introduction. Captions.

Exhibition itinerary : Santa Barbara Museum of Art, Jan. 29-May 31, 1998; University of New Mexico Art Museum, Oct. 13-Dec. 13, 1999; St. Louis Art Museum, Feb. 23-May 23, 1999.

This book demonstrates the complexity of nineteenth-century Britain’s engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land. British engagement with the region of the Near East in the nineteenth century was multi-faceted, and part of its complexity was exemplified in the powerful relationship between developing and diverse Protestant theologies, visual culture and imperial identity. Britain’s Holy Land was visualised through pictorial representation which helped Christians to imagine the land in which familiar Bible stories took place. This book explores ways in which the geopolitical Holy Land was understood as embodying biblical land, biblical history and biblical typology. Through case studies of three British artists, David Roberts, David Wilkie and William Holman Hunt, this book provides a nuanced interpretation of some of the motivations, religious perspectives, attitudes and behaviours of British Protestants in their relationship with the Near East at the time.

An introduction to and selections from the photographs of legendary photographer Francis Frith from the years 1856-1860

During the nineteenth century, Cairo witnessed once of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual city—physically and psychically split between East/West and modern/medieval—the contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world.

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

Views of Jerusalem and the Holy Land is an essential and unique guide to the significant sites of Jewish, Christian and Muslim pilgrimage, such as the Western Wall, the Church of the Holy Sepulchre, the Dome of the Rock, and the Stations of the Cross. Its richly informed text, over 180 photographs and detailed captions make this book an invaluable reference as well as a meticulously crafted photographic record of late-twentieth-century Jerusalem and the Holy Land. Steven Brooke is an internationally recognized leader in the photography of architecture, landscape and design. Winner of the Rome Prize from the American Academy in Rome and a faculty member of the University of Miami School of Architecture, he has photographed over 40 books on architecture and design.

Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover.